However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.

    The day his stepfather dies, however, his world will suddenly turn upside down. Even though Shaun grows increasingly suspicious of his stepfather's death, believing that something treacherous has happened to him, no one wants to listen to his fears.Will Shaun manage to unravel the truth behind the enigmatic and shocking death?While Shaun is still haunted by the mysterious loss of his father, he will soon have to confront another daunting obstacle; his stepbrother Clayton's decision to sell the family ranch. Moreover, Shaun is allowed to keep one horse but must leave the ranch, never to return. With nothing to live for and no place to call home, Shaun crosses paths with a horse enthusiast. Little does he know that together they're about to change the rules of horseracing forever... Will Shaun finally have a chance to make his way in the world, or will his hostility toward his stepbrother destroy a chance at a new life and success?With Shaun's move to Prescott and start in horse racing, his life will finally begin to improve. Moreover, a beautiful and sophisticated woman will soon steal his heart. Nonetheless, ghosts from the past continue to pursue him and lead him down a dark path... Will Shaun be able to overcome the lies and deceit that could undermine his chance for a good future? Or will forces beyond his control rob him of his smile once and for all?An action-packed story, featuring complex and fascinating characters, and twists and turns that will take your breath away. A must-read for fans of Western action and romance.

    Best of all, he's packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive. About The Author: Jon Sands has been a professional teaching and performing artist since 2007. He's a recipient of the 2009 NYC-LouderARTS fellowship grant, and has represented New York City multiple times at the National Poetry Slam. He is the Director of Poetry and Arts Education Programming at the Positive Health Project, as well as a Youth Mentor with Urban Word-NYC. His work has appeared in decomP magazine, The Millions, Suss, The Literary Bohemian, Danse Macabre, The November 3rd Club, and others. He lives in New York City, where he makes better tuna salad than anyone you know.

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    

    You’ll have a dog gone good time… and some delicious Southern treats! Kari Jacobs has driven cross country from San Francisco and is one hour away from starting a new life and job at a law firm in Appleton, North Carolina, when her car breaks down near the Red Rivers Plantation. She was only looking for a tow, but found a mystery. Ms. Sylvia, her sister-in-law Delilah and her butler Henry live at Red Rivers Plantation and they all seem to be stuck in the past. Kari can get their help, as long as she walks their two Great Danes and solves the mystery of the stolen Winters’ family bible. But theirs is a world of polite etiquette and stately manners, and Kari has a hard time getting them to talk so that she can figure out the answers they so desperately seek. But at least their cooking is scrumptious! Sylvia thinks the Bible was stolen by her bitter rival who owns the next plantation over, but she isn’t even sure when, and no one can explain why. Questions multiply and Kari can’t help but be drawn into a feud that reaches back into the last century. It's Kari's first introduction to the South, their customs are strange, and she has far more questions than answers. Such as, will she ever get her car fixed so she can get to Appleton, and will she be rewarded for her patience by being able to meet the Great Danes’ litter of puppies before leaving town? * INCLUDES MISS DELILAH’S SUCCULENT SOUTHERN PEACH PIE RECIPE! *

    The fiercely devoted one she uses for her best friend, the one of a lover and confidant to her fiancé, and the real one she keeps reserved for looking in the mirror and battling her inner demons. Life is fairly normal for Vixen until her verbally abusive mother reenters her life, dredging up traumatic childhood memories, and bringing a handsome stranger into the mix with her devious antics causing Vixen to reprise her role as caregiver and bread winner.Gino Romano is infamous for many reasons: his notoriety for being one of the youngest king pins in New York City, the cold manner in which he handles business, and the notable political ties he's managed to create along the way through "profit sharing." However, the most prominent thing he's known for is the ice fortress he's built around his heart. Because of his past, Gino keeps women at an arms length, believing it hard to find one who could accept the scarred past he comes with. Until he lays eyes on Vixen.Brought together for all the wrong reasons, Vixen and Gino find a common ground that not only develops into a budding friendship, but sparks a love affair. From the moment they become one they must fight to protect their love from those who plan to destroy it by any means necessary, one of which being the very reason Vixen ran away from home ten years ago in the dead of night.Will the forces determined to see Gino and Vixen destroyed win? Or will their love prevail? Set in a spicy Brooklyn backdrop, A Brooklyn Love Affair brings to life pain, forgiveness, and the never ending possibility of finding love.

    a grave, attentive holding of a light” by the contest judge, the distinguished poet W. S. Merwin. The poems are set above and below the Cave Country of south central Kentucky, where McCombs lives and which is home to thousands of caves. The book is framed by two sonnet sequences, the first about a slave guide and explorer at Mammoth Cave in the mid-1800s and the second about McCombs’s experiences as a guide and park ranger there in the 1990s. Other poems deal with Mammoth Cave’s four- thousand-year human history and the thrills of crawling into tight, rarely visited passageways to see what lies beyond. Often the poems search for oblique angles into personal experience, and the caves and the landscape they create form a personal geology.

    The poems gathered here are delivered by a narrator who both loves the world and has intense quarrels with it. Often set against vivid landscapes - the rural America of Lux's childhood and unidentified places south of the border - these poems speak from rivers and swamps, deserts and lawns, jungles and the depths of the sea.

    S. Poet Laureate Ted Kooser at the top of his imaginative and storytelling powers. Here are the richly metaphorical, imagistically masterful, clear and accessible poems for which he has become widely known. Kooser writes for an audience of everyday readers and believes poets "need to write poetry that doesn't make people feel stupid." Each poem in Red Stilts strives to reveal the complex beauties of the ordinary, of the world that's right under our noses. Right under Kooser's nose is rural America, most specifically the Great Plains, with its isolated villages, struggling economy, hard-working people and multiple beauties that surpass everything wrecked, wrong, or in error.

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.

    Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"

    The poem started out as a simple observation of the snow in moonlight, and turned into a poem with more to offer. I'm offering it free to my readers. I've had it on my blog, where it's gotten much response, and wanted to give everyone another way to access it.