Today, he's teaching in a third-rate MFA program and struggling to maintain what's left of his self-respect; he hasn't written--let alone published--anything decent in years. When Evan Parker, his most arrogant student, announces he doesn't need Jake's help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then... he hears the plot.Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker's first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that--a story that absolutely needs to be told.In a few short years, all of Evan Parker's predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says.As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his "sure thing" of a novel? What is the real story behind the plot, and who stole it from whom?Hailed as breathtakingly suspenseful, Jean Hanff Korelitz's The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.

    Days later, the arrival of her passport and a note that reads "I'm sorry--S" sets off real alarm bells. He vows to do whatever it takes to find her. Adam is puzzled when he connects Sarah to a cruise ship called the Celebrate--and to a woman, Estelle, who disappeared from the same ship in eerily similar circumstances almost exactly a year before. To get answers, Adam must confront some difficult truths about his relationship with Sarah. He must do things of which he never thought himself capable. And he must try to outwit a predator who seems to have found the perfect hunting ground ...

    Psychologically absorbing, original and atmospheric. I could not turn the pages fast enough."--Elin Hilderbrand, #1 New York Times bestselling author of 28 SummersIt's been a decade since Trumanell Branson disappeared, leaving only a bloody handprint behind. Her pretty face still hangs like a watchful queen on the posters on the walls of the town's Baptist church, the police station, and in the high school. They all promise the same thing: We will find you. Meanwhile, her brother, Wyatt, lives as a pariah in the desolation of the old family house, cleared of wrongdoing by the police but tried and sentenced in the court of public opinion and in a new documentary about the crime.When Wyatt finds a lost girl dumped in a field of dandelions, making silent wishes, he believes she is a sign. The town's youngest cop, Odette Tucker, believes she is a catalyst that will ignite a seething town still waiting for its own missing girl to come home. But Odette can't look away. She shares a wound that won't close with the mute, one-eyed mystery girl. And she is haunted by her own history with the missing Tru.Desperate to solve both cases, Odette fights to save the lost girl in the present and to dig up the shocking truth about a fateful night in the past--the night her friend disappeared, the night that inspired her to become a cop, the night that wrote them all a role in the town's dark, violent mythology.In this twisty psychological thriller, Julia Heaberlin paints unforgettable portraits of a woman and a girl who redefine perceptions of physical beauty and strength.Praise for We Are All the Same in the Dark"[Julia] Heaberlin knows how to build to a truly shocking twist, how to break a reader's heart and then begin mending it. 'What's coming is always unimaginable, ' Odette's one-time therapist tells her, 'and by that, I mean just that. It cannot be imagined. What's coming never acts or behaves the way we think it will.' That's true for this novel, too."--Dallas Morning News

    She’s finally landed her own apartment, she waitresses to pay the bills, and she wishes she wasn’t so nervous around new people. She thinks of herself as agile, not skittish. As serious, not grim. But Reeve is anything but normal. Ten years ago, she was kidnapped and held captive. After a lucky escape, she’s spent the last six years trying to rebuild her life, a recovery thanks in large part to her indispensable therapist Dr. Ezra Lerner. But when he asks her to help another girl rescued from a similar situation, Reeve realizes she may not simply need to mentor this young victim—she may be the only one who can protect her from a cunning predator who is still out there, watching every move.From the author of the #1 non-fiction bestseller Perfect Victim: The True Story of the Girl in the Box comes a novel that draws you into a chilling and engrossing world. With masterful plot twists and shifting points of view that make it as irresistible as Gone Girl, Carla Norton's The Edge of Normal is a stunning debut thriller.

    He is respected in his community, tenacious in the courtroom, and happy at home with his wife, Laurie, and son, Jacob. But when a shocking crime shatters their New England town, Andy is blindsided by what happens next: His fourteen-year-old son is charged with the murder of a fellow student.

    And yet he stands accused of a terrible crime. Sophie is convinced he is innocent and desperate to protect her precious family from the lies that threaten to rip them apart.Kate is the lawyer hired to prosecute the case: an experienced professional who knows that the law is all about winning the argument. And yet Kate seeks the truth at all times. She is certain James is guilty and is determined he will pay for his crimes.Who is right about James? Sophie or Kate? And is either of them informed by anything more than instinct and personal experience? Despite her privileged upbringing, Sophie is well aware that her beautiful life is not inviolable. She has known it since she and James were first lovers, at Oxford, and she witnessed how easily pleasure could tip into tragedy.Most people would prefer not to try to understand what passes between a man and a woman when they are alone: alone in bed, alone in an embrace, alone in an elevator… Or alone in the moonlit courtyard of an Oxford college, where a girl once stood before a boy, heart pounding with excitement, then fear. Sophie never understood why her tutorial partner Holly left Oxford so abruptly. What would she think, if she knew the truth?

    She's the strong one. The one who escaped Herne Bay and the memories it holds. Her sister Sally didn't. Instead, she drinks. But when their mother dies, Kate is forced to return to the old family home. And on her first night she is woken by a terrifying scream.What secret has Kate stumbled upon?And is she strong enough to uncover the truth . . . and make it out alive?

