A candid collection of riveting news-stories that brings alive the political history of the Indian subcontinent and the noble - and no-so-noble - men and women who shaped it...

    This work, along with A. L. Basham's book, The Wonder That Was India, provides a comprehensive and riveting outlook of the pre-colonial times in the history of India. While the first volume by Basham covers the period between ancient India and the arrival of the Muslims, Rizvi's second volume covers the period between 1200 and 1700 AD.

    Author Sanjay Dixit delves deep into the past and traces the events, actions and their repercussions that finally led to the Union of India introducing these two measures. He looks at these events from all perspectives-historical, social and political.For Article 370, he traces the entire history of Kashmir from its pre-Islamic past and to the events that unfolded at the time of the Partition of India, leading to the initial inclusion of Article 370 in the Constitution of India. Dixit also studies in detail the legal and constitutional labyrinths, discussing the various Presidential Orders and case laws from the Constitutional Bench jurisdiction of the Supreme Court.For CAA, Dixit traces the constitutional history of India from the time of the partition of Bengal in 1905 to the unfortunate events of the Partition in 1947. His study relies heavily on Dr B.R. Ambedkar's analysis of the reasons for the Partition and the theology of a 'separate nation' that prevailed during the period. The author contends that this same theology has been staging a comeback now in the form of mazhabi pehchan which forms the crux of the anti-CAA protests.The informed position of the author, his lucidity of language and directness of approach lend clarity to his arguments and makes this an accessible and important read.

    Through an astute and devastating critique of Hinduphobia in today’s academia, media and popular culture, Vamsee Juluri shows us that what the Hinduphobic worldview denies virulently is not only the truth and elegance of Hindu thought, but the very integrity and sanctity of the natural world itself. By boldly challenging some of the media age’s most popular beliefs about nature, history, and pre-history along with the Hinduphobes' usual myths about Aryans, invasions, and blood-sacrifices, Rearming Hinduism links Hinduphobia and its hubris to a predatory and self-destructive culture that perhaps only a renewed Hindu sensibility can effectively oppose. It is a call to see the present in a way that elevates our desa and kala to the ideals of the sanathana dharma once again. “For a civilization is not just buildings and machines, but its people, their thought, and their culture. It is a way of knowing the world, a way of giving meaning and value to the contents of life. It is a resource, most of all, for living intelligently.”

    The birth of two nations.Seventy years ago, at midnight on August 14, 1947, the Union Jack began its final journey down the flagstaff of Viceroy’s House, New Delhi. A fifth of humanity claimed their independence from the greatest empire history has ever seen—but the price of freedom was high, as a nation erupted into riots and bloodshed, partition and war.Freedom at Midnight is the true story of the events surrounding Indian independence, beginning with the appointment of Lord Mountbatten of Burma as the last Viceroy of British India, and ending with the assassination and funeral of Mahatma Gandhi. The book was an international bestseller and achieved enormous acclaim in the United States, Italy, Spain, and France.“There is no single passage in this profoundly researched book that one could actually fault. Having been there most of the time in question and having assisted at most of the encounters, I can vouch for the accuracy of its general mood. It is a work of scholarship, of investigation, research and of significance.”—James Cameron, The New York Sunday Times“Freedom at Midnight is a panoramic spectacular of a book that reads more like sensational fiction than like history, even though it is all true….. The narrative is as lively, as informative and as richly detailed as a maharaja’s palace.”—Judson Hand, The New York Daily News“Outrageously and endlessly fascinating is my awestruck reaction to Freedom at Midnight. The new sure-to-be bestseller by Larry Collins and Dominique Lapierre. It is all here: maharajas and tigers, filth and squalor, extravagance and macabre sex, massacres, smells, starvation, cruelty and heroism. Collins and Lapierre have made human history breathtaking and heartbreaking.”—Margaret Manning, The Boston Globe“No subject, I thought, as I picked up Freedom at Midnight, could be of less interest to me than a story of how Independence came to India after three centuries of British rule. I opened the book and began to flip through the photographs: here was a picture of Gandhi dressed in his loincloth going to have tea with the King of England; there was a picture of a maharaja being measured against his weight in gold; and another of thousands of vultures devouring corpses in the street. I began to read, fascinated. Here was the whole chronicle illustrated with anecdotes and masterful character sketches of how the British had come to India, how they had ruled it and how, finally, compelled by the force of economics and history, they had been forced to leave it divided…… Collins and Lapierre are such good writers that their books are so interesting that they are impossible to put down.”—J.M. Sanchez, The Houston Chronicle

    The watershed case, Indira Gandhi v. Raj Narain, acted as the catalyst for the imposition of the Emergency. Based on detailed notes of the court proceedings, The Case That Shook India is both a significant legal and a historical document.The author, advocate Prashant Bhushan, provides a blow-by-blow account of the goings-on inside the courtroom as well as the manoeuvrings outside it, including threats, bribes and deceit. As the case goes to the Supreme Court, we see how a ruling government can misuse legislative power to save the PM's election.Through his forceful and gripping narrative, Bhushan vividly recreates the legal drama that decisively shaped India's political destiny.

