As one of five children of divorced parents, he was bright enough to get a scholarship to a direct-grant school, but spent his holidays as a plumbers' mate for his uncles to bring in some much-needed extra income. Yet he spent 13 years and 11 days in government, including long and influential spells as Home Secretary and Foreign Secretary. This is the story of how he got there.His memoirs offer a unique insight into the complex, sometimes self-serving but always fascinating world of British politics and reveals the toll that high office takes but also, more importantly, the enormous satisfaction and extraordinary privilege of serving both your constituents and your country.Straw’s has been a very public life, but he reveals the private face, too, and offers readers a vivid and authoritative insight into the Blair/Brown era and, indeed, the last forty years of British politics.

    Who is the real Bill Oddie? Best known for the wacky humor of the Goodies, and the irrepressible enthusiasm of his nature programs, off screen there has been a darker side. Bill has suffered from bouts of depression which have more than once taken him to the brink. Now he is back in control and wiser about the causes and the cure. Here he describes the childhood blighted by the absence of his mother who had been committed to a mental asylum when he was small. It was a lonely and difficult start to life, but there were to be happier times. Touring with the Cambridge Footlights in the 1960s saw him alongside the greatest comic talents of his generation—John Cleese and of course fellow Goodies Tim Brooke-Taylor and Graeme Garden. Soon the Goodies were to become one of the biggest comedy hits of the 1970s—bringing a new brand of surreal humor to our screens. Now as Britain's favorite birdwatcher Bill has turned his private passion into his most public role and hosted more than 20 nature programs for the BBC. He has also become a fervent and outspoken campaigner for the environment. It has been an extraordinary and far from straightforward journey. Bill Oddie takes us along with him in a memoir which is as witty, candid, curious, and as unconventional as the man himself.

    On September 20, 2006, he suffered a serious brain injury following a high-speed car crash, and the nation held its breath. On the Edge is his compelling account of life before and after the accident and an honest description of his year of recovery, full of drama and incident. It is also, perhaps, his explanation of why, as a married man and father of two young daughters, he was prepared to risk all by strapping himself to the front of a jet engine with the power of eleven Formula One cars. A daredevil and a petrolhead long before his association with Top Gear, Richard tells the story of his life as an adrenalin junkie, from the small boy showing off with ridiculous stunts on his bicycle to the adolescent with a near-obsessive attraction to speed and the smell of petrol. After a series of jobs in local radio, he graduated to television and eventually to Top Gear, one of the world's most popular shows, upgrading his car with each step up the ladder. His insights into the personalities, the camaraderie and, of course, the stunts for which Top Gear has become famous make compulsive reading.It was whilst filming for Top Gear, driving a jet-powered dragster at speeds over 300mph, that a tyre burst and the car left the track and rolled over, burying him in the earth. He was airlifted to hospital and hovered near death for several days. His wife Mindy tells the story of the anxious hours and days of watching and waiting until he finally emerged from his coma. In an extraordinarily powerful piece of writing, she and Richard then piece together the stages of his recovery as his shattered mind slowly reformed, leaving him sometimes lucid and plausible, sometimes confused and angry, and often exhausted. The final chapter recounts his return home and his triumphant reappearance in front of the cameras.

    From iconic film roles to high-profile relationships, Moore has never been far from the spotlight—or the headlines.Even as Demi was becoming the highest paid actress in Hollywood, however, she was always outrunning her past, just one step ahead of the doubts and insecurities that defined her childhood. Throughout her rise to fame and during some of the most pivotal moments of her life, Demi battled addiction, body image issues, and childhood trauma that would follow her for years—all while juggling a skyrocketing career and at times negative public perception. As her success grew, Demi found herself questioning if she belonged in Hollywood, if she was a good mother, a good actress—and, always, if she was simply good enough.As much as her story is about adversity, it is also about tremendous resilience. In this deeply candid and reflective memoir, Demi pulls back the curtain and opens up about her career and personal life—laying bare her tumultuous relationship with her mother, her marriages, her struggles balancing stardom with raising a family, and her journey toward open heartedness. Inside Out is a story of survival, success, and surrender—a wrenchingly honest portrayal of one woman’s at once ordinary and iconic life.

