I'm proud to say that there hasn't been a cage built that can hold me. I can climb, dive, wriggle, squeeze, or gnaw my way out of any prison they came up with. I have to admit that sometimes freedom leads to a bit of trouble--like getting cornered by the cat, ending up in the dog's mouth, or being trapped in the freezing cold of a dark refrigerator. But I won't be stopped! With a whole big world out there to explore, who wants to be held prisoner in a hamster cage?

    Ruth Sanderson retells and illustrates the classic Brother Grimm tale with lavish full-color oil paintings.

    Imogene, the cook, and the kitchen maid, however, make the best of things, finding unusual uses for Imogene's new horns. Meanwhile, the problem appears to be solved when Imogene awakes the next morning antler-free. But the family (and the reader) are in for a surprise when Imogene comes down to breakfast.

    How could everyone in a castle - even the flies on the walls - sleep for a century and then wake up? This magical, beautifully illustrated tale begins when the king excludes the most difficult fairy of the kingdom from a feast celebrating the birth of his beautiful daughter Briar Rose. Furious, the fairy storms in and curses the baby, pronouncing that on her fifteenth birthday she will be pricked by a distaff (from a spinning wheel) and fall down dead. The youngest fairy softens the curse to a century-long sleep. Despite the fact that the king burns all the spinning wheels in the kingdom, 15-year-old Briar Rose finds herself in the tower where the evil fairy and her fate await her. The drama of the spell unfurls as she and the other inhabitants of the castle fall instantly asleep, from courtiers to kitchen maids. Thorny briars - moodily captured by Trina Schart Hyman's masterful paintbrush - grow up around the castle. Hyman depicts those who died attempting to break through the maze of thorns to reach the legendary sleeping beauty in a nightmarish illustration. But goodness and true love prevail when the perfect prince does finally find his way through the thick vines.Hyman won a Caldecott Medal for her work in Saint George and the Dragon by Margaret Hodges, and her version of The Sleeping Beauty makes us believe in the magic of the spell. The scenes inside the castle are alive with color and movement and rich with details that children will devour eagerly. Moods and expressions are rendered exquisitely, especially those of the wild, red-haired beauty Briar Rose. This wonderful read-aloud classic is one of Hyman's best.

    But none of these animals is a moose! These different animals have one thing in common—their friendship.Morris the Moose is a Level One I Can Read, great for shared reading with a child, and especially wonderful for reluctant readers.

    Meg is a cute well-meaning witch who lives with Mog and her owl. In Meg and Mog, we are introduced to a witch wardrobe and a witch's breakfast. Later Meg flies off to meet her witch friends for some spell-making at a Halloween Party. Unfortunately the spell does not go exactly to plan... The illustration is simple and with very bold, deep colours. Designed specifically to appeal to very young children, Meg and Mog has short simple sentences on each page, allowing the illustration to play an important part in the storytelling. If you enjoy the first Meg and Mog, enjoy more adventures in Meg on the Moon and Mog at the Zoo. (Ages 1 to 3 years.) --Victoria MacKenzie

    Grampa warned him to be careful with Beauty, but Luke didn't listen.He'd told her all about his hopes, dreams, and fears -- secrets Beauty would never reveal. She was his pal, who went skinny dipping with him in forbidden ponds and galloping after cattle in dangerous cowboy games he knew he shouldn't play. Until the night of the wild storm, when Beauty raced through the barn doors he'd forgotten to close into a terrible trap, and Luke ran into the blinding rain desperate to save the best friend he'd ever have...

    Adventure goes hand in hand with imagination to create this charming classic story.

    Relive the excitement, humor, and adventure in this elegant miniature.

    Few friendships are as true and lasting as those that exist in A.A. Milne's enchanted Hundred Acre Wood, and this book celebrates them with style. Watercolor illustrations.

    Kirsten's stories begin with her long, dangerous voyage with her family from Sweden to America. At first, Kirsten finds it difficult to get used to this strange new country. But as she makes friends and discovers what her new land has to offer, she learns the true meaning of home -- and that love is the same in any language.After a long, dangerous journey from Sweden, Kirsten and her family arrive at a tiny farm on the Minnesota frontier.

    No running allowed. And you must be quiet. But when a lion comes to the library one day, no one is sure what to do. There aren't any rules about lions in the library. And, as it turns out, this lion seems very well suited to library visiting. His big feet are quiet on the library floor. He makes a comfy backrest for the children at story hour. And he never roars in the library, at least not anymore. But when something terrible happens, the lion quickly comes to the rescue in the only way he knows how. Michelle Knudsen's disarming story, illustrated by the matchless Kevin Hawkes in an expressive timeless style, will win over even the most ardent of rule keepers.

    Piggle-WiggleMrs. Piggle-Wiggle lives in an upside-down house and smells like cookies. She was even married to a pirate once. Most of all, she knows everything about children. She can cure them of any ailment. Patsy hates baths. Hubert never puts anything away. Allen eats v-e-r-y slowly. Mrs Piggle-Wiggle has a treatment for all of them.The incomparable Mrs. Piggle-Wiggle loves children good or bad and never scolds but has positive cures for Answer-Backers, Never-Want-to-Go-to-Bedders, and other boys and girls with strange habits. '[Now] in paperback . . . for a new generation of children to enjoy.' -- San Francisco Examiner Chronicle.

    "Teapot fell," said the dinner bell."Is she dead?" asked the bread."Broke her spout," said the trout."Push her up," said the cup."I can't," said the ant."Please try," said the pie."You'll have fun," with this one.

    The perfect integration of words and pictures creates a coherent and delightful whole.When this charming book was first published in 1978, there was a widespread idea that it was too expensive and risky to publish a children's book in Canada. And so Margaret Atwood not only wrote and illustrated the book, she handlettered the type! The book was created in the old-fashioned way, using only two colors that mixed together to produce a surprisingly large range of tones and textures. The delightful result reminds us that technology hasn't necessarily made things better. This facsimile edition renders intact the unique pleasures of the original.