The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In his arms is the lifeless body of a small child. Hours later, the girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can science provide an explanation? These questions have many answers, some of them quite dark indeed.Those who dwell on the river bank apply all their ingenuity to solving the puzzle of the girl who died and lived again, yet as the days pass the mystery only deepens. The child herself is mute and unable to answer the essential questions: Who is she? Where did she come from? And to whom does she belong? But answers proliferate nonetheless.Three families are keen to claim her. A wealthy young mother knows the girl is her kidnapped daughter, missing for two years. A farming family reeling from the discovery of their son’s secret liaison, stand ready to welcome their granddaughter. The parson’s housekeeper, humble and isolated, sees in the child the image of her younger sister. But the return of a lost child is not without complications and no matter how heartbreaking the past losses, no matter how precious the child herself, this girl cannot be everyone’s. Each family has mysteries of its own, and many secrets must be revealed before the girl’s identity can be known.Once Upon a River is a glorious tapestry of a book that combines folklore and science, magic and myth. Suspenseful, romantic, and richly atmospheric, the beginning of this novel will sweep you away on a powerful current of storytelling, transporting you through worlds both real and imagined, to the triumphant conclusion whose depths will continue to give up their treasures long after the last page is turned.

    Tormented by horrific nightmares since the death of her baby five years before, literary agent Lyn Ravenshaw agrees to accompany an author to Wales, where she encounters an eccentric young widow desperately afraid for her own infant's safety and a reclusive playwright who could be her only salvation.

    As unexplained sounds and scents accumulate and unnerving forces seem to take hold, Alex is beginning to believe that she’s not escaping her ghosts, after all. In fact, she might finally be inviting them in.

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    When the child becomes a young woman, she inherits her dead cousin's house, as well as her reputation among the local community as a witch. However, as she finds out, this is no normal community, and worries quickly present themselves.Alternate cover edition for this ISBN 9780773672611 is here

    So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired…and who the world believes is dead.When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

    With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh--and a disappointed suitor--far behind. She is bound for Rumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence.She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle's master, Count Andrei Dragulescu.Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora's imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute--Theodora may simply be one more person under his sway.Before her sojourn is ended--or her novel completed--Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal...and she is in danger of falling prey to more than desire.

    It's bad enough that she has to work on Christmas Eve but now there's a drunk bloke dressed as Santa and claiming to be St Nick hanging around outside her flat. Given he's professing to be the giver of Christmas miracles and nearly 2000 years old, she's wary.Things get even more weird when St Nick insists he's there to save Theo. And with the next St Nicholas Day somehow fast approaching, he's even got a plan that'll change her life forever.It all seems pretty straightforward, apart for one awkward fact:Theodora Quirke doesn't actually need saving.

    Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled. Something malicious resents her presence, something clouding her senses and threatening her very sanity.In present day New York, art gallery curator Rachel Wright has learned she is a descendant of the de Greys and heir to Winterbourne. Adopted as an infant, she never knew her birth parents or her lineage. At long last, Rachel will find answers to questions about her identity that have haunted her entire life. But what she finds in Cornwall is a devastating tragic legacy that has afflicted generations of de Greys. A legacy borne from greed and deceit, twisted by madness, and suffused with unrequited love and unequivocal rage.

    But the truth isn't as simple as it appears in this intricate novel of love, friendship, betrayal, and forgiveness in the tradition of Miranda Beverly-Whittemore's Bittersweet.Leah Tessaro has been waiting for this moment for a long time: Her boyfriend, Ollie, is taking her to his family's home on Seneca Lake for a week of lazy summer bliss, boating, and barbeque. The couple has been together for four years, and Leah is convinced that Ollie is finally going to pop the question. And Leah can't wait to share the joyous news with her best friend, June Kang, who is joining them on their getaway, and whose presence will make everything feel more real.Seven years later, the moment June has been dreading has finally arrived: Her fianc�, Ollie, is taking her to his family's lake house. But this is not an ordinary visit to an ordinary place; it is a house haunted by June's long-buried memories of her lost friend, Leah--and the connection that appears to remain between Leah and the man for whom June's love is as deep as her sense of foreboding.Alternating between the two women's vibrant voices, One Night at the Lake is a gripping novel that explores a complex tangle of friendship, loyalty, and betrayal, all driving toward one question: What exactly happened to Leah on that hot summer night?