    A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street.All these things are true. And yet they are all lies...You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong.In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

    Even better, her life is coming together: she’s got a great job, her own place, and a boyfriend, Paolo, who adores her. So when Paolo suggests a weekend sailing trip, Emily agrees—wine, water, and the man she loves? What could be better? But when Emily wakes the morning after they set sail, the boat is still adrift…and Paolo is gone.A strong swimmer, there’s no way Paolo drowned, but Emily is at a loss for any other explanation. Where else could he have gone? And why? As the hours and days pass by, each moment marking Paolo’s disappearance, Emily’s hard-won stability begins to slip.But when Emily uncovers evidence suggesting Paolo was murdered, the investigation throws her mania into overdrive, even as she becomes a person of interest in her own personal tragedy. To clear her name, Emily must find the truth—but can she hold onto her own sanity in the process?

    And Melissa, a successful interior designer whose casually cruel banker husband is careful not to leave visible bruises; she curates her perfectly thin body so closely she misses everything their teenage daughter is hiding. Then there’s Grace, a young Zimbabwean immigrant, who lives in high-rise housing project with her two children and their English father Martin, an award-winning but chronically broke novelist; she does far more for her family than she should have to.As the weeks go by, the couples become very close; there are barbecues, garden parties, a holiday at a country villa in Greece. Resentments flare. An affair begins. Unnoticed, the children run wild. The couples are busily watching each other, so distracted and self-absorbed that they forget to watch their children. No one sees the five children at their secret games or realize how much their family dynamics are changing until tragedy strikes.The story twists and then twists again while the three families desperately search for answers. It’s only as they begin to unravel the truth of what happened over the summer that they realize evil has crept quietly into their world.But has this knowledge come too late?

    But all is not as it appears at the Asherley estate. The house is steeped in the memory of Max’s beautiful first wife Rebekah, who haunts the young woman’s imagination and feeds her uncertainties, while his very alive teenage daughter Dani makes her life a living hell. She soon realizes there is no clear place for her in this twisted little family: Max and Dani circle each other like cats, a dynamic that both repels and fascinates her, and he harbors political ambitions with which he will allow no woman—alive or dead—to interfere.As the soon-to-be second Mrs. Winter grows more in love with Max, and more afraid of Dani, she is drawn deeper into the family’s dark secrets—the kind of secrets that could kill her, too. The Winters is a riveting story about what happens when a family’s ghosts resurface and threaten to upend everything.

    His father is in jail, he works the midnight shift at a grubby convenience store, and his brother's girlfriend, Caro, has taken their friendship to an uncomfortable new level. On top of all that, he can't quite shake the attentions of Layla Elshere, a goth teenager who befriends Patrick for reasons he doesn't understand and doesn't fully trust. The temptations these two women offer are pushing him to his breaking point.Meanwhile, Layla's little sister, Verna, is suffering through her first year of high school. She's become a prime target for her cruel classmates, not just because of her strange name and her fundamentalist parents: Layla's bad-girl rep proves to be too huge a shadow for Verna, so she falls in with her sister's circle of outcasts and misfits whose world is far darker than she ever imagined.Kelly Braffet's characters, indelibly portrayed and richly varied, are all on their own twisted paths to finding peace. The result is a novel of unnerving power-darkly compelling, addictively written, and shockingly honest.

    The killer is still at large, and there’s only one surviving witness—the boy whose family was killed before his eyes. Whoever committed the crimes wanted this boy to die: he’s suffered more than one hundred knife wounds and lapsed into a state of shock. Desperate for information, Linna sees only one option: hypnotism. He enlists Dr. Erik Maria Bark to mesmerize the boy, hoping to discover the killer through his eyes.It’s the sort of work that Bark has sworn he would never do again—ethically dubious and psychically scarring. When he breaks his promise and hypnotizes the victim, a long and terrifying chain of events begins to unfurl.An international sensation, The Hypnotist is set to appear in thirty-seven countries, and it has landed at the top of bestseller lists wherever it’s been published—in France, Holland, Germany, Spain, Italy, Denmark. Now it’s America’s turn. Combining the addictive power of the Stieg Larsson trilogy with the storytelling drive of The Silence of the Lambs, this adrenaline-drenched thriller is spellbinding from its very first page.

    Yet she refuses to forget her best friend Elizabeth, who she is convinced is missing and in terrible danger.But no one will listen to Maud—not her frustrated daughter, Helen, not her caretakers, not the police, and especially not Elizabeth's mercurial son, Peter. Armed with handwritten notes she leaves for herself and an overwhelming feeling that Elizabeth needs her help, Maud resolves to discover the truth and save her beloved friend.This singular obsession forms a cornerstone of Maud's rapidly dissolving present. But the clues she discovers seem only to lead her deeper into her past, to another unsolved disappearance: her sister, Sukey, who vanished shortly after World War II.As vivid memories of a tragedy that occurred more than fifty years ago come flooding back, Maud discovers new momentum in her search for her friend. Could the mystery of Sukey's disappearance hold the key to finding Elizabeth?

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.