A band of swordsmen on a failed mission. The forbidden love of Zheng He, the great Chinese Admiral. A young daughter forming a strange bond with her deceased father’s cat. Presenting ten stories in his fifth collection, O Thiam Chin plumbs the joy and despair, hopes and fears of men and women caught up by their past and confounded by lost loves. Taut, dark and visceral, these stories reveal, once again, the mysteries that lie in the heart of man.

    11, No. 1, June 2017 "Gresham's surrealistic stories, at their best, shake us from within, and deepen the notion that we are islands of consciousness; in this way, they compel us to confront our own intellectual detachments and emotional blindspots in order for us to engage better with the world. They are also fundamentally stories about our modern world, its cross-cultural realities, and the fractured lives we lead in them. We Rose Up Slowly is an absorbing and disturbing read definitely worth spending an afternoon with." Sam Ng in Quarterly Literary Review Singapore, July 2016 Read more about the book on the We Rose Up Slowly Facebook Page or on the author's website.

    With unsentimental clarity and heartbreaking honesty, Alfian Sa'at writes about HDB dwellers — students, housewives and factory workers, whose lives begin to unravel once they discover that happiness is a fragile thing in a country obsessed with progress and success.The characters in each story find themselves in situations that offer them a ticket to hope and change: A video camera transforms the way a resentful daughter sees her widowed mother. A married couple receives free holiday tickets just when their luck seems to have run out. A girl encounters a transvestite on an MRT train ride who tells her that she looks like a famous singer. And a man enters a discotheque after a bitter divorce and re-learns the terror of falling in love all over again.Rich in authentic detail, with a sensitive ear for the vernacular, Corridor paints an elegiac, revealing portrait of contemporary Singaporeans who exist along the city's corridors — haunted by lost loves, irrevocable childhoods, and a deep longing to be free.Corridor won the Singapore Literature Prize Commendation Award in 1998.

    Narayan. Whether his people are young or adult, female or male, gay or straight, there is always a struggle and a revelation. Sometimes there is no resolution. Cyril writes with insight and sympathy about people in a Singapore spectrum that readers can identify with.” —Robert Yeo, playwright and author of The Adventures of Holden HengA woman learns of a friend’s illness and wonders if she ever truly knew him. A boy who sees ghosts heeds the advice of a fortune-teller, with surprising consequences. A girl wakes up and realises everybody in her Bedok neighbourhood has vanished. This collection brings together, for the first time, both new and previously published stories by Cyril Wong, the award-winning author of The Last Lesson of Mrs de Souza. Ranging from the commonplace to the surreal, these short narratives feature characters in crisis, with two stories crossing intriguingly into creative autobiography.

    Tom D'Cruz, the Dashing Athletic Hero. Yeo Chung Kai is Mr Outstandingly Average while Sissy Song and Loo Kok Sean are the Princess of PJC and the Aspiring College Cassanova respectively.Who will melt the Ice Cream Girl?Who or what will sort out this mess? Will it be1. The Teenage Textbook?2. Dr E. Sopramaniam, MA (East Anglia), PhD (Calcutta)?3. Irene Pates, Dear Adam, Paik Choo's Problem Page, the editors of Female Magazine and Mills & Boon?4. Who cares!?The answers to these and many other earth-(or should we say), milk-shaking problems, are here, as the Ice Cream Girl decides to make a clean breast of it."I've Passed Teenhood."

    Rehash national icons: the truth about racial riot fodder-girl Maria Hertogh living out her days as a chambermaid in Lake Tahoe, a mirage of the Merlion as a ladyboy working Orchard Towers, and a high-stakes fantasy starring the still-suave lead of the 1990s TV hit serial The Unbeatables.Heartfelt and sexy, the stories of Amanda Lee Koe encompass a skewed world fraught with prestige anxiety, moral relativism, sexual frankness, and the improbable necessity of human connection. Told in strikingly original prose, these are fictions that plough, relentlessly, the possibilities of understanding Singapore and her denizens discursively, off-centre. Ministry of Moral Panic is an extraordinary debut collection and the introduction of a revelatory new voice.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    A foreign worker is decapitated in an HDB building site accident. A Singaporean wife must negotiate Beijing as her British husband awaits a heart transplant. And in different corners of the world, Singaporeans and exiles mark National Day in their own ways.Jeremy Tiang’s debut collection weaves together the lives of its characters across the world—from Switzerland, Norway, Germany, China, Canada, Thailand, New York City and back to Singapore. These wry, unsettling stories ask how we decide where we belong, and what happens to those who don’t.

    A chronicle of the final seven days of a town that is about to be razed to the ground by an invading army. The lonely voyage of an elephant from Kerala to a princess’s palace in Morocco. A fabled cook who flavours his food with precious stones. A coterie of international diplomats trapped in near-Earth orbit. These, and the other stories can be found in this collection.

    Throughout are interwoven the themes of memory, loss, language, identity and cultural reclamation.Similarly, it is a reflective and provocative journey of self-discovery; a journey the reader may also take to explore what it means to exist at the confluence of being Singaporean and being Eurasian, and to interrogate the liminal space between two cultures, Asian and European, occupied by this community.

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.

    You play the part of Emily's friend to whom she confides the story of her life and gradually exposes the secrets of her mind.The play is a journey through human consciousness, and through time. As Emily tells you about her life, we are introduced to a host of striking characters. We see sharp vignettes of a period in Singapore which is no longer familiar. And when we have heard her story, we ask: Who is Emily? Is she a nurturer or a destroyer, a domestic tyrant or a frightened child? Is she a traditional Asian wife, or Singapore's first truly liberated lady? Can we really understand her? Does she understand herself?The play leaves us fascinated. It enlarges our experience of life.Since its award-winning appearance in 1985, Emily of Emerald Hill has become an icon of the English-language theatre in Singapore and Malaysia. Many different actresses have played the role, and it has been seen by more people than any other locally-written play.

    It appears to be suicide, by a cocktail of morphine, alcohol and Valium. But upon investigation by a CID inspector, who might not be what he seems, the family discover there may be far more sinister circumstances behind his death, reaching the uppermost echelons of government. Death of a Perm Sec exposes the dark heart of power politics, from the country’s tumultuous post-independence days to the socio-political landscape of the 1980s.

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

    - The Great Automatic Grammatizator- Mrs. Bixby and the Colonel’s Coat- The Butler- Man from the South- The Landlady- Parson’s Pleasure- The Umbrella Man- Katina- The Way Up to Heaven- Royal Jelly- Vengeance Is Mine Inc.- Taste- Neck