As distant in time from the Five Books of Moses as Updike is from Shakespeare, these Late Biblical books are innovative, entertaining literary works. Women often stand center stage. The Song of Songs is a celebration of young love, frankly sensuous, with no reference to God or covenant. It offers some of the most beautiful love poems of the ancient world. The story of Queen Esther’s shrewd triumph is also a secular entertainment, with clear traces of farce and sly sexual comedy. The character of Ruth embodies the virtues of loyalty, love, and charity in a harmonious world. Enigma replaces harmony in Daniel’s feverish night dreams. The apocalyptic strangeness of Daniel echoes in works from the New Testament’s Book of Revelations to the lyrics of Bob Dylan. And Jonah, the tale of a giant fish who, on God’s command, swallows the prophet and imprisons him in his dark wet innards for three days, ends with a question that lingers, unanswered, leaving the reader to ponder the many limitations of humankind.

    Once this was a radically new way of imagining the destiny of the world and of mankind. How did it originate, and what kind of world-view preceded it? In this engrossing book, the author of the classic work The Pursuit of the Millennium takes us on a journey of exploration, through the world-views of ancient Egypt, Mesopotamia, and India, through the innovations of Iranian and Jewish prophets and sages, to the earliest Christian imaginings of heaven on earth.Until around 1500 B.C., it was generally believed that once the world had been set in order by the gods, it was in essence immutable. However, it was always a troubled world. By means of flood and drought, famine and plague, defeat in war, and death itself, demonic forces threatened and impaired it. Various combat myths told how a divine warrior kept the forces of chaos at bay and enabled the world to survive. Sometime between 1500 and 1200 B.C., the Iranian prophet Zoroaster broke from that static yet anxious world-view, reinterpreting the Iranian version of the combat myth. For Zoroaster, the world was moving, through incessant conflict, toward a conflictless state—“cosmos without chaos.” The time would come when, in a prodigious battle, the supreme god would utterly defeat the forces of chaos and their human allies and eliminate them forever, and so bring an absolutely good world into being. Cohn reveals how this vision of the future was taken over by certain Jewish groups, notably the Jesus sect, with incalculable consequences. Deeply informed yet highly readable, this magisterial book illumines a major turning-point in the history of human consciousness. It will be mandatory reading for all who appreciated The Pursuit of the Millennium.

    This was the England of Shakespeare, Jonson, and Bacon; the era of the Gunpowder Plot and the worst outbreak of the plague. Jacobean England was both more godly and less godly than the country had ever been, and the entire culture was drawn taut between these polarities. This was the world that created the King James Bible. It is the greatest work of English prose ever written, and it is no coincidence that the translation was made at the moment "Englishness," specifically the English language itself, had come into its first passionate maturity. The English of Jacobean England has a more encompassing idea of its own scope than any form of the language before or since. It drips with potency and sensitivity. The age, with all its conflicts, explains the book.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    This was heresy, punishable by death. Sir Thomas More, hailed as a saint and a man for all seasons, considered it his divine duty to pursue Tyndale. He did so with an obsessive ferocity that, in all probability, led to Tyndale's capture and death.The words that Tyndale wrote during his desperate exile have a beauty and familiarity that still resonate across the English-speaking world: "Death, where is thy sting?...eat, drink, and be merry...our Father which art in heaven."His New Testament, which he translated, edited, financed, printed, and smuggled into England in 1526, passed with few changes into subsequent versions of the Bible. So did those books of the Old Testament that he lived to finish.Brian Moynahan's lucid and meticulously researched biography illuminates Tyndale's life, from his childhood in England, to his death outside Brussels. It chronicles the birth pangs of the Reformation, the wrath of Henry VIII, the sympathy of Anne Boleyn, and the consuming malice of Thomas More. Above all, it reveals the English Bible as a labor of love, for which a man in an age more spiritual than our own willingly gave his life.

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    Christianity addresses topics that other books neglect, for example the competition for power between different forms of Christianity, the churches' uses of power, and their struggles with modernity. Woodhead also considers the recent charismatic explosion of Christianity in Latin America, Africa, and the Far East. She concludes by showing the ways in which those who previously had the least power in Christianity--women and non-Europeans--have become increaslingly central to its unfolding story. Up-to-date, authoritative, and filled with fresh insights, Christianity: A Very Short Introduction brings a vast and varied subject into sharp focus

