Famed Confederate Generals Robert E. Lee and Stonewall Jackson bring off an against-all-odds surprise victory, humiliating a Yankee force three times the size of their own, while the Northern army is torn by rivalries, anti-immigrant prejudice and selfish ambition. This historically accurate epic captures the high drama, human complexity and existential threat that nearly tore the United States in two, featuring a broad range of fascinating—and real—characters, in blue and gray, who sum to an untold story about a battle that has attained mythic proportions. And, in the end, the Confederate triumph proved a Pyrrhic victory, since it lured Lee to embark on what would become the war's turning point—the Gettysburg Campaign (featured in Cain At Gettysburg).

    In The Black Butterfly—a reference to the fact that Baltimore's majority-Black population spreads out on both sides of the coveted strip of real estate running down the center of the city like a butterfly's wings—Lawrence T. Brown reveals that ongoing historical trauma caused by a combination of policies, practices, systems, and budgets is at the root of uprisings and crises in hypersegregated cities around the country.Putting Baltimore under a microscope, Brown looks closely at the causes of segregation, many of which exist in current legislation and regulatory policy despite the common belief that overtly racist policies are a thing of the past. Drawing on social science research, policy analysis, and archival materials, Brown reveals the long history of racial segregation's impact on health, from toxic pollution to police brutality. Beginning with an analysis of the current political moment, Brown delves into how Baltimore's history influenced actions in sister cities like St. Louis and Cleveland, as well as its adoption of increasingly oppressive techniques from cities like Chicago.But there is reason to hope. Throughout the book, Brown offers a clear five-step plan for activists, nonprofits, and public officials to achieve racial equity. Not content to simply describe and decry urban problems, Brown offers up a wide range of innovative solutions to help heal and restore redlined Black neighborhoods, including municipal reparations. Persuasively arguing that because urban apartheid was intentionally erected it can be intentionally dismantled, The Black Butterfly demonstrates that America cannot reflect that Black lives matter until we see how Black neighborhoods matter.

     BOOK EXCERPT: By the time Hugh Glass reached Fort Tilton it was well into November. A foot of snow lay across the countryside. Fort Tilton was a small fort that belonged to the Columbia Fur Company. It had been built by William P. Tilton and boasted a garrison of only five men. As it sat near the site of another Mandan village, the Mandans who escorted Hugh dropped him off, then immediately went to visit their cousins. Hugh went to see Tilton, where he learned right away that any hopes of finding a boat to continue his journey were in vain. “Mr. Glass,” Tilton told Hugh, “I’d like to help you but I can’t. I’ve got five men here, besides myself. I can’t spare any of them. We’re under danger of attack here night and day by the Arikaras. I need every man I have to keep them away. Even if I could spare anyone, I doubt they would go. We’re watched constantly. I had one man who left the fort for only a few minutes. From out of nowhere, that devil Stanapat rode up and killed him, practically on our doorstep. If you hadn’t had the Mandans escorting you, don’t think for a moment that you would have made it in here. Those damn Arikaras would have gotten you before you even came within sight of the fort.” Disappointed, Hugh exhaled heavily. “Stanapat,” he said ruefully. “—The Little Hawk With The Bloody Hand…” Tilton looked at him. “You speak Arikara?” he asked Hugh. “Pawnee,” Hugh said absently. “The two languages are almost identical.” Tilton continued to stare at him. Slowly, a look of dread came over his features. “Oh no,” Tilton said. “Oh, Christ, I should have known by your scars—you’re the one the Indians call White Bear.” Hugh gave him a puzzled look. “How did you know?” “Mister, you’re the talk of the plains. BIG medicine. Went one on one with a grizzly, left for dead by two white men and still managed to crawl to Fort Kiowa. The Arikaras have tried to kill you and can’t, that’s what they say. Oh, I know all about you. So does every tribe from here to the Rockies. As soon as Stanapat finds out you’re here—and he will—he’ll tear this place down to get to you. New travels real fast in these parts, mister, and the news here is that the Arikaras want you real bad!” PRAISE FOR "HUGH GLASS" by Bruce Bradley-- "--The kind of book you hate to put down!" Fraser Whitbread - Muzzle Blasts Magazine "This recent book by Bruce Bradley is a great read and should be added to the library of those who have interest in the (Fur Trade) period or are an over-all student of early American History." - On the Trail Magazine "A very readable telling of an amazing story!" —Bob Griffith-Amazon.com

