Among them are: Harlan Ellison, Chelsea Quinn Yarbro, Paul McAuley, Peter Tremayne, Steve Rasnic Tem, and Ramsey Campbell.This anthology collects the very best in vampire fiction which blends sheer horror with dark humor, deadly tenderness with tingling terror. For the classic vampire, as this volume amply shows, the Blood is the Life. From Hugh B. Cave's pulp thriller "Stragella" through to Harold Waldrop's bizarre mix of vampire and Nazis in "Der Untergang Des Abendlandesmenschen" and Christopher Fowler's "The Legend of Dracula Reconsidered as a Primetime TV Special." In between lie artful chillers by the likes of Clive Barker, Brian Lumley, R. Chetwynd-Hayes, Robert Bloch and John Burke, along with new and original stories by Niel Gaiman with "Cards from a Vampire Tarot," and Kim Newman with "Andy Warhol's Dracula: anno Dracula 1978-79." You can sink your teeth, too, in F. Paul Wilson's fast-paced thriller "Midnight Mass," Manly Wade Wellman's "Chastel," offering bloody intrigue and adventure with Judge Keith Hilary Pursuivant; and Les Daniel's "Yellow Fog," which features his enigmatic vampire-hero Don Sebastian de Villanueva.CONTENTSIntroduction: The Children of the Night by Stephen JonesHuman Remains by Clive BarkerNecros by Brian LumleyThe Man Who Loved The Vampire Lady by Brian StablefordA Place To Stay by Michael Marshall SmithThe Brood by Ramsey CampbellRoot Cellar by Nancy KilpatrickHungarian Rhapsody by Robert BlochThe Legend of Dracula Reconsidered as a Prime-Time TV Special by Christopher FowlerVampire by Richard Christian MathesonStragella by Hugh B. CaveA Week In The Unlife by David J. SchowThe House At Evening by Francis GarfieldVampyrrhic Outcast by Simon ClarkThe Labyrinth by R. Chetwynd-HayesBeyond Any Measure by Karl Edward WagnerDoctor Porthos by Basil CopperStraight To Hell by Paul McAuleyIt Only Comes Out At Night by Dennis EtchisonInvestigating Jericho by Chelsea Quinn YarbroDracula's Chair by Peter TremayneA Taste For Blood by Sydney J. BoundsThe Better Half by Melanie TemThe Devil's Tritone by John BurkeChastel by Manly Wade WellmanDer Untergang Des Abendlandesmenschen by Howard WaldropRed As Blood by Tanith LeeLaird of Dunain by Graham MastersonA Trick of the Dark by Tina RathMidnight Mass by F. Paul WilsonBlood Gothis by Nancy HolderYellow Fog by Les DanielsFifteen Cards From a Vampire Tarot by Neil GaimanVintage Domestic by Steve Rasnic TemTry A Dull Knife by Harlan EllisonAndy Warhol's Dracula: Anno Dracula 1978-1979 by Kim Newman

    After Jerry stumbles delirious from a bloody accident, a beautiful girl rescues the boy and brings him home to her decrepit apartment complex.Soon Jerry discovers a hidden entrance into the attic, a crawlspace through which he can secretly enter any apartment.But he isn't the only person aware of the secret entrance.Crawlspace is a terrifying journey into urban legend, darkness, and murder.

    Somewhere in the desert lies the House of Skulls, where a mystic brotherhood guards the secret of eternal life. There, the four aspirants will present themselves–and a horrific price will be demanded.For immortality requires sacrifice. Two victims to balance two survivors. One by suicide, one by murder.Now, beneath the gaze of grinning skulls, the terror begins. . . .

    Mankind is facing its greatest challenge: obsolescence.Longlisted for the 2012 Wellcome Trust Book Prize.

    . . . It was no ordinary murder. Though the torture and abuse that killed him were real, Andy Gage's death wasn't. Only his soul actually died, and when it died, it broke in pieces. Then the pieces became souls in their own right, coinheritors of Andy Gage's life. . . .While Andy deals with the outside world, more than a hundred other souls share an imaginary house inside Andy's head, struggling to maintain an orderly coexistence: Aaron, the father figure; Adam, the mischievous teenager; Jake, the frightened little boy; Aunt Sam, the artist; Seferis, the defender; and Gideon, who wants to get rid of Andy and the others and run things on his own.Andy's new coworker, Penny Driver, is also a multiple personality, a fact that Penny is only partially aware of. When several of Penny's other souls ask Andy for help, Andy reluctantly agrees, setting in motion a chain of events that threatens to destroy the stability of the house. Now Andy and Penny must work together to uncover a terrible secret that Andy has been keeping . . . from himself.

