She says your name. Then she jumps... In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name. The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she’s just become a murder suspect. To prove her innocence, Morgan frantically retraces the last days of Nicole’s life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too. Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby—even if that means sacrificing her own life.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    Lucian prison, and reaches out to filmmaker Sidney Ryan in a last, desperate attempt to prove her innocence.As Sidney begins researching, she uncovers startling evidence overlooked during the original investigation. Before the series even finishes filming, public outcry leads officials to reopen the case. Delving into Grace’s past, Sidney peels away layer after layer of deception. But as she edges closer to the real heart of the story, Sidney must decide if finding the truth is worth risking her newfound fame, her career … even her life.

    . .When she was sixteen years old, Angela Wong—one of the most popular girls in school—disappeared without a trace. Nobody ever suspected that her best friend, Georgina Shaw, now an executive and rising star at her Seattle pharmaceutical company, was involved in any way. Certainly not Kaiser Brody, who was close with both girls back in high school.But fourteen years later, Angela Wong's remains are discovered in the woods near Geo's childhood home. And Kaiser—now a detective with Seattle PD—finally learns the truth: Angela was a victim of Calvin James. The same Calvin James who murdered at least three other women.To the authorities, Calvin is a serial killer. But to Geo, he's something else entirely. Back in high school, Calvin was Geo's first love. Turbulent and often volatile, their relationship bordered on obsession from the moment they met right up until the night Angela was killed.For fourteen years, Geo knew what happened to Angela and told no one. For fourteen years, she carried the secret of Angela's death until Geo was arrested and sent to prison.While everyone thinks they finally know the truth, there are dark secrets buried deep. And what happened that fateful night is more complex and more chilling than anyone really knows. Now the obsessive past catches up with the deadly present when new bodies begin to turn up, killed in the exact same manner as Angela Wong.How far will someone go to bury her secrets and hide her grief? How long can you get away with a lie? How long can you live with it?

    But she also has a secret: she is the product of an abduction. Her mother was kidnapped as a teenager by her father and kept in a remote cabin in the marshlands of Michigan’s Upper Peninsula. Helena, born two years after the abduction, loved her home in nature, and despite her father’s sometimes brutal behavior, she loved him, too…until she learned precisely how savage he could be.More than twenty years later, she has buried her past so soundly that even her husband doesn’t know the truth. But now her father has killed two guards, escaped from prison, and disappeared into the marsh. The police begin a manhunt, but Helena knows they don’t stand a chance. Knows that only one person has the skills to find the survivalist the world calls the Marsh King–because only one person was ever trained by him: his daughter.

    Through her neighbor's kitchen window, she sees what appears to be a little girl washing dishes late at night. But the Fleming family doesn't have a child that age, and even if they did, why would she be doing housework at this late hour?It would be easy for Sharon to just let this go, but when eighteen-year-old Niki, a former foster child, comes to live with Sharon, she notices suspicious activity at the Flemings' house as well. When calling social services doesn't result in swift action, the two decide to investigate on their own.

    Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she has spent the last several years living on her own, but unable to move beyond her past—especially the disappearance of her twin brother Andy when they were sixteen. With her father’s death, Dahlia returns to the house she has avoided for years. But as the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body—Andy’s, his skull split open with an ax. Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic façade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

    When she stumbles into the opportunity to become the assistant to "Maud Dixon," a celebrated-but anonymous-novelist (think: Elena Ferrante), she believes that the universe is finally providing her big chance. The arrangement feels idyllic; Helen can be prickly, but she is full of pointed wisdom on both writing and living. She even invites Florence along on a research trip to Morocco, where her new novel is set. Florence has never been out of the country before; maybe, she imagines, she'll finally have something exciting to write about herself.But when Florence wakes up in the hospital after a terrible car crash, and Helen is dead, she begins to imagine what it might be like to 'upgrade' into not only Helen's life, but also that of Helen's bestselling pseudonym, Maud Dixon...