    Many of the most highly regarded citizens leaped from windows or jumped into the Rhone, screaming that their heads were made of copper, their bodies wrapped in snakes, their limbs swollen to gigantic size or shrunken to tiny appendages. Others ran through the streets, claiming to be chased by "bandits with donkey ears", by tigers, lions & other terrifying apparitions. Animals went berserk. Dogs ripped bark from trees until their teeth fell out. Cats dragged themselves along the floor in grotesque contortions. Ducks strutted like penguins. Villagers & animals died right & left. Bit by bit, the story behind the tragedy in Pont-St-Esprit--a tiny Provencial village of twisted streets that looks much today as it did in the Middle Ages--unfolded to doctors & toxcologists. That story, one of the most bizarre in modern medical history, is movingly recounted in The Day of St. Anthony's Fire. Throughout the Middle Ages & during other times in history, similar hallucinatory outbreaks occurred. They were called St. Anthony's Fire because it was believed that only prayers to the saint could hold the disease in check. Even modern medicine could find no way to check the disease. Drugs failed to bring even temporary relief. Hundreds in the village suffered for weeks, with total agonizing insomnia, never knowing when they might once more suddenly go berserk. The cause of St. Anthony's Fire was known since early history to be ergot, a mold found on rye grain that at rare times inexplicably became posionous enough to create monstrous hallucinations & death. In '51 little significance was attached to the fact that the base of ergot was lysergic acid, also the base for LSD, a drug just coming to the attention of scientists at the time--a drug so powerful that one eye-dropperful could cause as many as 5000 people to hallucinate for hours. At this point, the story becomes a vividly absorbing medical detective story demonstrating the possibility that a strange, spontaneous form of LSD might have caused the human tragedy that came to the hapless villagers of Pont-St-Esprit.

    Essays that applaud democracy's toleration of individual freedom and self-criticism and deplore its encouragement of mediocrity: "We may still contrive to raise three cheers for democracy, although at present she only deserves two."

    Since he began to read, "besotted by salt-water dreams and nautical language," he studied the lore surrounding a place of mythic proportions: the ever-alluring Cape Horn. And after years of dreaming -- and sailing -- he finally made his voyage there. In this lively, thrilling blend of history, geography, and modern-day adventure, Murphy shows how the myth crossed wakes with his reality. Cape Horn is a buttressed pyramid of crumbly rock situated at the very bottom of South America -- 55 degrees 59 minutes South by 67 degrees 16 minutes West. It's a place of forlorn and foreboding beauty, one that has captured the dark imaginations of explorers and writers from Francis Drake to Joseph Conrad. For centuries, the small stretch of water between Cape Horn and the Antarctic peninsula was the only gateway between the Atlantic and Pacific oceans, and it's a place where the storms are bigger, the winds stronger, the seas rougher than anywhere else on earth. Rounding the Horn is the ultimate maritime rite of passage, and in Murphy's hands, it becomes a thrilling, exuberant tour. Weaving together stories of his own nautical adventures with long-lost tales of those who braved the Cape before him -- from Spanish missionaries to Captain Cook -- and interspersed with breathtaking descriptions of the surrounding wilderness, the result is a beautifully crafted, immensely enjoyable read.