    The dead man's cousin accuses the Queen of murder, and she is taken away, to be held until her trial by combat. If her knight-champion wins, Guenevere will be declared innocent and freed; if he loses, she will be burned to death as a murderer. She is unlikely to survive the trial. Most of Britain's mightiest knights were at the dinner, and therefore cannot fight for the Queen. Her champion and secret lover, the invincible Lancelot, has vanished. And, as Sir Kay realizes, trial by combat determines only is who is the better fighter, not who is guilty. Kay knows the Queen is innocent and an unsuspected murderer is loose in feud-filled Camelot--a murderer who intended to kill a person or persons other than the obscure knight Patrise, and who is poised to kill again. With the trial only days away, Kay joins with the great knights Gawaine and Gareth and their half-brother, King Arthur's bastard son Mordred, in two quests: to find the missing Lancelot, and to uncover the true murderer.- Cynthia Ward

    The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of, a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.The letters provide links to one of the darkest powers that humanity has ever known and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself--to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign and about a time-defying pact that may have kept his awful work alive down through the ages.

    1941. Fiona, rich and privileged, is trapped in a loveless marriage to a Flight Lieutenant in the Royal Air Force. Although, at thirty-seven, she is no longer the pretty young thing she used to be, she still secretly clings to the romantic dreams of her youth. The very young and very handsome Flight Lieutenant Matthew Manfred, in the same squadron as her husband, is starting to figure very strongly in those dreams… Out there, meanwhile, in the real world, Great Britain is on its knees, and Germany triumphant. War threatens not just the survival of Great Britain, but also Fiona’s position and wealth. And even her life… You see, murder has raised its ugly head… Someone close to her has been killed. But who is the murderer? And who might be his (or her) next victim? Fiona sets out to investigate, but it’s not going to be easy, because, you see, there are another two mysteries she needs to solve. Firstly, who has been writing love letters to her? Very beautiful letters, but letters of an extremely intimate nature… Then there’s the other mystery, probably the most important, and the most threatening of all. You see, she fears there is a spy in her midst…who is about to strike the most lethal blow of all… She will have to find out who that person is, not just to protect her country, but to protect herself. She must tread carefully, without arousing suspicions. Are the murderer and the spy one and the same person? Or could they possibly be two different people? Who is implicated? Is it dour, dull Squadron Leader Jackson? Or Belinda, his cheeky, promiscuous wife? Is it ladies’ man, Flight Lieutenant George Turnbill? Or Paula Wentworth, his latest, shameless squeeze? What about the moustachioed Group Captain Jenkins? Or Mary Wilkinson, looking far too attractive in her smart blue-grey uniform? And, to Fiona’s annoyance, looking far too young… And what is the role in all this of gorgeous, young Flight Lieutenant Matthew Manfred, who once gave Fiona a soft, lingering kiss she just can’t forget? What secrets are hidden in his beautiful, throbbing breast? And is he the person who has been writing sweet nothings to her? Fiona hopes so, but fears he might turn out to be something a good deal worse, and quite terrifying… And what is young Mary Wilkinson to him? Fiona has to tread warily, as if on eggshells, because, if she makes one false move, it could well turn out to be her last.

    But at Queen Victoria's Golden Jubilee, Caroline lets slip a secret. It is nearly fatal. Caroline's promising future dissolves without her knowing why. Her search for answers violates the iron rules of Victorian society. It takes her to the wild moors of Cornwall and pits her against her shy, pretty sister. It also brings her the man of her dreams, Paul Landower. . .dark, mysterious, trapped in his own past. . .a past that may include a legacy of murder.

    Hannah Smith just wishes she wasn't that girl. As a narcoleptic and the companion to an earl's daughter with a strange affliction of her own, Hannah knows she's lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping.Taken by handsome Jack Langley to a place known as Freak House, she finds herself under the same roof as a mad scientist, his niece, a mute servant and Jack, a fire starter with a mysterious past. They assure Hannah she is not a prisoner and that they want to help her. The problem is, they think she's the earl's daughter. What will they do when they discover they took the wrong girl?