These poems dip their hands deep into the fabric of black womanhood, pulling out all of its threads. This book establishes Porsha O firmly in the lineage of black queer poetics, pulling equally from Audre Lorde and Danez Smith. This is a book of gentle breaking and inventive reconstruction. This is a book of self-care, and community-care--the pursuit of building a world that will keep you alive.

    She’s not expecting to meet anyone, and is caught off guard by the attraction she feels for Rachel, the co-owner of a local restaurant. That initial spark is dampened, however, when Lisa learns that Rachel has a young son.Rachel Murray has worked to build a good life, but raising Declan hasn’t been without its challenges. Each day when Rachel picks him up from school, she says a silent prayer that he will be waiting for her in his classroom, and not in the principal’s office because of his disruptive behavior.Despite her grief, Lisa finds herself drawn to both Rachel and Declan. She believes she can keep her emotions at bay—keep from drowning in grief and keep from falling in love—but she finds both to be a tidal wave washing over her and sweeping her off her feet.For Lisa, tears may be the silent language of her grief, but the love she feels for Rachel and Declan has the power to become the resounding song of hope—if she allows herself to hear it.

    With contributions from twenty witchy femmes, queer conjurers, and magical rebels, Becoming Dangerous is a book of intelligent and challenging essays that will resonate with anyone who’s ever looked for answers outside the typical places.From ritualistic skincare routines to gardening; from becoming your own higher power to searching for a legendary Scottish warrior woman; from the fashion magick of brujas to cripple-witch city-magic; from shoreline rituals to psychotherapy—this book is for people who know that now is the time, now is the hour, ours is the magic, ours is the power.

    The city's sizzling -- especially at the Kitsch-Inn, where the girls are mounting an all-female production of A Streetcar Named Desire.

    Characterized by formal poise, vulnerability, and compassion, Johnson's debut collection is one of resounding generosity and grace.Jenny Johnson is a recipient of the 2015 Whiting Writers' Award, and the 2016 Hodder Fellowship at Princeton. She lives in Pittsburgh, Pennsylvania.

    Our public spaces are not designed for female bodies. There is little consideration for women as mothers, workers or carers. The urban streets often are a place of threats rather than community. Gentrification has made the everyday lives of women even more difficult. What would a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment.In Feminist City, through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities built into our cities, homes, and neighborhoods. Kern offers an alternative vision of the feminist city. Taking on fear, motherhood, friendship, activism, and the joys and perils of being alone, Kern maps the city from new vantage points, laying out an intersectional feminist approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and women-friendly cities together.

    From the age of two-and-a-half, Jacob, born “Em,” adamantly told his family he was a boy. While his mother Mimi struggled to understand and come to terms with the fact that her child may be transgender, she experienced a sense of déjà vu—the journey to uncover the source of her child’s inner turmoil unearthed ghosts from Mimi’s past and her own struggle to live an authentic life.       Mimi was raised in an ultra-Orthodox Jewish family, every aspect of her life dictated by ancient rules and her role as a woman largely preordained from cradle to grave. As a young woman, Mimi wrestled with the demands of her faith and eventually made the painful decision to leave her religious community and the strict gender roles it upheld.   Having risen from the ashes of her former life, Mimi was prepared to help her son forge a new one — at a time when there was little consensus on how best to help young transgender children. Dual narratives of faith and motherhood weave together to form a heartfelt portrait of an unforgettable family. Brimming with love and courage, What We Will Become is a powerful testament to how painful events from the past can be redeemed to give us hope for the future.

    The reader is pulled through Ryan's transition from infant to child, child to body-obsessed teenage girl, teenage girl to eating-disordered young woman, female to male, daughter to son, and finally a beloved partner to a cherished fiance'. A unique lens on life and love. Ryan candidly shares his struggle to find love and acceptance; a struggle that transcends through every layer of society. He nearly died from an extreme case of anorexia as an insecure female college student. The only thing that saved him was his inner spirit begging for a chance to live. ? Second Son chronicles Ryan's battle with his family, his romantic partner, and his body. He unblinkingly focuses on the empowerment he achieved as he underwent gender reassignment surgeries and traces his evolution into manhood. ? It took twenty-nine years for Ryan to find himself. The world is now ready for this intimate and honest autobiography that will educate and empower men and women around the globe. At a time when fighting to find oneself is popular, Ryan's story will resonate with people everywhere who are journeying to find their own destinies, love, and life.

