4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces, and presents extracts from some of his best-loved work, subjecting them to wry scrutiny. The result is a vivid depiction of the writing process, from reporting to drafting to revising and revising, and revising.More than a compendium of advice, Draft No. 4 is enriched by personal detail and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Enlivened by his keen sense of writing as a way of being in the world, Draft No. 4 is the long-awaited master class given by America's most renowned writing instructor.

    The fascinating stories behind what have been rightly called the “hottest books on the planet”: The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet’s Nest   Through insightful commentary and revealing interviews, you will enter the unique world of Lisbeth Salander, Mikael Blomkvist---and of Stieg Larsson himself---discovering the fascinating real-life experiences and incidents involving Swedish politics, violence against women, and neo-Nazis that are at the heart of Larsson’s work. John-Henri Holmberg, a Swedish author and close friend of Larsson for more than three decades, provides a unique insider’s look into the secrets of the author’s imaginative universe, his life, and his ideas for future books---including the mysterious “fourth book” in the series, which Larsson had started but not finished at the time of his death. Included within are answers to compelling questions on every Larsson fan’s mind:   ·          What makes the Lisbeth Salander character so unique and memorable? Why have so many people from all backgrounds and with all kinds of tastes found The Girl with the Dragon Tattoo so riveting? ·          What are the speculations---and what is the truth---about Stieg Larsson’s tragic death at age fifty, just before the publication of his novels, and the bitter battle over his legacy? ·          What changes were made in the plots and translations of the novels after Larsson’s death---and why? ·          How did Larsson’s early interest in science fiction and American and British crime writers feed into his creation of the Millennium trilogy? ·          What were Larsson’s ideas for the fourth book, and are there any clues to the plots he imagined for his ten-book series? Will we meet Lisbeth’s twin sister, Camilla, or any of her other seven siblings that Zalachenko tells her she has? ·          Does Lisbeth Salander give feminism a new definition? ·          What will happen in the contentious battle between Stieg Larsson’s life partner, Eva Gabrielsson, and his father and brother over the future of the books, as well as the billion dollars at stake in his legacy? ·          Who are the emerging Swedish crime writers we should pay attention to now? ·          And much, much more!

    This is a book about the business of managing your screenwriting career, from advice on choosing an agent to tips on juggling three deal-making breakfasts a day. Prescriptive and useful, Breakfast with Sharks is a real guide to navigating the murky waters of the Hollywood system.Unlike most of the screenwriting books available, here’s one that tells you what to do after you’ve finished your surefire-hit screenplay. Written from the perspective of Michael Lent, an in-the-trenches working screenwriter in Hollywood, this is a real-world look into the script-to-screen business as it is practiced today.Breakfast with Sharks is filled with useful advice on everything from the ins and outs of moving to Los Angeles to understanding terms like “spec,” “option,” and “assignment.” Here you’ll learn what to expect from agents and managers and who does what in the studio hierarchy. And most important, Breakfast with Sharks will help you nail your pitch so the studio exec can’t say no.Rounded out with a Q&A section and resource lists of script competitions, film festivals, trade associations, industry publications, and more, Breakfast with Sharks is chock-full of “take this and use it right now” information for screenwriters at any stage of their careers.

    A Few Seconds of Radiant Filmstrip follows him over the course of a single school year as he sets out in search of himself: losing old friends and gaining new ones, happening into his first kiss, writing plays and stories, dressing as Dolly Parton for Halloween, booby-trapping his lunch to deter a thief. With the same deep feeling and oddly dreamlike precision that are the hallmarks of his fiction, Brockmeier now explores the dream of his own past, recovering the person he used to be, the friends he had, the hopes he nurtured, the doubts he hid, the secrets he kept, the books he read—everything that was once his life. He has written a singularly candid, daring, and open-hearted memoir that unfolds with the immediacy of a novel and richly recreates a particular time, place, and consciousness, one that every reader will recognize.

