From moving portraits of clinical depression to phantasmagoric visions of sci-fi wonder – including the previously unpublished story ‘Starting a Career’ – the writings collected in Machines in the Head offer an accessible introduction to readers new to her work and a timely survey of Kavan's diverse writing talents for her fans. Her journalism, giving insight into her radical politics and her thoughts on writing and writers, is reproduced in full.

    All too often these go unreported—perhaps because the adventurers in question fail to return to the main narrative due to death or other distractions, and sometimes because the chronicler of the events decide to edit out that part of that particular history for reasons of their own (historians are never infallible)—but occasionally we get another window into our heroes' world. In Juice Like Wounds we once again get to meet Lundy, and some of her companions. Lundy's main adventure is detailed in In an Absent Dream (which is nominated for a Hugo Award, this year!) and you should definitely read that. Before or after this tale is up to you. Remember: side quests are fun. For the reader, at least...

    Hicok gives readers unexpected conjunctions and oddly offbeat thoughts, most darkly whimsical, and has us embrace them wholeheartedly. If he can survive the scary carnival that is this world, we can, too. Highly recommended for a wide range of readers.”— Library Journal, starred review“Bob Hicok is one of my favorite poets. Partly, it’s the movement of his lines, which are both conversational and utterly unexpected, almost as if he (or we) are joining a conversation that extends beyond the framework of the poem…And then there’s his unrelenting vision, a sense of the world as both utterly real and utterly elusive, and heartbreaking because we have to die. Death is at the center of Hicok’s writing—not in a maudlin, self-pitying way, but rather as a vivid presence, infusing everything, even the deepest moments of connection, with a steely sense of loss.”—David Ulin, reviewing Elegy Owed in the Los Angeles Times“This gorgeous collection [Elegy Owed] spans the landscape of loss with unexpected leaps and ripples, as if someone has skipped stones across a lake. …Wordplay, subtle humor and unexpected moments of hope give these lush poems depth and dimension. Hicok’s work is memorable because of the new vistas it creates.” —The Washington Post"Words have weight in Hicok’s poems. They feel nailed in place, and the meter hits like the sure pounding of a hammer. Yet as heft, muscle, and precision draw you forward, Hicok evokes not solidity but, rather, shifting ground, flux, metamorphosis, and, most arrestingly, most unnervingly, death. In his seventh collection, Hicok builds startling images out of the everyday and the surreal, the comic and the sorrowful. Avoiding abstraction and pretension, he cleaves to earth, skin, breath." –Donna Seaman, Booklist“Hicok’s poems [in Elegy Owed] are like boomerangs; they jut out in wild, associative directions, yet find their way back to the root of the matter.” —Publishers Weekly"Seamlessly, miraculously, [Hicok's] judicious eye imbues even the dreadful with beauty and meaning."—The New York Times Book ReviewWhen asked in an interview “What would Bob Hicok launch from a giant sling shot?” he answered, “Bob Hicok.” Elegy Owed, Hicok’s eighth book, is an existential game of Twister in which the rules of mourning are broken and salvaged, and “you can never step into the same not going home again twice.” His poems are the messenger at the door, the unwanted telegram—telling a joke, imparting a depth of longing, returning us finally to a different kind of normality where “the dead have no ears, no answering machines / that we know of, still we call.” There is grief in these poems, though it is a grief large enough for odd awakenings and the unexpected, a grief enlarged by music, color, and joy as well as sober wisdom.“Hicok is funny as hell, in Blake’s sense of the infernal: irreverent, anarchic, undeceived. His bracing ill humor is a vehicle for outrage, longing, tenderness, and a shy cynicism that is the necessary counterbalance to a tenacious sense of hope. He is one of our premier anatomists of contemporary American life, and a wildly refreshing, necessary poet.” —Mark DotyBob Hicok is one of the most active poets writing today, and his poems have appeared widely, including in The New Yorker and Poetry. His honors include the Bobbitt Prize from the Library of Congress and a "Notable Book of the Year" from Booklist. Hicok has worked as an automotive die designer and a computer system administrator, and is currently an associate professor of English at Virginia Tech. He lives in Blacksburg, Virginia.

    In Turkish forests or rain-drenched Cumbrian villages, characters walk, drive, dream and fly, trying to reconcile themselves with their journey through life and death. A woman fitted with life-changing technology returns to the site of her strongest memories; a man repatriated in the near east hears the name of an old love called and must unpack history's suitcase; and from the new world-waves of female anger and resistance, a mythical creature evolves.Radical, charged with a transformative creative power, each of these stories opens channels in the human mind and spirit, as Sarah Hall once more invites the reader to stand at the very edge of our possible selves.