    The ensuing trial let loose a storm of racial and sexual hysteria, but the case against the suspects was scant and the trial ended in a hung jury. Outraged, Thalia's socialite mother arranged the kidnapping and murder of one of the suspects. In the spectacularly publicized trial that followed, Clarence Darrow came to Hawai'i to defend Thalia's mother, a sorry epitaph to a noble career. It is one of the most sensational criminal cases in American History, Stannard has rendered more than a lurid tale. One hundred and fifty years of oppression came to a head in those sweltering courtrooms. In the face of overwhelming intimidation from a cabal of corrupt military leaders and businessmen, various people involved with the case--the judge, the defense team, the jurors, a newspaper editor, and the accused themselves--refused to be cowed. Their moral courage united the disparate elements of the non-white community and galvanized Hawai'i's rapid transformation from an oppressive white-run oligarchy to the harmonic, multicultural American state it became. Honor Killing is a great true crime story worthy of Dominick Dunne--both a sensational read and an important work of social history.

    He does not stand for one tribe or nation, but for all Native Americans. He remains the ultimate symbol of endeavor and courage. Over thirty years in the writing, this is the first authoritative biography of the principal organizer and driving force of Native American confederacy. For anyone studying the early years of the Republic or Native American history, it is essential reading.

    Puritan Anne Bradstreet arrived in Massachusetts in 1630, 18 years old and newly married to Simon Bradstreet, the son of a minister. She was accompanied by her imperious father, Thomas Dudley, and a powerful clutch of Protestant dissenters whose descendants would become the founding fathers of the country. Bradstreetís story is a rich one, filled with drama and surprises, among them a passionate marriage, intellectual ferment, religious schisms, mortal illness, and Indian massacres. This is the story of a young woman and poet of great feeling struggling to unearth a language to describe the country in which she finds herself. And it also offers a rich and complex portrait of early America, the Puritans, and their trials and values; a legacy that continues to shape our country to the present day.

    For my part i don't care. I don't feel afraid to go. I don't believe there are any Rebel's bullet made for me yet.--Pvt. Lyons Wakeman. Similar sentiments were expressed by tens of thousands of Civil War soldiers in their diaries and in their letters to loved ones at home. What transforms the letters of Pvt. Lyons Wakeman from merely interesting reading into a unique and fascinating addition to Civil War literature is who wrotethem--for Private Wakeman was not what he seemed to be. The five-foot tall soldier's true identity was that of a simple young farm girl from central New York state named Sarah Rosetta Wakeman. Her letters, the only such correspondence known to exist, provide a rare glimpse of what life was likefor a woman fighting as a common soldier in the Civil War under the guise of a man. Written shortly after she left home to pursue her fortune in 1862, Rosetta's letters over the next two years tell of army life in the defences of Washington, D.C. and on the march and in battle during the 1864 Louisiana Red River Campaign. She wrote frequently to her family in Afton, NY, and herletters contain feelings and observations like those expressed by the majority of her fellow soldiers. We read of her determination to perform honorably the duty required of a soldier, the trials of hard marching and combat, her pride in being able to drill just as well as any man in her regiment, and her eventual fatalistic attitude toward military service, and her frequent expressions of faith in God and the afterlife. Although Rosetta did not survive the war, her letters remain as an singular record of female military life in the ranks, a phenomenon largely ignored by historians andresearchers. Private Wakeman was not alone in embarking on her strange adventure. Hundreds of women, from both the North and South, disguised themselves as men and enlisted in the armies of our nation's bloodiest war. The experiences of these women during the Civil War are just beginning to be recognized aselemental to understanding the life of this country during those turbulent times. Little is known about these women precisely because they enlisted and served in constant secrecy, fearful of revealing their true identities. This unique collection of letters offers a firsthand look at the personalityand character of a woman who defied convention to take a man's place in the Union army.