    I’m so famous now that The New York Times plugged my autobiography. “Uggie will bark all in a memoir,” it announced. Well, I’ve certainly had a lot to bark about lately. Even before The Artist stunned us all by hitting the big time and winning five Oscars, inside I knew (as did my wonderful acting coach Omar) that I was an artist. I may have been merely a pound-bound hound when I joined Omar’s troupe, and certain species-ist quarters have contended that I mindlessly do tricks for treats, but it’s not true. I was milking a crowd as a young street performer when my canine companions and I were doing gigs for biscuit money. Yes, I’ve always been a bit of an attention-seeker, but aren’t all great actors? Expect some real treats. Perhaps not quite as tasty as pizza, but still lip-smackingly good. Not just the stories of how I got into showbiz or why I fell nose over paws in love with my divine Miss W (that’s Reese Witherspoon to the rest of you), but also the dirty doggie truth about Cat-Gate. And, well, a few more youthful misdemeanors . . .such as Zebra-Gate and Cockatoo-Gate and the truly shameful Binge-Gate. I’m fond of a good romp, and this candid canine tell-all zips along with revealing tales of celebrity encounters and how I cope with fame. Of course there’s some sad stuff too, including the health problems that forced me into early retirement. I’ve given my all in this honest-to-dog Hollywood memoir, because that’s what I always do. I hope you’ll gobble up every word, just like I wolf down sausages. Love and licks, Uggie

    His career has spanned more than half a century, his lyrics have become synonymous with musical theater and popular culture, and in Finishing the Hat—titled after perhaps his most autobiographical song, from Sunday in the Park with George—Sondheim has not only collected his lyrics for the first time, he is giving readers a rare personal look into his life as well as his remarkable productions.Along with the lyrics for all of his musicals from 1954 to 1981—including West Side Story, Company, Follies, A Little Night Music and Sweeney Todd—Sondheim treats us to never-before-published songs from each show, songs that were cut or discarded before seeing the light of day. He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotes—filled with history, pointed observations and intimate details—transport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come. Accompanying Sondheim’s sparkling writing are behind-the-scenes photographs from each production, along with handwritten music and lyrics from the songwriter’s personal collection. Penetrating and surprising, poignant, funny and sometimes provocative, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Hart’s Act One and Arthur Miller’s Timebends. It is also a book that will leave you humming the final bars of Merrily We Roll Along, while eagerly anticipating the next volume, which begins with the opening lines of Sunday in the Park with George.

    aIam reading the OED so you donat have to. If you are interested in vocabulary that is both spectacularly useful and beautifully useless, read on...a So reports Ammon Shea, the tireless, word-obsessed, and more than slightly masochistic author of Reading the OED, The word loveras Mount Everest, the OED has enthralled logophiles since its initial publication 80 years ago. Weighing in at 137 pounds, it is the dictionary to end all dictionaries. In 26 chapters filled with sharp wit, sheer delight, and a documentarianas keen eye, Shea shares his year inside the OED, delivering a hair-pulling, eye-crossing account of reading every word, and revealing the most obscure, hilarious, and wonderful gems he discovers along the way.

    Great storytelling is making readers care about your characters, the choices they make, and what happens to them. It's making your audience feel the tension and emotion of a situation right alongside your protagonist. And to tell a damn fine story, you need to understand why and how that caring happens. Using a mix of personal stories, pop fiction examples, and traditional storytelling terms, New York Times best-selling author Chuck Wendig will help you internalize the feel of powerful storytelling. In Damn Fine Story, you'll explore:Fretytag's Pyramid for visualizing story structure--and when to break away from traditional storytelling formsCharacter relationships and interactions as the basis of every strong plot--no matter the form or genreRising and falling tension that pulls the audience through to the climax and conclusion of the storyDeveloping themes as a way to craft characters with depthWhether you're writing a novel, screenplay, video game, comic, or even if you just like to tell stories to your friends and family over dinner, this funny and informative guide is chock-full of examples about the art and craft of storytelling--and how to write a damn fine story of your own.