    Be amazed and beguiled by a nursery story with a reverse twist, a futuristic take on TV cooking shows, a playscript with tentacles - and more, much more. Plunge in and enjoy!A collection of sci-fi and fantasy writing, including six graphic stories, showcasing twenty stellar writers and artists from India and Australia: Isobelle Carmody, Penni Russon, Justine Larbalestier, Margo Lanagan, Lily Mae Martin, Kuzhali Manickavel, Prabha Mallya, Annie Zaidi, Kate Constable, Vandana Singh, Mandy Ord, Priya Kuriyan, Manjula Padmanabhan, Samhita Arni, Alyssa Brugman, Nicki Greenberg and Amruta Patil.

    The fastest sports cars, the sleekest private jets, and business interests on four continents. He rubs elbows with the world's most powerful and beautiful. And on top of all that? He just so happens to have the rugged good looks of a model straight out of GQ. Needless to say, he gets what he wants, when he wants. He has it all. At least, that's what any outsider would think. Despite all he has, there's one thing he can't buy- Scarlet Bloom. Five years ago, their passion could heat up an entire city. They were desperately in love until one day Scarlet walked away. No explanation, no goodbye. The great love (not to mention the best sex) of his life, inexplicably walked out on him and never looked back. Scarlet has her reasons. But she can never tell Barrett the truth. It would cost them both way too much. But after a chance meeting in Las Vegas leads to a steamy weekend on the shores of the Pacific, Scarlet can't help but wonder if she could ever be strong enough to let him go again. Even if both their lives depended on it.

    L. CostaDead Wrong by Cindy GerardThe Fallout by Harper St. GeorgeHard To Breathe by Sylvia DayAll I Want by Erica RidleyCovering Her Skin by Laura KayeThe Long Way Home by Katy RegneryTheir Night Off by Allison BrennanFlying in the Face of Convention by Lex ValentineAn April Fool’s Forbidden Affair by Sabrina JeffriesWrong Address, Right Guy by Diane Kelly

    A tale of bedside vigils.

    Lovecraft as 'unexcelled by any other writer, dead or living'. They will take you into unearthly realms of fantasy and horror beyond your wildest nightmares...Contents:1. The Nameless Offspring2. The Witchcraft of Ulua3. The Devotee of Evil4. The Epiphany of Death5. A Vintage From Atlantis6. The Abominations of Yondo7. The White Sybil8. The Ice-Demon9. The Voyage of King Euvoran10. The Master of the Crabs11. The Enchantress of Sylaire12. The Dweller in the Gulf13. The Dark Age14. The Third Episode of Vathek15. Chinoiserie16. The Mirror in the Hall of Ebony17. The Passing of Aphrodite

    You think you see a child wondering through the woods. Do you stop? Andy must make that choice. Either option will change his life forever. But with a life like his, maybe change is a good thing.The Girl in the Woods - A Ghost’s Story is the first in a collection of Off-Kilter Tales. It’s a short story about a man in the wrong place at the wrong time. Or the right place at the right time. You decide.

    There are 12 pieces in all here, ranging from those first published in places like Interzone and Pulphouse to a two-page poem taken from the pages of Asimov's. Although many readers may be familiar with Hand's longer works, such as Glimmering or Waking the Moon, here she shows that she's a master of short fiction as well. Her stylish prose and keen insights make for some wonderful stories. --Craig E. EnglerContents:Last Summer at Mars Hill (1994)The Erl-King (1993)Justice (1993)Dionysus Dendrites (1993) poemThe Have-Nots (1992)In the Month of Athyr (1992)Engels Unaware (1992)The Bacchae (1991)Snow on Sugar Mountain (1991)On the Town Route (1989)The Boy in the Tree (1989)Prince of Flowers (1988)

    But small incidents wreak havoc on space and time, driving their wedding date further away. As centuries on Earth pass and the land and climate change, one thing is constant: the desire of the lovers to be together. In two separate yet linked stories, Kim Bo-Young cleverly demonstrate the idea love that is timeless and hope springs eternal, despite seemingly insurmountable challenges and the deepest despair.In “The Prophet of Corruption” and “That One Life,” humanity is viewed through the eyes of its creators: godlike beings for which everything on Earth—from the richest woman to a speck of dirt—is an extension of their will. When one of the creations questions the righteousness of this arrangement, it is deemed a perversion—a disease—that must be excised and cured. Yet the Prophet Naban, whose “child” is rebelling, isn’t sure the rebellion is bad. What if that which is considered criminal is instead the natural order—and those who condemn it corrupt? Exploring the dichotomy between the philosophical and the corporeal, Kim ponders the fate of free-will, as she considers the most basic of questions: who am I?

    Breukelaar's darkest, finest stories with four new works, including the uncanny new novella "Ripples on a Blank Shore." Introduction by award-winning author, Angela Slatter. Relish the gothic strangeness of "Union Falls," the alien horror of "Rogues Bay 3013," the heartbreaking dystopia of "Glow," the weird mythos of "Ava Rune," and others. This collection from the author of American Monster and the internationally acclaimed and Aurealis Award finalist, Aletheia, announces a new and powerful voice in fantastical fiction.

    

    Unfortunately, the way home isn't as clear-cut as he'd hoped and he's forced to turn to Aria, his GPS, for an alternate route. However, Aria has something far more sinister in mind...