. .When financier Gerald Cartwright disappeared from his home six years ago, it was assumed he'd gone on the run from his creditors. But then a skeleton is found bricked up in the cellar of Cartwright's burned-out mansion, and it becomes clear Gerald never left alive.As the sole representative of South Yorkshire's Cold Case Review Unit, Detective Sergeant Adam Tyler is not expected to get results, but he knows this is the case that might finally kick start his floundering career. Luckily, he already has a suspect. Unluckily, that suspect is Cartwright's son, the man Tyler slept with the night before.Keeping his possible conflict-of-interest under wraps, Tyler digs into the case alongside Amina Rabbani, an ambitious young Muslim constable and a fellow outsider seeking to prove herself on the force. Soon their investigation will come up against close-lipped townsfolk, an elderly woman with dementia who's receiving mysterious threats referencing a past she can't remember, and an escalating series of conflagrations set by a troubled soul intent on watching the world burn . . .

    Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self.

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

    It's a world in which people visit book binders to rid themselves of painful or treacherous memories. Once their stories have been told and are bound between the pages of a book, the slate is wiped clean and their memories lose the power to hurt or haunt them. After having suffered some sort of mental collapse and no longer able to keep up with his farm chores, Emmett Farmer is sent to the workshop of one such binder to live and work as her apprentice. Leaving behind home and family, Emmett slowly regains his health while learning the binding trade. He is forbidden to enter the locked room where books are stored, so he spends many months marbling end pages, tooling leather book covers, and gilding edges. But his curiosity is piqued by the people who come and go from the inner sanctum, and the arrival of the lordly Lucian Darnay, with whom he senses a connection, changes everything.

    Another member is currently in prison for the crime. We have reason to suspect that they are innocent, and that there were far darker secrets that have yet to be revealed.We believe that the killer has given themselves away. It's there in writing, hidden in the emails, texts, and letters. In the events surrounding the charity appeal for little Poppy Reswick, and the question of whether that money was truly being used to fund her life-saving cancer treatment. Will you accept the challenge? Can you uncover the truth? Do you dare?

    Like everyone else in town, eighteen-year-old Mac Bell is trying to put that horrible summer behind him—easier said than done since Mac's best friend Connor was the murderer's final victim. But when he finds a cryptic message from Connor, he's drawn back into the search for the killer—who might not have been a random drifter after all. Now nobody—friends, neighbors, or even the sexy stranger with his own connection to the case—is beyond suspicion. Sensing that someone is following his every move, Mac struggles to come to terms with his true feelings towards Connor while scrambling to uncover the truth.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    At least that is what she's always believed.Everyone has secretsUntil the day she arrives at her childhood home to find a house ringing with silence. Her mother is hanging from a tree. Her father is lying in a pool of his own blood, near to death.Especially those closest to you The police are convinced it is an attempted murder-suicide. But Sophia is sure that the woman who brought her up isn't a killer. As her father is too ill to talk it is up to Sophia to clear her mother's name. And to do this she needs to delve deep into her family's past - a past full of dark secrets she never suspected were there . . .What if your parents had been lying to you since the day you were born?

    An anonymous young woman murdered in a run-down hotel, all identifying characteristics dissolved by acid. A father publicly beheaded in the blistering heat of a Saudi Arabian public square. A notorious Syrian biotech expert found eyeless in a Damascus junkyard. Smoldering human remains on a remote mountainside in Afghanistan. A flawless plot to commit an appalling crime against humanity. One path links them all, and only one man can make the journey. Pilgrim.'

    A hitman known only as D is blackmailed into killing Jack, but when he tracks him down, his weary conscience won't allow him to murder an innocent man. Finding in each other an unlikely ally, Jack and D are soon on the run from shadowy enemies. Forced to work together to survive, the two men forge a bond that ripens into unexpected passion. Jack sees the wounded soul beneath D's cold, detached exterior, and D finds in Jack the person who can help him reclaim the man he once was. As the day of Jack's testimony approaches, he and D find themselves not only fighting for their lives... but also fighting for their future. A future together.

    Nothing is going as planned for Austin Glass.Austin—seems to have it all. At least on the surface. A loving fiancee. A future with the FBI and a healthy sized trust fund. He also has a grin and a wisecrack for every situation. But the smile he presents to everyone hides a painful past he’s buried too deeply to remember. And his quips mask bitterness and insecurity. Austin has himself and most of the whole world fooled. Until he meets someone who immediately sees him better than he sees himself.As events unfold and Austin’s world unravels, he finds himself pushed into making quick life-changing decisions. But can he trust Peter or what’s happening between them when each meeting seems to be just a series of volatile reactions?

    That’s the mantra behind HR, Inc., an elite "placement agency" that doubles as a network of assassins-for-hire, taking down high-profile executives who wouldn't be able to remember an intern’s name if their lives depended on it.At the ripe old age of twenty-five, John Lago is already New York City’s most successful hit man. He’s also an intern at a prestigious Manhattan law firm, clocking eighty hours a week getting coffee, answering phones, and doing all the grunt work no one else wants to do. But he isn't trying to claw his way to the top of the corporate food chain. He was hired to assassinate one of the firm’s heavily guarded partners. His internship is the perfect cover, enabling him to gather intel and gain access in order to pull off a clean, untraceable hit.The Intern’s Handbook is John Lago's unofficial survival guide for new recruits at HR, Inc. (Rule #4: "Learn how to make the perfect cup of coffee: you make an exec the best coffee he’s ever had, and he will make sure you’re at his desk every morning for a repeat performance. That’s repetitive exposure, which begets access and trust. 44% of my kills came from my superior coffee-making abilities.")Part confessional, part how-to, the handbook chronicles John’s final assignment, a twisted thrill ride in which he is pitted against the toughest—and sexiest—adversary he’s ever faced: Alice, an FBI agent assigned to take down the same law partner he’s been assigned to kill.

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

    The tragedy left her family with a fractured life—a mother out to numb the pain, a father losing a battle with his own private demons, and a sister desperate for closure. But now another teenage girl has gone missing. It’s ripping open old wounds for the Willards, dragging them back into a painful past, and leaving them unprepared for where it will take them next.Bureau of Criminal Investigation agent Mark Foster has stumbled on uncanny parallels in the lives of the two missing girls that could unlock clues to a serial killer’s identity. That means breaking down the walls of the Willards’ long-guarded secrets and getting to a truth that is darker than he bargained for. Now, to rescue one missing girl, he must first solve the riddles that disappeared with another: Kelsey Willard herself. Dead or alive, she is his last hope.