    . . . Yeah, that's me. But believe it or not, that's not the real me. The real me is just an average guy trying to make it in the world like everyone else.Well . . . sort of . . .I always wanted to be a legitimate actor (that's right, don't laugh). But when the gigs didn't come I didn't let it get me down. Instead, I'd fall into the arms of beautiful women and let them heal my bruised soul. One of them insisted on taking nude pictures of me and sending them to Playgirl. For some reason I agreed, and when it was published, I got tons of phone calls. One of them was from a casting director who wanted me in his next picture. There was only one problem: it was a porno."What do you think?" I asked my dad.He rubbed his chin and paused for a moment."I think you should do it," he said. "I mean, you're already halfway there, and . . . at least you'll be performing, right?"That's exactly what I thought. From there, my life only got better. I traveled all over the world, made tons of money, and got more famous every year. But more than anything, I wanted to be legit, so I started doing stand-up comedy, moved to Hollywood, and kept my acting hopes alive by mingling with every major—Wait a minute, you don't care about any of this, do you? You just want to know about the celebrity orgies, the constant sex, and how I learned to blow myself. . . . All right, fine.But keep reading. . . . I guarantee you'll get more than you bargained for. . . .—Ron Jeremy

    It is a remarkable story of extremes, and a no-holds barred account of Rollermania.From the Trade Paperback edition.

    With a New Afterword for this Edition.When the first 'Superman' movie came out I was frequently asked 'What is a hero?'  I remember the glib response I repeated so many times.  My answer was that a hero is someone who commits a courageous action without considering the consequences - a soldier who crawls out of a foxhole to drag an injured buddy to safety.  And I also meant individuals who are slightly larger than life: Houdini and Lindbergh, John Wayne, JFK, and Joe DiMaggio.  Now my definition is completely different.  I think a hero is an ordinary individual who finds strength to persevere and endure in spite of overwhelming obstacles: a fifteen-year-old boy who landed on his head while wrestling with his brother, leaving him barely able to swallow or speak; Travis Roy, paralysed in the first thirty seconds of a hockey game in his freshman year at college.  These are real heroes, and so are the families and friends who have stood by them."The whole world held its breath when Christopher Reeve struggled for life on Memorial Day, 1995.  On the third jump of a riding competition, Reeve was thrown headfirst from his horse in an accident that broke his neck and left him unable to move or breathe.In the years since then, Reeve has not only survived, but has fought for himself, for his family, and for the hundreds of thousands of people with spinal cord injuries in the United States and around the world.  And he has written 'Still Me', the heartbreaking, funny, courageous, and hopeful story of his life.Chris describes his early success on Broadway opposite the legendary Katherine Hepburn, the adventure of filming 'Superman' on the streets of New York, and how the movie made him a star.  He continued to move regularly between film acting and theater work in New York, Los Angeles, and at the WIlliamstown Theatre Festival in the Berkshires.  Reunited with his 'Bostonians' director, James Ivory, in 1992, he traveled to England to work with Emma Thompson and Anthony Hopkins in 'The Remains of the Day'.The Man who cannot move has not stopped moving.  He has established a charitable foundation to raise awareness and money for research on spinal cord injuries.  His work as director of the HBO film 'In the Gloaming' earned him an Emmy nomination, one of five that the film received.  His speeches at the Democratic National Convention and the Academy Awards inspired people around the country and the world.  He has testified before Congress on behalf of health insurance legislation, lobbied for increased federal funding for spinal cord research, and developed a working relationship with President Clinton.With dignity and sensitivity, he describes the journey he has made -physically, emotionally, spiritually.  He explores his complex relationship with his parents, his efforts to remain a devoted husband and father, and his continuing and heroic battle to rebuild his life.This is the determined, passionate story of one man, a gifted actor and star, and how he and his family came to grips with the kind of devastating, unexplainable shock that fate can bring to any of us.  Chris and Dana Reeve have gathered the will and the spirit to create a new life, one responsive and engaged and focused on the future.