    Eleanor Vincent raised her two daughters, Maya and Meghan, virtually as a single-parent. Maya, the eldest, was a high-spirited and gifted young woman. As a toddler, Maya was an angelic tow-head, full of life and curiosity. As a teenager, Maya was energetic and independent - and often butted heads with her mother. But Eleanor and Maya were always close and connected, like best friends or sisters, but always also mother and daughter. Then at age 19, Maya mounts a horse bareback as a dare and, in a crushing cantilever fall, is left in a coma from which she will never recover. Eleanor's life is turned upside down as she struggles to make the painful decision about Maya's fate. Ultimately Eleanor chooses to donate Maya's organs. Years later, she is able to hear Maya's heart beat in the chest of the heart recipient. Along the way, Eleanor re-examines her relationship with her daughter, as well as Eleanor's traumatic life as a child and young woman. In a story that has been called "heartbreaking and heart-healing," Eleanor Vincent illuminates the kind of courage, creativity, faith, and sheer tenacity it takes to find one's balance after unthinkable tragedy. Praise for Swimming with Maya: "Powerful prose with a meaningful and memorable message." Lee Gutkind, Founder, Creative Nonfiction Magazine"An important addition to the literature of loss and restoration." Maxine Kumin, Pulitzer Prize-winning poet "Vincent's poignant decision to donate Maya's organs will resonate with even hard-boiled readers." Booklist

    From dark fairytales to alien skies, Monk's stories blend haunting yesterdays, forgotten todays and twisted tomorrows wherein:...A normal little girl in a city made of gears, takes on the world to save a toy.......A normal ancient monster living in Seattle, must decide if love is worth trusting a hero......A normal patchwork woman and her two-headed boyfriend stitch their life and farm together with needle, thread, and time......a normal vampire in a knitting shop must face sun-drenched secrets......a normal snow creature's wish changes a mad man's life......a normal man breaks reality with a hamster......and yes, a normal little robot, defines how extraordinary friendship can be.Poignant, bittersweet, frightening, and funny, these stories pour out worlds that are both lovely and odd, darkly strange and tantalizingly familiar, where no matter how fantastic the setting or situation, love, freedom, and hope find a way to take root and thrive.“Dusi” (Realms of Fantasy, Oct 1999)“Beer with a Hamster Chaser”(Lady Churchill’s Rosebud Wristlet #14, June 2004)“Probe” (Odyssey #5, 1998)“That Saturday” (Better off Dead, Daw Books, Nov 2008)“The Wishing Time” (First publication in the 1st edition, 2010)“Bearing Life” (Maiden, Matron, Crone, Daw Books, May 2005)“A Cup of Normal” (First publication in 2nd edition, 2015)“Stitchery” (Black Gate #2, 2001; Year’s Best Fantasy 2, Eos, 2002)“Last Tour of Duty” (Realms of Fantasy, Dec 2001)“Oldblade” (Talebones #19, Spring 2000)“Skein of Sunlight” (Mammoth Book of Vampire Romance 2, 2009)“Stringing Tomorrow” (Talebones #32, Spring 2006)“X-Day” (First publication in the 1st edition, 2010)“Menders” (First publication in the 1st edition, 2010)“Leeward to the Sky” (Realms of Fantasy, June 2002)“Fishing the Edge of the World” (Talebones #28, Summer 2004)“Moonlighting” (Fantasy Gone Wrong, Daw Books, Sept 2006)“Christmas Card” (First publication in the 1st edition, 2010)“Ducks in a Row” (Realms of Fantasy, April 2006)“Singing Down the Sun” (Fantastic Companions, May 2005)“Here After Life” (Realms of Fantasy, Feb 2003)“Falling with Wings” (Realms of Fantasy, Aug 2004)“When the Train Calls Lonely” (Realms of Fantasy, Oct 2007)

    Lyne's techniques, which he developed through twenty years of teaching poetry workshops, flow from an understanding that poetry is an art form open to everyone. We all can-and should-write poetry.In this enchanting and inspiring volume, Lyne will introduce you to the pleasures and surprises of writing poetry, and his methods and insights will help you tap into your own unique voice and perspective to compose poems of your own in as little as a few minutes. Whether you are an experienced writer looking for new techniques and sources of inspiration or a novice poet who has never written a poem in your life, Writing Poetry from the Inside Out will help you to craft the poems you've always longed to write.