    J. O'Rourke's number one New York Times best-selling follow-up. O'Rourke runs hilariously amok by tackling the death of Communism, sanctimonious liberals, and America's perennial bad guy Saddam Hussein in a series of classic dispatches from his coverage of the 1991 Gulf War. Here is our most mordant and unnervingly funny political satirist on: Kuwait City after the Gulf War: "It looked like all the worst rock bands in the world had stayed there at the same time." On Saddam Hussein, O'Rourke muses: "He's got chemical weapons filled with ... chemicals. Maybe he's got The Bomb. And missiles that can reach Riyadh, Tel Aviv, Spokane. Stock up on nonperishable foodstuffs. Grab those Diet Coke cans you were supposed to take to the recycling center and fill them up with home heating oil. Bury the Hummel figurines in the yard. We're all going to die. Details at eleven."

    Among the case studies-chosen for the diversity of failures they highlight are - the procedural irregularities in the issuance of licenses for second generation spectrum allotment, the last minute quick-fixes in the conduct of the XIX commonwealth games, the loss of national resources while allocating coal blocks, the flouting of systems and the clear display of crony capitalism in the exploration of hydrocarbon and the tragic tale of civil aviation in India.Through these illustrations, Rai wishes to not only expose government malfeasance, but also probe the mandate of the CAG as a watchdog. Equally, he hopes to push for long-term solutions to corruption and bring home the urgent need for ethics-for the pursuit of excellence, accountability, probity and transparency within governments, the bureaucracy, corporate enterprises and public life.Interesting facts1. A blow-by-blow, explosive, yet thoughtful account that sheds new light on the scams that shook India - 2G, coalgate, civil aviation, the conduct of the XIX commonwealth games and hydrocarbon contracts.2. Explodes the myth of accountability in contemporary Indian governance.3. Written by the eleventh CAG of India and a symbol of the anti-corruption movement, Vinod Rai.4. Presents long-term solutions for the future, so as to contain procedural irregularities within the government and corporate enterprises.5. Provides a roadmap for good governance, important for the growth of the nation.6. Exhorts younger professionals / administrators to strive for excellence.

    It covers a range of items from the political integration of India to the making of Indian constitution, the history of Indian sports, economy, movies, science, among other topics. Through this exciting train journey we will meet the various historic characters - Nehru, Patel, Ambedkar, Tendulkar, VP Menon, Kalam, Homi Bhaba, Narasimha Rao. The first 9 chapters of this 18 chapter book focus on the darker side of the history - wars, accidents, disasters and deaths. The second 9 chapters focus on the brighter side of the history - the various achievements India has made in foreign policy, economics, science and art. We will start with the distant past history that led to 1947 and we will end with the recipes for the future.

    Never before have the cultural powers- that-be been able to exert such control over what we can and can't do with the culture around us. Our society defends free markets and free speech; why then does it permit such top-down control? To lose our long tradition of free culture, Lawrence Lessig shows us, is to lose our freedom to create, our freedom to build, and, ultimately, our freedom to imagine.

    Anger and grief in the wake of the shootings at Sandy Hook Elementary School are palpable in this urgent piece of writing, but no less remarkable are King’s keen thoughtfulness and composure as he explores the contours of the gun-control issue and constructs his argument for what can and should be done.

    Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

    When she meets Tushar, a successful photographer, sparks fly between them.But Chhavi doesn't believe in love or commitment. They decide to carry on a no-strings-attached, open relationship. However, when she begins to miss him while he's away, she knows it is something more than just passion!

    Before the promised highways and jobs, everybody has been unfailingly given one thing—fear. For every individual, fear is now the daily bread. We are all experiencing fear; it comes to us in many different forms—from the moment we step out of our homes, with so many warnings ringing in our ears... It is only the lapdog media which is safe in India today. Jump into and snuggle down in the lap of authority and nobody will dare say anything to you.’At a time when free expression and individual liberty in India appear to be under serious threat, Ravish Kumar is one of our bravest and most mature public voices. Few journalists today have as keen an understanding of Indian society and politics and as strong a commitment to the truth. Fewer still can match him in eloquence and integrity. In this necessary book, he examines why debate and dialogue have given way to hate and intolerance in India, how elected representatives, the media and other institutions are failing us and looks at ways to repair the damage to our democracy.

    She raised her children with the income from just a few acres of land that she managed on her own, tending to the cattle and crops with maternal concern, all the while minding her unruly husband. Every obligation met, all accounts squared up, each meal cooked to satiate the tongue and heart—Amma never rested, not even when bedridden with Parkinson’s. She lived a farmer’s life and died a farmer’s death.Amma is a homage to a way of life and values—simplicity, honesty and hard work—lost to us today. Peppered with unsentimental nostalgia and delightful humour, and vividly documenting village and farming life in the Kongu region, Amma tugs at generational memory. Murugan’s non-fiction writing, his first to appear in English, is as deeply affecting as his fiction.