But, of course, Lady Masters got things simply by always having had them and by taking it for granted that she always would have them. In Bramton Wick, the setting of Elizabeth Fair’s cheerful debut novel, tensions and resentments—not to mention romance—roil beneath the polite interactions of its charming and eccentric residents.There’s upper crust Lady Masters, taking the good things for granted but thoroughly cowed by her gardener. There’s Gillian Cole, a war widow, and her sister Laura, for whom romance may (or may not) be in the offing. There’s Miss Selbourne and “Tiger” Garrett, who met driving ambulances during the war (the first one, though Miss Garrett does get them confused). There’s Major Worthy, who is quite energetic for an invalid. And there’s the three Misses Cleeve, who are “all remarkably like toads” and who have a casual relationship with the truth.Furrowed Middlebrow is delighted to make available, for the first time in over half a century, all six of Elizabeth Fair’s irresistible comedies of domestic life. These new editions all feature an introduction by Elizabeth Crawford.“Miss Fair’s understanding is deeper than Mrs. Thirkell’s and her humour is untouched by snobbishness; she is much nearer to Trollope, grand master in these matters.”--Stevie Smith“Miss Fair’s first novel is not one of promise but of accomplishment. Good luck to her!”--John Betjeman“Deliciously malicious humour abounds.”--Vanity Fair

    Fifty-something sisters Harriet and Belinda Bede live a comfortable, settled existence. Belinda, the quieter of the pair, has for years been secretly in love with the town's pompous (and married) archdeacon, whose odd sermons leave members of his flock in muddled confusion. Harriet, meanwhile, a bubbly extrovert, fends off proposal after proposal of marriage. The arrival of Mr. Mold and Bishop Grote disturb the peace of the village and leave the sisters wondering if they'll ever return to the order of their daily routines. Some Tame Gazelle, first published in Britain nearly 50 years ago, was the first of Pym's nine novels.

    All ideas for making her work for a living were wrecked on the fact that she was born to be served and not to serve.Six friends have spent the dark, deprived years of World War II fantasising-in air raid shelters and food queues-about an idyllic life in a massive country house. With the coming of peace, they seize on a seductive newspaper ad and take possession of a neglected 33-room manor in Kent, with acres of lavish gardens and an elderly gardener yearning to revive the estate's glory days. But the realities of managing this behemoth soon dawn, including a knife-wielding maid, unruly pigs, and a paying guest who tells harrowing stories of her time in the French Resistance, not to mention the friends' conscientious efforts to offer staff a fair 40-hour work week and paid overtime. And then there's the ghost of an overworked scullery maid . . .Based on the actual experiences of Ruth Adam, her husband, and their friends, A House in the Country is a witty and touching novel about the perils of dreams come true. But it's also a constantly entertaining tale packed with fascinating details of post-war life-and about the realities of life in the kind of house most of us only experience via Downton Abbey.

    She also introduces us to specific characters as well as 'types' who will appear and reappear in changing relationships as the years go by. There is the middle-aged woman centrally involved in the events and activities around her; here, Laura Morland, a happily widowed author of very successful 'good bad books' (Thirkell herself?). A disappointed suitor and/or a brief, ill-conceived infatuation of younger man with older woman. At least two romances to work out—an older couple and a younger one—with mild crises along the way. A closing of ranks among the women vs the intruder nicknamed 'the Incubus' resolves both affairs to the satisfaction of all. Especially delightful are the children, servants and other retainers; well defined characters in their own right; from motor-mouthed young Tony Morland and his model railways to housekeeper Stoker and her grapevine among the servants of the neighbourhood.

    Her son and daughter fall in love with the children of the local squire, while Caroline herself becomes interested in a handsome widower who has just moved to town. Unforeseen difficulties challenge the happiness of all involved until Caroline manages to untangle everything to the satisfaction of all.

    This volume introduces Thrush Green, the neighboring village to Fairacre: its blackthorn bushes, thatch-roofed cottages, enchanting landscape, and jumble sales. Readers will delight in a new cast of characters and also welcome familiar faces as they become immersed in the village's turn of events on one pivotal day -- May Day. Before the day is over, life and love and perhaps eternity will touch the immemorial peace of the village.

