From congresswoman to senator, the magnetic, ambitious single mother now has her eye on the White House—always looking forward, never back. Until an estranged childhood friend shreds her in an op-ed hit piece gone viral.With seven words—“Cleo McDougal is not a good person”—the presidential hopeful has gone from in control to damage control, and not just in Washington but in life.Enter Cleo’s “regrets list” of 233 and counting. Her chief of staff has a brilliant idea: pick the top ten, make amends during a media blitz, and repair her reputation. But there are regrets, and there are regrets: like her broken relationship with her sister, her affair with a law school professor…and the regret too big to even say out loud.But with risk comes reward, and as Cleo makes both peace and amends with her past, she becomes more empowered than ever to tackle her career, confront the hypocrites out to destroy her, and open her heart to what matters most—one regret at a time.

    They have a daughter, but desperate for a son to carry on his illustrious family line, Kongzi gets Meili pregnant again without waiting for official permission. When family planning officers storm the village to arrest violators of the population control policy, mother, father and daughter escape to the Yangtze River and begin a fugitive life.For years they drift south through the poisoned waterways and ruined landscapes of China, picking up work as they go along, scavenging for necessities and flying from police detection. As Meili's body continues to be invaded by her husband and assaulted by the state, she fights to regain control of her fate and that of her unborn child.

    Scrupulously following the fluidity and breathlessness of the sparsely punctuated original manuscript, Mark Harman’s new translation reveals levels of comedy, energy, and visual power, previously unknown to English language readers.

    But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.One night, after being hit by personal tragedy, Sugihara reveals to Sakurai that he is not Japanese—as his name might indicate.Torn between a chance at self-discovery that he’s ready to seize and the prejudices of others that he can’t control, Sugihara must decide who he wants to be and where he wants to go next. Will Sakurai be able to confront her own bias and accompany him on his journey?

    The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various surreal people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as not so much a thing as a way things happen, Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.

    At dinner parties, guests compare their security clearance levels. They leave their BlackBerrys on the table. They speak in acronyms. And once they realize Beth doesn't work in politics, they smile blandly and turn away. Soon Beth and her husband, Matt, meet a charismatic White House staffer named Jimmy and his wife, Ashleigh, and the four become inseparable, coordinating brunch, birthdays, and long weekends away. But as Jimmy's star rises higher and higher, their friendship--and Beth's relationship with Matt--is threatened by jealousy, competition and rumors.

    Eugene and Tatiana had fallen in love that summer ten years ago. But certain events stopped them from getting to truly know each other and they separated never knowing what could have been. But one busy morning on the Paris metro, Eugene and Tatiana meet again, no longer the same teenagers they once were. What happened during that summer? Does meeting again now change everything? With their lives ahead of them, can Eugene and Tatiana find a way to be together after everything? Written in gorgeous verse, In Paris With You celebrates the importance of first love. Funny and sometimes bittersweet this book has universal appeal for anyone who has been in love.

    She calls herself Julie, says she’s from California, and slips back to a rented room at night. Regularly, furtively, she checks the hometown paper on the Internet. Home is Garland, Tennessee, and there, two young men have just been paroled. One, she married; the other, she’s in love with. Both were jailed for a crime that Grace herself planned in exacting detail. The heist went bad—but not before she was on a plane to Prague with a stolen canvas rolled in her bag. And so, in Paris, begins a cat-and-mouse waiting game as Grace’s web of deception and lies unravels—and she becomes another young woman entirely.Unbecoming is an intricately plotted and psychologically nuanced heist novel that turns on suspense and slippery identity. With echoes of Alfred Hitchcock and Patricia Highsmith, Rebecca Scherm’s mesmerizing debut is sure to entrance fans of Gillian Flynn, Marisha Pessl, and Donna Tartt.

    "A girl comes of age against the knife." So begins the story of Betty Carpenter. Born in a bathtub in 1954 to a Cherokee father and white mother, Betty is the sixth of eight siblings. The world they inhabit is one of poverty and violence--both from outside the family, and also, devastatingly, from within. The lush landscape, rich with birdsong, wild fruit, and blazing stars, becomes a kind of refuge for Betty, but when her family's darkest secrets are brought to light, she has no choice but to reckon with the brutal history hiding in the hills, as well as the heart-wrenching cruelties and incredible characters she encounters in her rural town of Breathed, Ohio. But despite the hardship she faces, Betty is resilient. Her curiosity about the natural world, her fierce love for her sisters, and her father's brilliant stories are kindling for the fire of her own imagination, and in the face of all she bears witness to, Betty discovers an escape: she begins to write. She recounts the horrors of her family's past and present with pen and paper and buries them deep in the dirt--moments that has stung her so deeply, she could not tell them, until now. Inspired by the life of her own mother, Tiffany McDaniel sets out to free the past by telling this heartbreaking yet magical story--a remarkable novel that establishes her as one of the freshest and most important voices in American fiction.

    168 out of 169 passengers are killed instantly. The miraculous sole survivor is a three-month-old baby girl. Two families, one rich, the other poor, step forward to claim her, sparking an investigation that will last for almost two decades. Is she Lyse-Rose or Emilie?Eighteen years later, having failed to discover the truth, private detective Credule Grand-Duc plans to take his own life, but not before placing an account of his investigation in the girl's hands. But, as he sits at his desk about to pull the trigger, he uncovers a secret that changes everything - then is killed before he can breathe a word of it to anyone...

    That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and one of the first days of July.Trond’s friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning would turn out to be different. What began as a joy ride on “borrowed” horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys. Set in the easternmost region of Norway, Out Stealing Horses begins with an ending. Sixty-seven-year-old Trond has settled into a rustic cabin in an isolated area to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.

    Award-winning Japanese author Shion Miura’s novel is a reminder that a life dedicated to passion is a life well lived.Inspired as a boy by the multiple meanings to be found for a single word in the dictionary, Kohei Araki is devoted to the notion that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years creating them at Gembu Books, it’s time for him to retire and find his replacement.He discovers a kindred spirit in Mitsuya Majime—a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics—whom he swipes from his company’s sales department.Led by his new mentor and joined by an energetic, if reluctant, new recruit and an elder linguistics scholar, Majime is tasked with a career-defining accomplishment: completing The Great Passage, a comprehensive 2,900-page tome of the Japanese language. On his journey, Majime discovers friendship, romance, and an incredible dedication to his work, inspired by the bond that connects us all: words.

    Fleeing a devastating loss, Rosie takes a job as an au pair with a Parisian family and soon finds the comfort and intimacy she longs for with their children and the father, Marc. Only Nicole, the children's distant, impeccably polished mother, is unwilling to embrace the young American. But when Rosie realizes that her attachments have become transgressions, she leaves for the south of France. There she learns about Nicole's own haunted past and the losses that link the two women more closely than either could have imagined.

    Their bond forms instantly.Upon their first meeting, after Makino’s concert in Tokyo, they begin a conversation that will go on for years, with long spells of silence broken by powerful moments of connection. She’s drawn by Makino’s tender music and his sensitivity, and he is intrigued by Yoko’s refinement and intellect. But neither knows enough about love to see it blooming nor has the confidence to make the first move. Will their connection endure, weaving them back together like instruments in a symphony, or will fate lead them apart?Blending the harmonies of Kazuo Ishiguro’s Nocturnes and the sensuality of Ian McEwan’s Enduring Love, At the End of the Matinee is an enchanting and thought-provoking love story.

    As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating fine details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.