The Marshall Plan technique is the industry’s #1 go-to novel-writing method for anyone who wants to write a commercial novel—fast.In this unique guide, agent, editor and novelist Evan Marshall provides an easy-to-follow plan which simplifies the complex process of designing and writing successful commercial fiction. Now revised, this book includes these topics: Choosing the perfect genre for you. Shaping your story idea . . . with Hollywood in mind. Developing strong main characters for your story. Word-length ranges for the most popular fiction genres and subgenres. NovelMaster, which takes the guesswork out of structuring your novel. How to interweave plots and subplots. How to lay out all of your novel’s scenes. Mastering the five fiction-writing modes. How to handle story research so it doesn’t slow you down. 50 easy-to-implement fiction-writing techniques from the pros. A complete manuscript self-editing guide. How to format your manuscript for submission. How to approach agents and editors. Developing a fiction proposal, including the long and short synopsis. Self-publishing your novel. REVIEWS OF THE MARSHALL PLAN FOR NOVEL WRITING3.7 average rating, 440 ratings, 55 reviews, added by 954 people, 336 to-reads, 87% of people like it—Goodreads4.1 out of 5 stars (88 customer reviews)—Amazon“A down-to-earth approach to completing a novel.” —Boulder Planet“The Marshall Plan for Novel Writing is a master plan for aspiring novelists. Evan Marshall is brilliant.” —Bobbi Smith, New York Times bestselling author“A comprehensive manual to writing a novel for all writers—from the beginner to the more advanced looking for polishing tips. Savvy and concise.” —Bill Contardi, literary agent“Finally, a practical how-to manual for all aspiring authors, written with wit and wisdom. A delightful read!” —Maureen Walters, Vice President, Curtis Brown Literary Agency“An invaluable tool for the aspiring novelist. An upbeat, easy-to-follow guide that takes the mystery out of writing.” —Alicia Condon, Editorial Director: Fiction, Kensington Publishing“Evan Marshall has the scoop on making book—from beginning to end and everywhere in between.” —barnesandnoble.com ABOUT EVAN MARSHALL Evan Marshall is president of The Evan Marshall Agency, an independent literary agency which specializes in adult and young-adult fiction. He has held senior positions at Houghton Mifflin, Ariel Books, New American Library, Everest House and Dodd, Mead, where he acquired national and international bestsellers. The Marshall Plan For Novel Writing is now in its 4th edition. Evan is the author of 10 commercially published mysteries including Manhattan Mysteries and Jane and Winky Suburban Sleuths series, named “Miss Marple Lite” by Kirkus Reviews. His novels appeal to fans of Janet Evanovich, Lilian Jackson Braun, Agatha Christie and Alexander McCall Smith. To learn more about The Evan Marshall Agency, please visit www.evanmarshallagency.com. Visit his author page at www.evanmarshallbooks.com.

    Henry C. Lee is considered by many to be the greatest forensic scientist in the world. He gained widespread public recognition through his testimony in the televised O. J. Simpson trial. Since that time he has helped with the Jon Benet Ramsey case and the investigations of mass murder in Croatia.This book will take the reader through the entire investigative process of five murder cases, with Dr. Lee as the tour guide. The cases include:the O. J. Simpson case, in which Dr. Lee's analysis of the blood evidence at the crime scene revealed that the Los Angeles Police Department had missed several blood drops on the back of Nicole Simpson, a footprint belonging to a second possible assailant, and the physical improbability of Mr. Simpson's climbing a fence to return to his home.the "woodchipper murder," in which an Eastern Airlines pilot murdered his wife and then put her body through a woodchipper in an attempt to dispose of the remains.the Mathison murder, in which a veteran Hawaiian police sergeant claimed to have accidentally run over his wife after she fled the family van during a dispute.the Ed Sherman murder, in which a college English professor attempted to disguise the time of his wife's death by turning up the air conditioning unit in their house and then using the alibi that he was away from the home sailing on the day the crime allegedly took place.the McArthur murder, in which a police sergeant shot and killed his wife, but then tried to make it appear that she had accidentally killed herself.In each case, Dr. Lee presents in scientific detail how he investigated the murders, analyzed the evidence, and used techniques that played a critical role in bringing criminals to justice. He discusses how the criminalist examines blood spatter evidence and uses blood identification, DNA analysis, and other forensic technologies developed in the world's best laboratories. This is a fascinating insider's look by a world-renowned expert into the pursuit of justice in some of the most grisly criminal cases of recent times.