    The English village of Wealding is no longer troubled by distant sirens, yet the rustling coils of barbed wire are a reminder that something, some quality of life, has evaporated. Together again after years of separation, Laura and Stephen Marshall and their daughter Victoria are forced to manage without "those anonymous caps and aprons who lived out of sight and pulled the strings." Their rambling garden refuses to be tamed, the house seems perceptibly to crumble. But alone on a hillside, as evening falls, Laura comes to see what it would have meant if the war had been lost, and looks to the future with a new hope and optimism. First published in 1947, this subtle, finely wrought novel presents a memorable portrait of the aftermath of war, its effect upon a marriage, and the gradual but significant change in the nature of English middle-class life.

    Now one of her most endearing classics is being reissued for a new generation of readers. China Court is the story of the hours and days of a country house in Wales and five generations of the family who inhabited it.

    Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."

    Lorimer's quiet content. ... Both wrote; each admired the other's work. Lucy possessed what Gray knew she herself would never have, a quality which for want of a better name she called "saleability."In what is surely Molly Clavering's most autobiographical novel, two middle-aged women writers, close friends and neighbours, offer one another advice and support while navigating life in a lively Border village. Lucy Lorimer, the more successful author, with her four children, in-laws, and grandchildren gathered for a summer reunion, must try to avert disaster in one daughter's marriage, help a daughter-in-law restless with mundane married life after flying planes in the war, and deal with the awkward reappearance of an old flame. Unmarried Grace ('Gray') Douglas, meanwhile, has struggles of her own, but is drawn delightfully into her friend's difficulties.In real life, Molly Clavering was herself for many years a neighbour and close friend of bestselling author D.E. Stevenson. First published in 1953, Mrs. Lorimer's Quiet Summer is not only an irresistible family story, but undoubtedly provides some indication of the inspiring friendship between these two brilliantly talented women. This new edition includes an introduction by Elizabeth Crawford.

    Out of nowhere, a great-aunt leaves her a Georgian mansion in another city--and she sheds her old life without delay. Gone is her dull administrative job, her mousy wardrobe, her downer of a roommate. She will live as a woman of leisure, devoted to beauty, creativity, expression, and love. Once installed in her new quarters, Rachel plants a garden, takes up writing, and impresses everyone she meets with her extraordinary optimism. But as Rachel sings and jokes the days away, her new neighbors begin to wonder if she might be taking her transformation just a bit too far.In Wish Her Safe at Home, Stephen Benatar finds humor and horror in the shifting region between elation and mania. His heroine could be the next-door neighbor of the Beales of Grey Gardens or a sister to Jane Gardam's oddball protagonists, but she has an ebullient charm all her own.

    She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - and perhaps because of - its overblown style. But they are curious as to who could have written such a book: 'Some old lady, romanticising behind lace-curtains' . . . 'Angelica Deverell is too good a name to be true . . . she might be an old man. It would be an amusing variation. You are expecting to meet Mary Anne Evans and in Walks George Eliot twirling his moustache.' So nothing can prepare them for the pale young woman who sits before them, with not a seed of irony or a grain of humour in her soul.

    His colleagues are an assortment of misfits, including Prendy (plagued by doubts) and captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze. As the farce unfolds and the young run riot, no one is safe, least of all Paul. Taking its title from Edward Gibbon's Decline and Fall of the Roman Empire, Evelyn Waugh's first, funniest novel immediately caught the ear of the public with his account of an ingénu abroad in the decadent confusion of 1920s high society.

    At the beginning of the novel she's returned after a long absence to the fictional town of Radstowe (which is a thinly disguised portrait of Bristol). Miss Mole is not getting along well with her current employer and after a few days in a boarding house, gets a new job via her cousin Lilla, who is from the wealthier side of the family and has some good contacts. Without revealing the family connection, Lilla recommends her for a job as a housekeeper of sorts for a rather stuffy, pompous minister named Robert Corder, whose wife has recently passed away. The household consists of Reverend Corder, a nonconformist; daughter Ethel, who's rather desperately looking for a man so she can escape the house; young Ruth, who is still in school and longing for a mother figure; and their sassy cousin Wilfred, who's attending medical school nearby. Wilfred's presence in the house is rather awkward and raises a few eyebrows, but his mother is wealthy and the Reverend can't risk offending her. A spinster housekeeper/chaperone is exactly what they need to keep the house respectable -- or so they think. Miss Mole moves in and simultaneously elevates their lives and yet turns things upside-down. She's comforting and yet slyly subversive, and Reverend Corder doesn't quite know if he should appreciate her or fear her, as Hannah is smarter than he is. Wilfred takes to her instantly, recognizing her sharp with, and Ruth grows to love her. Eventually, though, there are whispers about Miss Mole's background which much be addressed, and we learn the real reason for her long absence from her hometown.