    In Melbourne the body of another woman has been found - this time, after catching a late tram home.The Atlantic has run out of the English alphabet, when christening hurricanes this season. The earth is on fire - from the redwoods of California, to Australia's east coast. The sea draws back, and tsunamis lash out in Samoa and Sumatra. Water rises in Sulawesi and Nagasaki. Bloated cod are surfacing, all along the Murray Darling.The virus arrives, and the virus thrives. Authorities seal the public housing towers up, and truck in one cop to every five residents. Notre Dame is ablaze - the cathedral spire blackened, and teetering.Out in Biloela, the deportation vans have arrived. Every Friday, in cities all across the world, children are walking out of school. The wolves are circling. The wolves are circling.These poems speak of the world that is, and sing for a world that may one day be.

    Intrauterine insemination is a simple medical procedure that has been available since the 1950s, but doctors were baffled by Jenn's situation. With no man factoring into her relationship, she was disparaged by doctors, given an inaccurate diagnosis, and her medical needs were overlooked.Berney decided to step outside of the system, and, looking into the history of fertility and her own community, she realized queer women have a long history of being disregarded by a patriarchal medical community, and have worked around it to build families on their own terms. In The Other Mothers, Berney reflects on the odds that were stacked against her because of her sexual orientation and envisions a bright future worth fighting for. Writing with clarity, determination, and hope, Berney gives us a wonderful glimpse of what America can be.

    At age six she was a Chilean refugee adjusting to life as a Latina in North America. At eighteen she was a revolutionary dissident married to a generous-hearted man she couldn't fully love. In her early twenties she fought to find her voice as an actress and to break away from the stereotypical roles thrust upon her--Housekeeper, Hotel Maid, Mexican Hooker #1--all the while navigating the complex paths of lust and heartbreak. As she grew in her career, Aguirre became a writer, a director, an actress, and then a mother, but alongside her many multi-faceted identities was another that was unbearable to embrace yet impossible to escape; that of the thirteen-year-old girl attacked by one of Canada's most feared rapists. Thirty-three years after the assault, Aguirre decided it was time to meet the man who changed her life.Fierce, funny and enlightening, Aguirre interweaves her account of overcoming the attack that shook her world with a host of stories of life and love. From her passionate but explosive relationship with a gorgeous Argentinian basketball player to the all-consuming days at drama school in Vancouver; from the end of the Chilean revolutionary dream to life among the Chicano theatre scene of Los Angeles; from the child who was made the victim of a terrible crime to the artist who found the courage to confront her assailant, Aguirre tells a story of strength and survival that will leave you speechless.

    The same family appears in Act Two 25 years older and back in London, only now it’s 1979. Cloud 9 is about relationships between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, money, Queen Victoria, and Sex. Cloud 9 premiered in London at the Royal Court Theatre in 1979 and has since been staged all over the world.

    But they’re real, they’re honest, and hopefully they’ll make you feel a little less alone." -Ashley Dun

    Born into the ruins of a Syrian Jewish family that once had it all, David is painfully displaced. Trapped in an insular religious community that excludes him and a family coming apart at the seams, he is plunged into suicidal depression. Through adolescence, David tries to suppress his homosexual feelings and fit in, but when pushed to the breaking point, he makes the bold decision to cut off his family, erase his past, and leave everything he knows behind. There's only one problem: who should he be? Bouncing between identities he steals from the pages of fashion magazines, tomes of philosophy, sitcoms and foreign films, and practically everyone he meets—from Rastafarians to French preppies—David begins to piece together an entirely new adult self. But is this the foundation for a life, or just a kind of quicksand?Moving from the glamour and dysfunction of 1970s Brooklyn, to the sybaritic materialism of Reagan’s 1980s to post-9/11 New York, Lot Six offers a quintessentially American tale of an outsider striving to reshape himself in the funhouse mirror of American culture. Adjmi’s memoir is a genre bending Künstlerroman in the spirit of Charles Dickens and Alison Bechdel, a portrait of the artist in the throes of a life and death crisis of identity. Raw and lyrical, and written in gleaming prose that veers effortlessly between hilarity and heartbreak, Lot Six charts Adjmi’s search for belonging, identity, and what it takes to be an artist in America.

    Mosh Pit, a compelling story of rebel girls in the modern city, stars Simone - torn between her loyalty to her rebellious heart - throb Cherry and her feelings for Carol, streetwise and distant enough to be alluring.This edgy young adult novel takes Simone through the modern equivalent of Hades where she gradually gains a sense of who she is and more importantly who she can be.