This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    Some say the fabled giant tree was once a knee-high seedling brushed by the black boot of Spanish conquistador Hernando Cortez. No other tree along the entire coastal crescent from New Orleans to Apalachicola can rival its majesty or its power to draw people to it. In silence and with dignity, the Ghosthead has served as sentinel to the widow's family land for countless generations. It was a childhood friend and a spirit guide in troubled times. Her father is buried in its shade. So why would the widow walk into a biker bar and hire a man to fire his chainsaw and inflict fatal gashes around its trunk, ending in a few minutes what took five centuries to create? The Widow and the Tree is a tale of dark deeds committed with mercy in mind, provoking the reader to ask: Would I have done the same thing? This book is based on a true story.

    The king has died and Elesin, his chief horseman, is expected by law and custom to commit suicide and accompany his ruler to heaven. The stage is set for a dramatic climax when Pilkings learns of the ritual and decides to intervene and Elesin's son arrives home.

    While clearly guilty of lust and murder, these unsavoury characters become startlingly heroic under pressure, challenging both conventional moral judgements and oppressive social forces."This revised student edition contains a lengthy new introduction with background on the author, date and sources, theme, critical interpretation and stage history. The introduction discusses Webster's radical experimentation with tragic modes, his interest in the heroic potential of women, and evaluates the handling of both in recent stage productions.

    Pavle leaves town to think things over. Weeks later, a deformed corpse is found washed up on the banks of the Danube and is identifed to be that of Pavle. The case is judged a suicide. Three years later, Pavle, now "the deceased," unexpectedly returns. He discovers that his heirs have not only plundered his estate, but also refuse to recognize him as being "legally" alive, and they unite to keep him "dead" to maintain the status quo. This is the first English translation of a masterful and darkly comic play that will enter its rightful place as a world classic. The fluid and natural translation lends itself to theatrical production. Comically absurd, filled with existential angst, it was ahead of its time in 1937. At once vaudevillian and modernist, it is distinguished by clever plotting and stinging dialogue. The play stands as a lasting and caustic satire of human greed, strangely consonant with todays society.

    At last she will be free from him, even though she and Nuala, the sister who depends on her for everything, must now leave his miners cottage. Then Kate discovers they have an aunt in the Midlands whom their father had kept secret, and who now offers them a home. Despite leaving her heart in Durham with Matthew, a young artist, Kate feels loved and safe with Aunt Beth. But her peace is shattered by an astonishing revelation from Nuala, and a series of brutal attacks on the women of Nuneaton. Kate turns to a handsome widower, Martin Denby, but is his kindness too good to be true?

    Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated Ameri