But Lois didn't care. Lois cared only about Science. Behavioral Science. Even when the kids at school taunted her, Lois didn't care. Even though her parents were disturbed by her, and her little brother worshiped her--Lois didn't care. And when her father suffered a stroke and her mother began drinking, strong, implacable Lois was in complete control.Now her scientific curiosity could have full expression. If she could control the behavior of laboratory animals, imagine what she could do with...people.

    For some curious reason she feels the secret of her past may be uncovered in the bleak manor high on Widow's Hill.From the moment she arrives, Victoria becomes the target of someone in the house determined to destroy her.As the wind moans and the rain lashes around the isolated Collins House, Victoria, without friends in the manor, feels death close in on her, a choking, frightening death.

    J. Gahagan] · ss Courier Spr ’38 77 · The Ape and the Mystery [“The Mysterious Mona Lisa Smile”] · ss The Saturday Evening Post Jun 26 ’48 89 · The King Who Collected Clocks [“Royal Impostor”] · nv The Saturday Evening Post May 3 ’47 117 · Bone for Debunkers [“The Karmesin Affair”; Karmesin] · ss The Saturday Evening Post Dec 15 ’62 133 · A Lucky Day for the Boar · ss Playboy Oct ’62 143 · Voices in the Dust of Annan · ss The Saturday Evening Post Sep 13 ’47 161 · Whatever Happened to Corporal Cuckoo? · nv The Brighton Monster, London: Heinemann, 1953; Star Science Fiction Stories #3, ed. Frederik Pohl, Ballantine, 1954

     She is desperately excited to explore not only the foreign land with all its alien culture but also the role of a wife and all the pleasures that come with it… In no time at all Constance is shocked on both accounts. China stuns her with its barbaric and improper behaviour which, almost against her will, begins to tease her imagination. At the same time, Mr Henry Baird, despairing of his sinful desires, proves unable to indulge Constance’s wishes. The marriage, failing from the beginning, spirals further and further out of control as Constance, aided by her only ally Kate, inadvertently becomes a famous ‘Devil Woman’ throughout the region and faces an audience with the Empress herself. As her new life unfolds, Constance finds herself tortured by desire, teetering on the edge of love and caught up in a dangerous whirlwind of international politics. She ricochets between the Chinese extremes of complete intimacy and deadly violence as they head slowly into war. What does ‘The Crimson Pagoda’ promise? ‘The Crimson Pagoda’ is a gripping and engaging historical romance by a master of the genre. Praise for Christopher Nicole: ‘Well-researched…Evocative descriptions of scenery and edifices, and exact period dialogue’ – Historical Novels Society Christopher Nicole was born and brought up in British Guyana and the West Indies. His output of books has been prolific and many of his novels are historical with a Caribbean background.

    Whitney --Kirkland revels / by Victoria Holt --Wings of the falcon / by Barbara Michaels --Lady of Mallow / by Dorothy Eden --River Rising / by Jessica North.

    Witches, spells, ghosts, pacts with the Devil, occult rituals, love triangles, popes and the Anti-Christ are some of the ingredients of this chilling early horror work (set in the middle-ages) by Marjorie Bowen that some consider to be the ultimate Gothic Novel.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    The boy seems to have a psychic connection to something in the dark forest, something unseen... and evil. The old-timers in the region know the truth of the legendary creature that stalks the Pine Barrens. And they know the savagery it's capable of

    Reprint. TV tie-in.

    But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?The third novel by Ken Greenhall (1928-2014), whose works are receiving renewed attention as neglected classics of modern horror, Childgrave (1982) is a slow-burn chiller that ranks among Greenhall’s best.“Writing in Shirley Jackson’s precise, sharp, chilly prose, Greenhall delivers a slippery book that can’t be pinned down, all about spectral photography, little dead girls, snowbound small towns, and the disquieting proposition that maybe God is not civilized.” - Grady Hendrix, author of Paperbacks from Hell“A very well-orchestrated, eerie tale.” - Publishers Weekly

    Name of the Rose meets Basic Instinct in this old-world thriller.

    a hideous, flesh-eating creature - part snake, part earthbound demon - that feasted on the blood of innocent children in the cold black heart of the Tennessee backwoods. But ten-year-old Jeb Sweeny knows the horrible stories are true. His best friend Mandy just up and disappeared. He also knows that no one has ever had the courage to go after the monster and put an end to its raging, bestial hunger. Until now. But Evil is well guarded. And for young Jeb Sweeny, who is about to cross over into the forbidden land of Fear County and the lair of the unknown, passage through the gates of Hell comes with a terrible price. Everlasting...FEAR!

    My birth was, my father used to say, another miracle: He was not young at the time being forty years of age . . . My mother, whose great pleasure was tending her gardens, called me Damask, after the rose which Dr. Linacre, the King's physician, had brought into England that year."Thus begins the story narrated by Damask Farland, daughter of a well-to-do lawyer whose considerable lands adjoin those of St. Bruno's Abbey. It is a story of a life inextricably enmashed with that of Bruno, the mysterious child found on the abbey altar that Christmas morning and raised by the monks to become a man at once handsome and saintly, but also brooding and ominous, tortured by the secret of his origin which looms ever more menacingly over the huge abbey he comes to dominate.This is also the story of an engaging family, the Farlands. Of a fathr wise enough to understand "the happier our King is, the happier I as a true subject must be," a wife twenty years his junior, and a daughter whose intelligence is constantly to war with the strange hold Bruno has upon her destiny. What happens to the Farlands against the background of what is happening to King Henry and his court during this robust period provides a novel in which suspense and the highlights of history are wonderfully balanced.

    He quickly secures a job as cook for the wealthy Hill family, winning their hearts and stomachs with his delectable dishes, and before long he has everyone around him eating out of his hand. But Conrad has a sinister, inscrutable plan in view, and after becoming master of their palates, next may be their souls . . . A mouth-watering blend of delicious black humor and Kafkaesque horror story, The Cook (1965) is a dark fable "beginning in a vein of innocent fairy tale and ending with satanic revels" (The Observer). Long out of print, this cult classic returns in a new edition featuring Milton Glaser's iconic dust jacket art from the first edition. "I have much enjoyed The Cook, for I am very fond of Satan. My congratulations to Mr. Kressing on his achievement."—John Fowles "A finely wrought, captivating tale of suspense - a superior entertainment."—Detroit News "I haven't been so gripped by any first novel since Lord of the Flies."—Irving Wardle, The Observer "A fable, part diabolique, part diversion ... high originality, some style, and a come-on which assures that it will be read at one sitting."—Kirkus Reviews

    But when the rain came, the creatures left the shadows...WORMSSpectres from the past tortured James Hildebrand's mind. His blackest nightmares were crowded with malevolent, coiling images of decay. Then, suddenly, he knew the threat was real.WORMSThe dead alone could not quench their hunger. And, for the living, the horrors that fed and multiplied in the darkness of the night became more terrible with the dawn...