    Reissue.

    A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    Three child survivors. A religious fanatic who insists the three are harbingers of the apocalypse. What if he's right?The world is stunned when four commuter planes crash within hours of each other on different continents. Facing global panic, officials are under pressure to find the causes. With terrorist attacks and environmental factors ruled out, there doesn't appear to be a correlation between the crashes, except that in three of the four air disasters a child survivor is found in the wreckage. Dubbed 'The Three' by the international press, the children all exhibit disturbing behavioural problems, presumably caused by the horror they lived through and the unrelenting press attention. This attention becomes more than just intrusive when a rapture cult led by a charismatic evangelical minister insists that the survivors are three of the four harbingers of the apocalypse. The Three are forced to go into hiding, but as the children's behaviour becomes increasingly disturbing, even their guardians begin to question their miraculous survival.

    It’s 1964 in idyllic Zephyr, Alabama. People either work for the paper mill up the Tecumseh River, or for the local dairy. It’s a simple life, but it stirs the impressionable imagination of twelve-year-old aspiring writer Cory Mackenson. He’s certain he’s sensed spirits whispering in the churchyard. He’s heard of the weird bootleggers who lurk in the dark outside of town. He’s seen a flood leave Main Street crawling with snakes. Cory thrills to all of it as only a young boy can.   Then one morning, while accompanying his father on his milk route, he sees a car careen off the road and slowly sink into fathomless Saxon’s Lake. His father dives into the icy water to rescue the driver, and finds a beaten corpse, naked and handcuffed to the steering wheel—a copper wire tightened around the stranger’s neck. In time, the townsfolk seem to forget all about the unsolved murder. But Cory and his father can’t.   Their search for the truth is a journey into a world where innocence and evil collide. What lies before them is the stuff of fear and awe, magic and madness, fantasy and reality. As Cory wades into the deep end of Zephyr and all its mysteries, he’ll discover that while the pleasures of childish things fade away, growing up can be a strange and beautiful ride.   “Strongly echoing the childhood-elegies of King and Bradbury, and every bit their equal,” Boy’s Life, a winner of both the Bram Stoker and World Fantasy Awards, represents a brilliant blend of mystery and rich atmosphere, the finest work of one of today’s most accomplished writers (Kirkus Reviews).

    An epidemic, they call it. The posters say to cover your mouth when you sneeze, and throw away the tissue. But such simple measures won't help. Because when you catch this flu, armed police come and lock you in your house to die alone. When you catch this flu, it kills you in days. And two hours after it's killed you, your eyelids snap open again... FLU is a pacey, terrifying, frighteningly real zombie horror story.

    The cells begin to infect the crew with deadly results. Emma Watson struggles to contain the deadly microbe while her husband and NASA try to retrieve her from space, before it's too late.

    To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes-a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi)-who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse."I wanted to make not a war movie, but an adventure movie, with a huge, romantic sense of adventure, a sense of grandeur, and operatic battles..." - Guillermo Del Toro

    He is never wrong.When Arlen awakens on a train one hot Florida night and sees death's telltale sign in the eyes of his fellow passengers, he tries to warn them. Only 19-year-old Paul Brickhill believes him, and the two abandon the train, hoping to escape certain death. They continue south, but soon are stranded at the Cypress House--an isolated Gulf Coast boarding house run by the beautiful Rebecca Cady--directly in the path of an approaching hurricane.The storm isn't the only approaching danger, though. A much deadlier force controls the county and everyone living in it, and Arlen wants out--fast. But Paul refuses to abandon Rebecca to face the threats alone, even though Arlen's eerie gift warns that if they stay too long they may never leave. From its chilling beginning to terrifying end, The Cypress House is a story of relentless suspense from "one of the best of the best" (Michael Connelly).

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    She invents a happy life. As she knits for imaginary grandchildren, the real world recedes. Her descent into madness is subtle, appalling, and entirely believable.