Just as Clarisse’s husband and daughter know nothing of Ladivine, Clarisse herself has hidden nearly every aspect of her adult life from this woman, whom she dreads and despises but also pities. Long ago abandoned by Clarisse’s father, Ladivine works as a housecleaner and has no one but her daughter, whom she knows as Malinka. After more than twenty-five years of this deception, the idyllic middle-class existence Clarisse has built from scratch can no longer survive inside the walls she’s put up to protect it. Her untold anguish leaves her cold and guarded, her loved ones forever trapped outside, looking in. When her husband, Richard, finally leaves her, Clarisse finds comfort in the embrace of a volatile local man, Freddy Moliger. With Freddy, she finally feels reconciled to, or at least at ease with, her true self. But this peace comes at a terrible price. Clarisse will be brutally murdered, and it will be left to her now-grown daughter, who also bears the name Ladivine without knowing why, to work out who her mother was and what happened to her.A mesmerizing and heart-stopping psychological tale of a trauma that ensnares three generations of women, Ladivine proves Marie NDiaye to be one of Europe’s great storytellers.

    Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title. The Cathedral of Mist offers the sort of ethereal narratives that might have come from the pen of a sorrowful, distinctly Belgian Italo Calvino. It is accompanied by two meditative essays on reading and writing that fall in the tradition of Marcel Proust and Julien Gracq. Paul Willems (1912-97) published his first novel, Everything Here Is Real, in 1941. Three more novels and, toward the end of his life, two collections of short stories bracketed his career as a playwright.

    When he quits his job in the Chicago stockyards to join other homesteaders settling the Great Plains, Nona finds herself torn between supporting her father's vision for their future and her mother's struggle to adjust to life on a desolate prairie.Initially, things look up for the family as they settle into life in Dalhart, Texas. The wheat boom is in full swing, and it appears her father's dream of providing his family with a home of their own is coming true. Too soon the effects of the depression impact her family. Then the rains stop. Before long, Dalhart is the epicenter of the Dust Bowl.Like Dust, I Rise transforms poverty into pride and reflects the heroism of endurance.

    His only friends are his neighbour,Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle,also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers – two versions of the same person, twoversions of the same life, both grappling with existential questions.In this final instalment of Jon Fosse’s Septology, the major prose work by ‘the Beckett of the twenty-first century’ (LeMonde), Christmas is approaching. Tradition has it that Åsleik and Asle eat lutefisk together, but this year Asle has agreedfor the first time to celebrate Christmas with Åsleik and his sister, Guro. On Christmas Eve, Åsleik, Asle, and the dog Bragitake Åsleik’s boat out on the Sygnefjord. Meanwhile, we follow the lives of the two Asles as younger adults in flashbacks:the narrator meets his lifelong love, Ales; joins the Catholic Church; starts exhibiting with Beyer; and can make a living bytrying to paint away all the pictures stuck in his mind. After a while, Asle and Ales leave the city and move to the house inDylgja. The other Asle gets married too, but his wedding ends with a sobbing bride and is followed soon after by a painfulbreakup.Written in melodious and hypnotic ‘slow prose’, A New Name: Septology VI-VII is a transcendent exploration of thehuman condition by Jon Fosse, and a radically other reading experience – incantatory, hypnotic, and utterly unique.

    'You could find yourself out of the frying pan and into the fire.' Her past denied and dance championship dreams discarded, Cassie Sleight leaves home. In the seemingly idyllic coastal town of Keimera, she starts a career on the English staff of the local high school. Exposure to Mark Talbut, a man struggling to be modern yet threatened by power shifts in the workplace and in society, causes Cassie to assess her reactions as a teacher and a woman. As she does so, the secrets of her past surface. Will that past continue to choreograph Cassie’s present steps? What sort of woman does she become? ‘In and Out of Step' looks at how the world a person lives in shapes that person for good and for bad. It is a story about friendship and family, belonging, alienation, sexual harassment, and change. The title alludes to the way Cassie Sleight uses dance as a way to interpret life and process her reactions to it.

