Then she meets Ivy Vega. At first, Ivy, pale and dressed all in black, looks like Olivia's opposite. Then the girls look beyond the glittery pink blush and thick black eyeliner to discover they're identical--identical twins!Olivia and Ivy are brimming with plans to switch places and pull every twin trick in the book. But Olivia soon discovers that she and Ivy aren't exactly the same. Ivy's a vampire. And she's not the only one in town.

    First there is the dark and gloomy Hagen house, filling her with dread and horror. Then the crank phone calls start. When she finds a threatening note in her bag, she realizes that this isn't a harmless game.

    Jean Ure returns with more warmth and wit in a brilliant book about what happens when two girls decide to run away from home.Fourteen-year-old Jade is fed up with fighting with her mum and step-dad, and her shy sixteen-year-old friend Honey is having a miserable time with her mum, but when Jade decides they should both run away, Honey isn't so sure.It's only when they get to London and things don't work out quite how they expected that Honey shows she has hidden depths, and Jade realises that home is not so bad after all…

    Everybody's getting it. It will make your life easier, they say. It will hook you in. It will become your identity.But what if you say no? What if you don't want to become a code? For Kayla, this one choice changes everything. She becomes an outcast in her high school. Dangerous things happen to her family. There's no option but to run . . . for her life.Individuality vs. conformity.Identity vs. access.Freedom vs. control.The bar code tattoo.

    For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

    Better tomorrow than today." Harder work means the citizens of Aramanth can keep moving forward to improved life stations--from Gray tenements and Orange apartments, upwards to glorious mansions of White. Only some families, like the Haths, believe more in ideas and dreams than in endless toil and ratings. When Kestrel Hath decides she is through with the Aramanth work ethic, she is joined in her small rebellion by her twin brother Bowman and their friend Mumpo. Together, they set the orderly city on its ear by escaping Aramanth's walls for an adventure that takes them from city sewers to desert sandstorms. Guided by an archaic map, they know that if they can find the voice of the Wind Singer, an ancient and mysterious instrument that stands in the center of Aramanth, they can save their people from their dreamless existence. But the voice is guarded by the dreaded Morah and its legion of perfect killing machines, the Zars. Are three ragtag kids any match for an army of darkness?

    H recalls when he himself was sixteen—his godson’s age—as they search for the site of H’s life-altering friendship with a boy named Finn. Finn lives alone on an isolated slip of land and follows no rules: he spends his days swimming, fishing, and collecting driftwood for his tiny beach hut. H, on the other hand, is an upper-class boarding school boy stifled by monotony and endless rules. They meet by chance on the beach, and H is immediately awed by (and jealous of) Finn’s way of life. They strike up an unlikely friendship but the gap between their lives becomes difficult to bridge, and before long the idyll that nurtured their relationship is shattered by heart-wrenching scandal. Meg Rosoff was formerly a YA author, but her work transcends categorization and we are delighted to bring it to adult readers for the first time. What I Was is a timeless, enthralling story destined to become a classic.

    Her father is determined to marry her off to a rich man--any rich man, no matter how awful. But by wit, trickery, and luck, Catherine manages to send several would-be husbands packing. Then a shaggy-bearded suitor from the north comes to call--by far the oldest, ugliest, most revolting suitor of them all. Unfortunately, he is also the richest. Can a sharp-tongued, high-spirited, clever young maiden with a mind of her own actually lose the battle against an ill-mannered, piglike lord and an unimaginative, greedy toad of a father? Deus! Not if Catherine has anything to say about it!

    To be one of the ten Avatars that rule the undersea city is an honour and a great responsibility. Now at 16, Nia has a chance to see her dream come true ...Ages 13+.

    She's nearly six feet tall, her father is getting remarried, and her sister—the always perfect Ashley—is planning a wedding of her own. Haven wishes things could just go back to the way they were. Then an old boyfriend of Ashley's reenters the picture, and through him, Haven sees the past for what it really was, and comes to grips with the future.

    Hearing about all the money a girl can make working in the textile mills in Lowell, Massachusetts, she makes her way there, only to find that her dreams of returning home may never come true.

    But then, it is Ma who is the cause of the most troubling question of all, the one Frankie can never bring himself to ask. When a new girl arrives at school — a daring free spirit with unavoidable questions of her own — Frankie’s carefully guarded world begins to unravel, leading him to a painful confrontation with the ultimate 10 p.m. question. Deftly told with humor, poignancy, and an endearing cast of characters, The 10 P.M. Question will touch everyone who has ever felt set apart.

    She talks with him, teases him, but reveals nothing about herself except her phone number. Later they have a perfect day at the London Zoo, and soon Joe is as addicted to Candy as she is to heroin, in spite of the threats of her menacing pimp Iggy. Almost nothing matters except his desire to free her from her terrible life-- not his band's chance for a recording contract, not the song he has written for her that has become a hit without him. But there is something that still matters to him, and when he rescues the young prostitute from her sordid rooming house and takes her into hiding to sweat out her addiction, Iggy finds and uses that one thing that is stronger than Joe's passion for Candy, in a heart-thumping, breathless conclusion.

    Right away I knew he was bad, and that it didn't matter.It is summer in the Northwest town of Nine Mile Falls, and sixteen-year-old Ruby McQueen, ordinarily dubbed The Quiet Girl, finds herself hanging out with gorgeous, rich, thrill-seeking Travis Becker. But Ruby is in over her head, and finds she is risking more and more when she's with him.In an effort to keep Ruby occupied, Ruby's mother Ann drags Ruby to the weekly book club she runs. When it is discovered that one of the group''s own members is the subject of the tragic love story they are reading, Ann and Ruby spearhead a reunion between the long-ago lovers. But for Ruby, this mission turns out to be much more than just a road trip....

    For one thing, he has had to suffer the humiliating nickname "Half Moon" because of his short stature. But the real reason Fletcher is different is that ever since he was a baby, he's had a nose for sniffing out mysteries. And after graduating at the top of his Internet class, he is officially certified as the youngest detective in the world. He even has a silver-plated detective's badge to prove it. Everything is going along fine until two things happen: a classmate hires him to solve a crime, and his prized badge is stolen. All signs point to the town's most notorious crime family, the Sharkeys.As Fletcher follows the clues, evidence of a conspiracy begins to emerge. But before he can crack the case, Fletcher finds himself framed for a serious crime. To clear his name, he will have to pair up with the unlikeliest of allies and go on the run from the authorities. Fletcher has twelve hours to find the guilty party--or he is the guilty party.