His work captures both the profound loneliness of one observing mind and the broad-ranging joy he finds in our connections to the larger community. David Young, acclaimed translator and Knopf poet, writes in his introduction to this selection, "This poet's consciousness affiliates itself with crickets, islands, monkeys, snowfalls, moonscapes, flowers, trees, and ceremonies...Waking and sleeping, alone and in company, he moves through the world, delighting in its details." Young's translations are bright, alert, musically perfect, and rich in tenderness toward their maker.

     In this volume he relates the first four years of his outdoor odyssey, from his initial escapist trips, through his gradual move towards full-time outdoor living, to his decision to put the harsh British winters behind him and head off to the more benign climate of southern Spain. Sincere but light-hearted, this story recounts his experiences in Lancashire, Yorkshire and Scotland, alongside the mental journey leading to his conviction that a conventional life is no longer for him, despite the well-meaning advice of his family and friends. The second and final part of Tony’s story will be available this winter.

    

    Ull, decisive and competent, has his eye on the goal: the summit. Johann, irresolute, is just along for the climb; after several setbacks, he gives up and turns back. Ull continues on -- despite near impossibility of summiting alone, and ignoring all warnings signs -- determined to reach the summit in defiance of his friend.

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.

    In compiling this landmark anthology, Wayne Miller and Kevin Prufer enlisted twenty-four regional editors to select 270 poets whose writing was first published after 1970. These poets represent every country in Europe, and many of them are published here for the first time in English and in the United States. The resulting anthology collects some of the very best work of a new generation of poets who have come of age since Paul Celan, Anna Akhmatova, Federico García Lorca, Eugenio Montale, and Czeslaw Milosz.The poetry in New European Poets is fiercely intelligent, often irreverent, and engaged with history and politics. The range of styles is exhilarating—from the lyric intimacy of Portuguese poet Rosa Alice Branco to the profane prose poems of Romanian poet Radu Andriescu, from the surrealist bravado of Czech poet SylvaFischerová to the survivor's cry of Russian poet Irina Ratushinskaya. Poetry translated from more than thirty languages is represented, including French, German, Spanish, and Italian, and more regional languages such as Basque, Irish Gaelic, and Sámi.In its scope and ambition, New European Poets is destined to be a seminal anthology, an important vehicle for American readers to discover the extraordinary poetry being written across the Atlantic.

    These stories span characters and emotional states with canny details that touch the depths of your soul. Picturing the complexities of love, misery and mystery, the stories try to gnaw your heart like never before.• What does a flower teach us we often fail to see?• “The belly is an ungrateful wretch.” Is it true?• Ever wondered about the sparseness and illusions in life?• Does death put an end to true love?• Have all the ascetics won over their emotions?With the power of simple language, this book transports the readers to a world scarcely thought of in our bustling lives. The allegories maintain an intense rhythm of life prompting the readers to perceive things from a unique angle.“A whole bookful to make you think, cry, think again and move on.”

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    Journal en miettes, 1973, Eugène Ionesco

    EIGHT New York Times and USA Today bestselling authors bring you eight stories of memorable weddings, spilling over with nervous tingles and overwhelming moments. Experience the euphoria of wedding day bliss, cry a river of happiness and celebrate the joy over and over again with these happy ever after tales. Patricia Rosemoor – A Rancher’s Vow – Reed Quarrels asks Alcina Dale to marry him so he can save the Curly! Ranch, not knowing Alcina has been in love with him forever. Taylor Lee – Undercover Wedding – They called her the Ice Princess. That was before the sexy police commander turned up the heat and proved that fire does melt ice. It couldn’t have been a more perfect wedding until a group of would-be assassins crash the party. Natalie Ann – True Love – Shattered dreams vs. a new beginning. Can a young widow with a two-year-old heal this wounded warrior? Tamara Ferguson – Two Hearts in Accord- When active duty wounded warriors lieutenants Anna Drummond and Neil Harrison insist that the last thing they want is a long term relationship, will TWO HEARTS IN ACCORD finally admit that it’s love? Stephanie Queen – Margo and George Forever? – Will Margo make it to the alter in spite of George’s family and the circus of a wedding they planned? Suzanne Jenkins – A Greektown Wedding - Relationships are blooming as Spring approaches, but will the Detroit Police Department be enough to keep the out of control lovers in check? Alicia Street – Maybe Lovers – Can a hot doc with his own troubles convince a cynical bartender that it's okay to dream of love? Mimi Barbour – My Cheeky Angel - Can a tomboy change to attract a man?