    Palmer, the author of The New Husband.Grace never dreamt she’d visit her teenaged daughter Penny in the locked ward of a decaying state psychiatric hospital, charged with the murder of a stranger. There was not much question of her daughter’s guilt. Police had her fingerprints on the murder weapon and the victim’s blood on her body and clothes. But they didn’t have a motive.Grace blames herself, because that’s what mothers do—they look at their choices and wonder, what if? But hindsight offers little more than the chance for regret.None of this was conceivable the day Penny came into her life. Then, it seemed like a miracle. Penny was found abandoned, with a mysterious past, and it felt like fate brought Penny to her, and her husband Arthur. But as she grew, Penny's actions grew more disturbing, and different "personalities" emerged.Arthur and Grace took Penny to different psychiatrists, many of whom believed she was putting on a show to help manage her trauma. But Grace didn’t buy it. The personas were too real, too consistent. It had to be a severe multiple personality disorder. One determined psychiatrist, Dr. Mitch McHugh, helped discover someone new inside Penny—a young girl named Abigail. Is this the nameless girl who was abandoned in the park years ago? Mitch thinks Abigail is the key to Penny’s past and to the murder. But as Grace and Mitch dig deeper, they uncover dark and shocking secrets that put all their lives in grave danger.

    But she spends her life doing what no one else will--searching for missing people the world has stopped looking for. When the police have given up, when the public no longer remembers, when the media has never paid attention, Frankie starts looking.A new case brings her to Mattapan, a Boston neighborhood with a rough reputation. She is searching for Angelique Badeau, a Haitian teenager who vanished from her high school months earlier. Resistance from the Boston PD and the victim's wary family tells Frankie she's on her own--and she soon learns she's asking questions someone doesn't want answered. But Frankie will stop at nothing to discover the truth, even if it means the next person to go missing could be her.

    When the youngest grows gravely ill, their mother leaves with the child to get help from a nearby town. And they never return.As months pass, hope vanishes. Supplies are low. Livestock are dying. A brutal winter is bearing down. Then comes the stranger. He claims to be looking for the girls’ mother, and he’s not leaving without them.To escape, Wren and her sister must break the rule they’ve grown up with: never go beyond the forest.Past the thicket of dread, they come upon a house on the other side of the pines. This is where Wren and Sage must confront something more chilling than the unknowable. They’ll discover what’s been hidden from them, what they’re running from, and the secrets that have left them in the dark their entire lives.

    Now an adult, he still doesn't know where he comes from, and another child has gone missing.No one seems to take Naomi Pine's disappearance seriously, not even her father-with one exception. Hester Crimstein, a television criminal attorney, knows through her grandson that Naomi was relentlessly bullied at school. Hester asks Wilde-with whom she shares a tragic connection-to use his unique skills to help find Naomi.Wilde can't ignore an outcast in trouble, but in order to find Naomi he must venture back into the community where he has never fit in, a place where the powerful are protected even when they harbor secrets that could destroy the lives of millions . . . secrets that Wilde must uncover before it's too late.

    Thirteen, awkward, and without a father, she finds herself mixed up with her school's outcasts-Charlie, the local detective's son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera-an ex-model with many "boyfriends" and a thirst for gin-the most, Vera's hand is found on the steps. But after five days, there's no body and Neptune disappears.Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn't trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again.With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.

    Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy.Told in the present by an increasingly fragile Alex and in dream-like flashbacks by Amy as she floats in a fog of memories, dreams, and music from 1995, Try Not to Breathe unfolds layer by layer to a breathtaking conclusion.

    When a prominent Manhattan lawyer is murdered, two estranged sisters—one the dead man’s widow, the other his ex—must set aside mistrust and old resentments . . . but can they escape their past?Though Chloe was the younger of the two Taylor sisters, she always seemed to be in charge. She was the honor roll student with big dreams and an even bigger work ethic. Nicky was always restless . . . and more than a little reckless—the opposite of her ambitious little sister. She floated from job to job and man to man, and stayed close to home in Cleveland.For a while, it seemed like both sisters had found happiness. Chloe earned a scholarship to an Ivy League school and moved to New York City, where she landed a coveted publishing job. Nicky married promising young attorney Adam Macintosh, and gave birth to a baby boy they named Ethan. The Taylor sisters became virtual strangers.Now, more than fifteen years later, their lives are drastically different—and Chloe is married to Adam. When he’s murdered by an intruder at the couple’s East Hampton beach house, Chloe reluctantly allows her teenaged stepson’s biological mother—her estranged sister, Nicky—back into her life. But when the police begin to treat Ethan as a suspect in his father’s death, the two sisters are forced to unite . . . and to confront the truth behind family secrets they have tried to bury in the past