    A college track star and budding entomologist, Nnedi’s lifelong battle with scoliosis was just a bump in her plan—something a simple operation would easily correct. But when Nnedi wakes from the surgery to find she can’t move her legs, her entire sense of self begins to waver. Confined to a hospital bed for months, unusual things begin to happen. Psychedelic bugs crawl her hospital walls; strange dreams visit her nightly. Nnedi begins to put these experiences into writing, conjuring up strange, fantastical stories. What Nnedi discovers during her confinement would prove to be the key to her life as a successful science fiction author: In science fiction, when something breaks, something greater often emerges from the cracks.In Broken Places & Outer Spaces, Nnedi takes the reader on a journey from her hospital bed deep into her memories, from her painful first experiences with racism as a child in Chicago to her powerful visits to her parents’ hometown in Nigeria. From Frida Kahlo to Mary Shelly, she examines great artists and writers who have pushed through their limitations, using hardship to fuel their work. Through these compelling stories and her own, Nnedi reveals a universal truth: What we perceive as limitations have the potential to become our greatest strengths—far greater than when we were unbroken.A guidebook for anyone eager to understand how their limitations might actually be used as a creative springboard, Broken Places & Outer Spaces is an inspiring look at how to open up new windows in your mind.

    Symons reveals Poe as his contemporaries saw him a man struggling to make a living out of hack journalism and striving to find a backer for his new magazine, and a man whose life was beset by so many tragedies that he was often driven to excessive drinking and a string of unhealthy relationships. Fittingly written by another master in the art of crime writing, this volume brilliantly portrays the original creator of the detective story and reveals him as the genius and unashamed plagiarist that he was."

    The handbook includes profiles of fifty creative writing programs, guidance through the application process, advice from current students and professors including George Saunders, Aimee Bender, Tracy K. Smith, and Geoffrey Wolff, and the most comprehensive listings of graduate writing programs in and outside the United States. The handbook also includes special sections about Low-Residency writing programs, Ph.D. programs, publishing in literary journals, and workshop and teaching advice.In a remarkably concise, user-friendly fashion, The Creative Writing MFA Handbook answers as many questions as possible, and is packed with information, advice, and experience.

    It includes solid advice, from professionals of every publishing level, on how to improve one's writing skills. The volume edited by Michael Knost includes contributions by a dream-team of nationally known authors and storytellers, many Bram Stoker Award winners. Contributors to this work include#58; Clive Barker, Joe R. Lansdale, F. Paul Wilson, Ramsey Campbell, Thomas F. Monteleone, Deborah LeBlanc, Gary A. Braunbeck, Brian Keene, Elizabeth Massie, Tom Piccirilli, Jonathan Maberry, Tim Waggoner, Mort Castle, G. Cameron Fuller, Rick Hautala, Scott Nicholson, Michael A. Arnzen, J.F. Gonzalez, Michael Laimo, Lucy A. Snyder, Jeff Strand, Lisa Morton, Jack Haringa, Gary Frank, Jason Sizemore, Robert N. Lee, Tim Deal, Brian Yount, Brian J. Hatcher, and others. Here is what certain industry publications have already said about this exceptional project#58; "A veritable treasure trove of information for aspiring writers--straight from the mouths of today's top horror scribes!" --Rue Morgue Magazine. "Packing more knowledge and sound advice than four years' worth of college courses . . . It's focused on the root of your evil, the writing itself." --Fangoria Magazine.