    Divan of Shah represents an unconscious longing for union within. It is beautifully illustrated and a wonderful amalgamation of some of Shah’s brilliant work filled with the raw emotion of love as if he himself has spilled his heart onto a canvas and has painted love itself. Shah has tapped into the collective unexplored and perhaps his own realm of dreams.The book meticulously presents so many aspects of love in specific detail which harkens one’s appreciation for love even more than before and some examples of love we may have taken for granted. It shows the limitless power and ways love presents itself and how it can change one’s life for the better or worse.This one is a thoughtful collection of poetic lines that invites the reader into the dimension of love, which happens to be the idea of a reflective mirror having no color yet for all colors of the embodiment are reflected back.never make a lady crypearls are not meant to flowlet them reside within celestial eyesfor even paradise unveils its reflectionthrough the radiance of their glow

    It's real, relatable, and totally raw.

    With a bloodthirsty AI running his advanced spaceship, those who love evil should start looking over their shoulders. Life just got a lot more fun. Vigilante, Book 1 On the planet now known as High Tortuga, the mine workers are far too close to being slaves so the ruler of the planet shut them down. Except for the mine owned by Venfirdri Lan. He's taken his mine off the grid and decided to keep everything running. With no need to pay the workers, profits should be good. After all, who's going to stop him? Sentinal, Book 2 Someone sent three fully armed ships to High Tortuga to back the slave-owners running the mines, and Barnabas and Shinigami are determined to find out who. And take them down. As they look deeper, however, they’ll find traces of an organization that controls whole mercenary syndicates, industries, and even governments: the Yennai Corporation. …Some people never learn. Warden, Book 3 Barnabas has uncovered one of the biggest players in this sector, the Yennai Corporation. Now he’s in for a surprise - it turns out that the alien who’s been pulling the strings against him is none other than Uleq, the Torcellan who escaped Bethany Anne’s clutches. Barnabas isn’t taking any chances now. He’s going to find the Yennai Corporation’s main base and bring them down. Paladin, Book 4 Barnabas has traced the influence of the Yennai Corporation from High Tortuga to their secret base, which he has destroyed, killing both heirs to the company. Who hasn’t he killed? Koel Yennai, the patriarch and founder…who has sworn vengeance on Barnabas for killing his children and destroying his legacy.Now, Koel gathers what remains of the Yennai Corporation to hunt Barnabas across known space and kill him. And Barnabas is more than ready for the confrontation. Justiciar, Book 5 After taking down the Yennai Corporation, Barnabas has earned a little break. On the way back to High Tortuga, however, he stops to answer a distress call. How long could it take, after all? Barnabas is about to find out.

    Poulin, Jr., Poetry Prize. In his foreword he writes, "I was immediately struck by the boldness of imagination, the strange cadences, and wild music of these poems. We should be glad that young poets like Keetje Kuipers are making their voices heard not by tearing up the old language but by making the old language new."Keetje Kuipers, a native of the Northwest, earned her BA at Swarthmore College and MFA at the University of Oregon. A Stegner Fellow at Stanford University, she divides her time between Stanford and Missoula, Montana.From Devils Lake Journal:“Keetje Kuipers’ Beautiful in the Mouth is at once lovely, frank, and haunting. The poems move easily between landscapes, inhabiting the American west, Paris, and New York City with equal ease and yet, they never exploit sympathies of locale for their power. Instead, they rely on nothing but the speaker’s own candor, who is able to speak through such disparate poems as “Bondage Play as Substitue for Prayer” alongside “Waltz of the Midnight Miscarriage,” “Reading Sappho in a Wine Bar,” and “Barn Elegy” with a good spattering of honest-to-goodness sonnets.”From ForeWord Reviews:“The poems move like ghosts themselves: disappearing into walls, circling back, appearing for a moment to be captured, then evaporating into thin air. Kuipers pins moments onto the page with the care of an etymologist collecting rare specimens. Her poems are at once visceral and cosmic, “a wave as well as a particle.””

    This landmark collection brings together the best of his verse, including many pieces that have never before appeared in English.   These poems span the whole of Nabokov’s career, from the newly discovered “Music,” written in 1914, to the short, playful “To Véra,” composed in 1974. Many are newly translated by Dmitri Nabokov, including The University Poem, a sparkling novel in verse modeled on Pushkin’s Eugene Onegin that constitutes a significant new addition to Nabokov’s oeuvre. Included too are such poems as “Lilith”, an early work which broaches the taboo theme revisited nearly forty years later in Lolita, and “An Evening of Russian Poetry”, a masterpiece in which Nabokov movingly mourns his lost language in the guise of a versified lecture on Russian delivered to college girls. The subjects range from the Russian Revolution to the American refrigerator, taking in on the way motel rooms, butterflies, ice-skating, love, desire, exile, loneliness, language, and poetry itself; and the poet whirls swiftly between the brilliantly painted facets of his genius, wearing masks that are, by turns, tender, demonic, sincere, self-parodying, shamanic, visionary, and ingeniously domestic.