    Until now, however, no one has written the story of this woman of extraordinary talent and notoriety. She was a great beauty, an aristocratic refugee of the Russian Revolution, and a frankly erotic painter who insisted upon Renaissance aesthetics, figuration, and painterly craft in modern art. The sky-high prices attached to her canvases in recent years have still not dispelled the suspicions that a woman of Lempicka's glamour and fame could be a truly serious artist. Yet the reviews of the early twentieth century tell a different story: her work was routinely singled out as competing with major figures of the School of Paris, including Léger, Laurençin, Kisling, and Picasso.In this first critical biography, Laura Claridge draws upon her exclusive access to Lempicka's family, friends, and archives to re-create the life that the painter carefully withheld even from her own daughter: the truth of her birth; her escape from Bolshevik Russia; her determination to become a New Woman; her lifelong bouts of depression; her numerous affairs with the women and men she painted; her flight from Nazi Europe via Havana; and her years in Hollywood and New York as the "Baroness with a brush," all informed by the artistic integrity and social anachronism that condemned her to being written out of the canons of modern art. Emblematic of '20s excess and indulgence, Tamara de Lempicka's life of great wealth, indiscriminate sexuality, and endless intrigue makes for a fascinating narrative. But her paintings have inspired fierce disagreements over issues of class, wealth, and gender in modern art, making her work ripe for critical re-evaluation.  In Tamara de Lempicka: A Life of Deco and Decadence, Laura Claridge has succeeded brilliantly on both counts, bringing to light the contradictions that fueled the life and work of this provocative painter.Though Paris in the early twenties certainly earned its bohemian reputation, Tamara was playing the game hard by anyone's standards. It seemed to her that she could have it all: respect, money, and sexual gratification on the side. She had arrived at the Gare du Nord only four years earlier, gifted with a painter's talent and a family history of feminine power. Encountering a cultural climate that affirmed art as a remunerative career for women, she also felt freed personally by the Modernist mantra to "make it new" that underwrote every aspect--trivial and profound--of daily life. She was determined to embody that icon of the age, the new woman.

    As the child of two Holocaust Survivors, Looking Up: A Memoir of Sisters, Survivors and Skokie tells the story of growing up with parents who have survived the unsurvivable, who land in Skokie, an idyllic northern suburb of Chicago, where they're suddenly free to live their lives, yet they find that their past has arrived with them. Through the pages of this book the author discovers that past, discovers why outside the house is the magic of her Skokie childhood but inside the Nazis are forever on the march, and ultimately finds that her parents' stories are her own.

    The result is a hilarious imbroglio and an offspring -- Andrew Hawkins, whose life becomes Oxherding Tale. Through sexual escapades, picaresque adventures, and philosophical inquiry, Hawkins navigates white and black worlds and comments wryly on human nature along the way. Told with pure genius, Oxherding Tale is a deliciously funny, bitterly ironic account of slavery, racism, and the human spirit; and it reveals the author as a great talent with even greater humanity.

    When the hospital was forced to close the children that had survived were taken to the death-camps. Blady-Szwajger became a reluctant courier for the resistance. She left the ghetto and began to carry paper money pinned into her clothing to those in hiding. She and her flat-mate pretended to be good-time girls having fun and threw parties to disguise the coming and going of their male visitors. This heroic memoir pays tribute to all the men and women who paid with their lives for the safety of others.

    In this pathbreaking account, Duncan Ryūken Williams reveals how, even as they were stripped of their homes and imprisoned in camps, Japanese American Buddhists launched one of the most inspiring defenses of religious freedom in our nation’s history, insisting that they could be both Buddhist and American.Nearly all Americans of Japanese descent were subject to bigotry and accusations of disloyalty, but Buddhists aroused particular suspicion. Government officials, from the White House to small-town mayors, believed that Buddhism was incompatible with American values. Intelligence agencies targeted the Buddhist community for surveillance, and Buddhist priests were deemed a threat to national security. On December 7, 1941, as the bombs fell on Pearl Harbor, Attorney General Francis Biddle issued a warrant to “take into custody all Japanese” classified as potential national security threats. The first person detained was Bishop Gikyō Kuchiba, leader of the Nishi Hongwanji Buddhist sect in Hawai‘i.In the face of discrimination, dislocation, dispossession, and confinement, Japanese Americans turned to their faith to sustain them, whether they were behind barbed wire in camps or serving in one of the most decorated combat units in the European theater. Using newly translated sources and extensive interviews with survivors of the camps and veterans of the war, American Sutra reveals how the Japanese American community broadened our country’s conception of religious freedom and forged a new American Buddhism.