    Overkill is a compilation of Notorious Colorado, Notorious Arizona and Notorious Utah. Colorado’s edition includes three of the country’s most infamous crimes which all occurred in the same area of Colorado: the murder of JonBenet Ramsey, the Columbine school shooting, and the Aurora movie theater massacre. They also report on an Amish serial killer, a fatal attraction that led to a murder, and on a minister’s wife whose illicit passion drove her to murder. In Arizona’s, they update several cases, including: a man suspected of marrying vulnerable women, then killing them; two infamous Arizona killers freed after decades in prison; television’s “it girl” Jodi Arias; a woman who was her mother-in-law’s worst nightmare; and a football mom who got a little too cozy with members of her son’s high school team. And in Utah’s edition, they report on one of the most sensational and heartbreaking crimes they’ve come across—Megan Huntsman, the Utah mother who hid seven dead infants in a garage; a cold case that was finally solved by a child’s Lego; the rogue Fundamentalist Mormon who thought it was his right to marry and rape young girls; the sad case of children dying in hot cars; the husband who ended years of lying with murder; and an update on the disappearance of Susan Cox Powell, the case Olsen and Morris write about in their book If I Can’t Have You. Stephanie Cook, Contributor. GREGG OLSEN IS THE NEW YORK TIMES, Wall Street Journal and USA Today bestselling author of twenty books, both true crime and fiction, including If I Can’t Have You, Abandoned Prayers, Closer than Blood, A Twisted Faith, Starvation Heights, If Loving You Is Wrong. He appears frequently on Dateline NBC, NPR, Good Morning America, The Early Show, FOX News; CNN, Anderson Cooper 360, Entertainment Tonight, Inside Edition, Extra, Access Hollywood, Snapped, Deadly Women, and A&E's Biography.REBECCA MORRIS IS A VETERAN JOURNALIST and the New York Times bestselling author (with Gregg Olsen) of Bodies of Evidence, and If I Can’t Have You – Susan Powell, Her Mysterious Disappearance, and the Murder of Her Children. She is also the author of Ted and Ann – The Mystery of a Missing Child and Her Neighbor Ted Bundy. She has appeared on Investigation Discovery, HLN, and in many other media.

    This is the new screenwriter′s bible.

    Perfect for busy writers or writers who are easily distracted or who want a better way to make consistent progress with their writing. Includes write ups from 15-minute writers who swear by the method. Also covers mindset, getting into a writing flow, how to clear mental clutter so you can focus during your writing session, and more.

    It should be carefully sewn into the fabric of the story to create tension-filled moments that will keep readers turning pages. In Writing with Emotion, Tension, & Conflict, you'll learn how to layer emotional moments and deep connections to create a tapestry filled with conflict, pathos, and genuine feeling.- Create emotional depth, conflict, and tension in your novel by carefully crafting your plot, characters, setting, word choice, and more. - Learn what makes readers "tick"--and what will elicit the strongest emotional responses. - Write believable, emotional scenes and dialogue--and trim away the sappiness.When writing a novel, your ultimate goal is to make readers smile, weep, rage, and laugh right along with your characters. Writing with Emotion, Tension, & Conflict will show you how to evoke a multitude of feelings in your readers--and keep them coming back for more.

    Here, Peter Elbow emphasizes that the essential activities underlying good writing and the essential exercises promoting it are really not difficult at all.Employing a cookbook approach, Elbow provides the reader (and writer) with various recipes: for getting words down on paper, for revising, for dealing with an audience, for getting feedback on a piece of writing, and still other recipes for approaching the mystery of power in writing. In a new introduction, he offers his reflections on the original edition, discusses the responses from people who have followed his techniques, how his methods may differ from other processes, and how his original topics are still pertinent to today's writer. By taking risks and embracing mistakes, Elbow hopes the writer may somehow find a hold on the creative process and be able to heighten two mentalities--the production of writing and the revision of it.From students and teachers to novelists and poets, Writing with Power reminds us that we can celebrate the uses of mystery, chaos, nonplanning, and magic, while achieving analysis, conscious control, explicitness, and care in whatever it is we set down on paper.