    “Every beautiful poem is an act of resistance.” As always, Darwish’s musings on unrest and loss dwell on love and humanity; myth and dream are inseparable from truth. “Truth is plain as day.” Throughout the book, Darwish returns frequently to his ongoing and often lighthearted conversation with death.Mahmoud Darwish (1941–2008) was awarded the Lannan Prize for Cultural Freedom in 2001. He was regarded as the voice of the Palestinian people and one of the greatest poets of our time.

    Before her illness, before her husband’s ridiculous death, before she fled home hidden in the back of a truck, she spent her youth at Playa Roja, swimming alongside the creepy old gringos amid rumors of young women gone missing and young men found dead. Nancy’s bitter mother—mi madre mala, Nancy calls her—abandoned the family and her brother disappeared without explanation. Then her father, who was all she had left, took up with a pair of young Mormon missionaries, and Nancy was left to fend for herself in a world determined to crush her spirit.Through the haze induced by her medication, Nancy gazes deep into her adolescence and, despite the horrors that society, poverty, and family inflicted on her as a young woman, she rediscovers life—jubilant and proud. Bruno Lloret’s debut novel, moodily translated from Spanish by Ellen Jones, combines formal invention and heartrending storytelling punctuated by graves, footprints, x-rays, and crosses.

    Working his way north over nearly a decade, Kpomassie finally arrived in the country of his dreams. This brilliantly observed and superbly entertaining record of his adventures among the Inuit is a testament both to the wonderful strangeness of the human species and to the surprising sympathies that bind us all.

    He’s also out of his element. He’s just an ex-cop from a small New Hampshire town turned private eye, who finds himself looking for a murderer among America’s modern-day aristocracy in Greenwich, Westchester, and the Upper East Side. Earl doesn’t much like these people, their lifestyles, or their attitudes, and they don’t like Earl. Along the way, they’ll underestimate him, mock him, seduce him, and even try to kill him.

    Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an S.S. officer and stolen from her by the German authorities during the War as part of Himmler's clandestine 'Lebensborn' project, which strove for a 'racially pure' Germany. Haya's reflection on her Catholicized Jewish family's experiences deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, as well as witness accounts of atrocities that took place on her doorstep. A broad collage of material is assembled, and the lesser-known horror of Nazi occupation in northern Italy is gradually unveiled. Written in immensely powerful language, and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Dasa Drndic has produced a shattering contribution to the literature of our twentieth-century history.

    Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?

    Along the way we meet Communist rioters, ultraviolent gangsters, stallholders at the city’s many covered markets, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing.A gripping and brilliantly constructed novel from a talented new voice in crime fiction, The Borrowed paints a dynamic portrait of Hong Kong and reveals just how closely the past and present are connected in this fascinating city.

    He conveys a sense of what it is like to be a private citizen in the second half of the twentieth century.

    A verse narrative, blending folklore, mythology, adventure, and allegory, The Perfect Nine chronicles the efforts the Gĩkũyũ founders make to find partners for their ten beautiful daughters—called “The Perfect Nine” —and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor, and sacrifice.Ngũgĩ’s epic is a quest for the beautiful as an ideal of living, as the motive force behind migrations of African peoples. He notes, “The epic came to me one night as a revelation of ideals of quest, courage, perseverance, unity, family; and the sense of the divine, in human struggles with nature and nurture.”

    When one of the resident physicians, Dr. Kip Paiva, becomes a critically ill patient herself, the team is forever changed. This suspenseful story of medical fiction traces foreign medical graduate Dr. Kip Paiva, an emigrant and survivor of human trafficking in post-apartheid South Africa. Her refuge from a Zulu militant captor comes to an end, as his brutal violence has finally tracked her across the ocean. While her past catches up to her, Dr. Paiva also becomes the scapegoat of a malpractice suit. Frightened for her and her son’s lives, Dr. Paiva begins a journey fueled by bottomless resiliency and a mother’s love. Her story intertwines through five others, all riveting, and all taking place in the busy Spectrum General Hospital in New York. Debut author Melissa Crickard uses this microcosm to illustrate larger aspects of modern medicine. Another Five Patients combines international intrigue and hospital politics with individual human stories involving hospital staff, patients, and their families. The result is a captivating, at times satirical, experience that reminds us that, whether doctor, mother, or child, we are all people, with flaws and emotions in a world of uncertainty.