    Schaeffer wrestles with faith and disbelief, sharing his innermost thoughts with a lyricism that only great writers of literary nonfiction achieve. Schaeffer writes as an imperfect son, husband and grandfather whose love for his family, art and life trumps the ugly theologies of an angry God and the atheist vision of a cold, meaningless universe. Schaeffer writes that only when we abandon our hunt for certainty do we become free to create beauty, give love and find peace. *** “As someone who has made redemption his work, Frank has, in fact, shown amazing grace.” — Jane Smiley, Washington Post *** “To millions of evangelical Christians, the Schaeffer name is royal, and Frank is the reluctant, wayward, traitorous prince. His crime is not financial profligacy, like some pastors’ sons, but turning his back on Christian conservatives.” — New York Times *** “Frank Schaeffer’s gifts as a writer are sensual and loving. He’s also laugh-out-loud funny!” — Andre Dubus III, author of House of Sand and Fog

    Leon McBeth's 'The Baptist heritage' is a definitive, fresh interpretation of Baptist history. Based on primary source research, the book combines the best features of chronological and topical history to bring alive the story of Baptists around the world.

    Enduring for more than 200 years, Luther’s movement was then followed by a "revolutionary time of human knowledge." Yet these advances in our thinking had little impact on Christians’ adherence to doctrine—which has led the faith to a critical point once again.Bible scholar and Episcopal bishop John Shelby Spong contends that there is mounting pressure among Christians for a radically new kind of Christianity—a faith deeply connected to the human experience instead of outdated dogma. To keep Christianity vital, he urges modern Christians to update their faith in light of these advances in our knowledge, and to challenge the rigid and problematic Church teachings that emerged with the Reformation. There is a disconnect, he argues, between the language of traditional worship and the language of the twenty-first century. Bridging this divide requires us to rethink and reformulate our basic understanding of God.With its revolutionary resistance to the authority of the Church in the sixteenth century, Spong sees in Luther’s movement a model for today’s discontented Christians. In fact, the questions they raise resonate with those contemplated by our ancestors. Does the idea of God still have meaning? Can we still follow historic creeds with integrity? Are not such claims as an infallible Pope or an inerrant Bible ridiculous in today’s world?In Unbelievable, Spong outlines twelve "theses" to help today’s believers more deeply contemplate and reshape their faith. As an educator, clergyman, and writer who has devoted his life to his faith, Spong has enlightened Christians and challenged them to explore their beliefs in new and meaningful ways. In this, his final book, he continues that rigorous tradition, once again offering a revisionist approach that strengthens Christianity and secures its relevance for generations to come.

    Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions?  In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity’s highly refined process of socialization has inadvertently created and maintained segregated societies.   A probing study of the cultural fragmentation—social, spatial, and racial—that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals.Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities.  Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race.Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.

    To reconstruct the Jesus who provoked this punishment, Fredriksen takes us into the religious worlds, Jewish and pagan, of Mediterranean antiquity, through the labyrinth of Galilean and Judean politics, and on into the ancient narratives of Paul's letters, the gospels, the Dead Sea Scrolls, and Josephus' histories. The result is a profound contribution both to our understanding of the social and religious contexts within which Jesus of Nazareth moved, and to our appreciation of the mission and message that ended in the proclamation of Jesus as Messiah.

    With the skill of a seasoned journalist and the passion of an amateur sleuth, he moves from scholarly conclave in California to archaeologcal digs in Israel, tracking down the story of the astounding consensus emerging from a varied group of experts.

    As he did in his undergraduate class Jesus and the Moral Life—a course that grew so popular that the lectures were held in a theater often used for rock concerts—Cox examines contemporary dilemmas in the light of lessons gleaned from the Gospels. Invigorating and incisive, this book encourages an intellectual approach to faith and inspires a clear way of thinking about moral choices for all of us.

    These “pagans” were actually pious Greeks, Romans, Syrians, and Gauls who observed the traditions of their ancestors. To these devout polytheists, Christians who worshipped only one deity were immoral atheists who believed that a splash of water on the deathbed could erase a lifetime of sin.Religious scholar James J. O’Donnell takes us on a lively tour of the Ancient Roman world through the fourth century CE, when Romans of every nationality, social class, and religious preference found their world suddenly constrained by rulers who preferred a strange new god. Some joined this new cult, while others denied its power, erroneously believing it was little more than a passing fad.In Pagans, O’Donnell brings to life various pagan rites and essential features of Roman religion and life, offers fresh portraits of iconic historical figures, including Constantine, Julian, and Augustine, and explores important themes—Rome versus the east, civilization versus barbarism, plurality versus unity, rich versus poor, and tradition versus innovation—in this startling account.

    In a vivid re-creation of Mary Magdalene's life story, Margaret George convincingly captures this renowned woman's voice as she moves from girlhood to womanhood, becomes part of the circle of disciples, and comes to grips with the divine.While grounded in biblical scholarship and secular research, Mary, Called Magdalene ultimately transcends both history and fiction to become a "diary of a soul."