    In this exciting book, we meet a who's who of heartless murderers. Mary Ann Cotton, who used arsenic to murder her mother, three husbands, a lover, eight of her own children, and seven step children; Michael Swango, who may have killed as many as 60 of his patients and several of his colleagues during the 20 years he practiced as a doctor and paramedic; and even Saddam Hussein, who used thallium sulfate to poison his political rivals. Emsley also shows which toxic elements may have been behind the madness of King George III, the delusions of Isaac Newton, and the strange death of King Charles II. In addition, the book examines many modern day environmental catastrophes, including accidental mass poisonings from lead and arsenic, and the Minamata Bay disaster in Japan. Written by a leading science writer, famous for his knowledge of the elements and their curious and colorful histories, The Elements of Murder offers an enticing combination of true crime tales and curious science that adds up to an addictive read.

    But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama—even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other—the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell.In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare’s bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London’s East End.Through these stories of murder—from the brutal to the pathetic—Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain.  With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

    ...An essential resource for any writer -- beginning, published, or just plain stuck. -- Amy TanOakley Hall cites the works and methods of such great novelists as John Steinbeck, Joyce Carol Oates, Leo Tolstoy, Agatha Christie and Milan Kundera to show readers what works in the novel, and why. This book features advice on taking a novel through each of its stages, from the beginning of an idea to The End, and guides writers through the process of writing a novel.

    This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!

    It’s the harmful debris of your education—a mixture of half-truths, myths, and false assumptions that prevents you from writing well. Drawing on years of experience as a writer and teacher of writing, Verlyn Klinkenborg offers an approach to writing that will change the way you work and think. There is no gospel, no orthodoxy, no dogma in this book. What you’ll find here isn’t the way to write. Instead, you’ll find a way to clear your mind of illusions about writing and discover how you write. Several Short Sentences About Writing is a book of first steps and experiments. They will revolutionize the way you think and perceive, and they will change forever the sense of your own authority as a writer. This is a book full of learning, but it’s also a book full of unlearning—a way to recover the vivid, rhythmic, poetic sense of language you once possessed. An indispensable and unique book that will give you a clear understanding of how to think about what you do when you write and how to improve the quality of your writing.

    The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc—not the other way around. Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists. Romancing the Beat is a recipe, not a rigid system. The beats don’t care if you plot or outline before you write, or if you pants your way through the drafts and do a “beat check” when you’re revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let’s talk about kissing books.

    Publish. Repeat., Fiction Unboxed offers something that’s never been offered before: a naked look into two writer’s process, as they wrote and published a book in 30 days, from scratch, in front of the world.In 2013 Sean Platt & Johnny B. Truant wrote and published 1.5 million words (a Harry Potter series and a half worth of fiction). The next year they showed the world how they did it.In May 2014, Johnny and Sean, along with their third partner David Wright, launched a Kickstarter campaign to see if their fans wanted to see how they wrote behind closed doors. They promised to start their newest project without knowing their story, characters, or even their genre, and publish the final draft before their 30 days were up. They promised to capture every email, every story meeting, and every word from every draft. They promised to show every molecule of their process, warts and all.They had 30 days for their fans to green light the campaign. It fully funded in 11 hours. Fiction Unboxed is as revealing as it is inspiring, empowering readers and writers as much as it will entertain them. With actionable advice that will benefit any writer, this book is a true gem for anyone who loves a well told story.

    The Portable MFA gives you all of the essential information you would learn in the MFA program in one book. Covering fiction, memoirs, personal essays, magazine articles, poetry, and playwriting, this book provides you with:Inspiration and tips on revision, stamina, and productivityClear instruction on the craft behind the artDetailed reading lists to expand your literary horizonsExercises to improve your writing endeavorsBy heeding the advice in The Portable MFA, you will gain the wisdom and experience of some of today's greatest teachers, all for just the price of a book.