She landed in the New World and lived there for three years, giving birth to a baby before sailing home. Or so the Icelandic sagas say. Even after archaeologists found a Viking longhouse in Newfoundland, no one believed that the details of Gudrid’s story were true. Then, in 2001, a team of scientists discovered what may have been this pioneering woman’s last house, buried under a hay field in Iceland, just where the sagas suggested it could be. Joining scientists experimenting with cutting-edge technology and the latest archaeological techniques, and tracing Gudrid’s steps on land and in the sagas, Nancy Marie Brown reconstructs a life that spanned—and expanded—the bounds of the then-known world. She also sheds new light on the society that gave rise to a woman even more extraordinary than legend has painted her and illuminates the reasons for its collapse.

    A republican city-state funded by trade and banking, its often bloody political scene was dominated by rich mercantile families, the most famous of which were the Medici. This enthralling book charts the family's huge influence on the political, economic and cultural history of Florence. Beginning in the early 1430s with the rise of the dynasty under the near-legendary Cosimo de Medici, it moves through their golden era as patrons of some of the most remarkable artists and architects of the Renaissance, to the era of the Medici Popes and Grand Dukes, Florence's slide into decay and bankruptcy, and the end, in 1737, of the Medici line.

    Caterina Riario Sforza was one of the most prominent women in Renaissance Italy—and one of the most vilified. In this glittering biography, Elizabeth Lev reexamines her extraordinary life and accomplishments.Raised in the court of Milan and wed at age ten to the pope’s corrupt nephew, Caterina was ensnared in Italy’s political intrigues early in life. After turbulent years in Rome’s papal court, she moved to the Romagnol province of Forlì. Following her husband’s assassination, she ruled Italy’s crossroads with iron will, martial strength, political savvy—and an icon’s fashion sense. In finally losing her lands to the Borgia family, she put up a resistance that inspired all of Europe and set the stage for her progeny—including Cosimo de Medici—to follow her example to greatness.A rich evocation the Renaissance,The Tigress of Forlì reveals Caterina Riario Sforza as a brilliant and fearless ruler, and a tragic but unbowed figure.

    The Deadly Sisterhood An epic saga of the Italian Renaissance from the author of CATHERINE DE MEDICI Full description

    Now, Caroline Murphy vividly captures the untold story of a rare woman who moved with confidence through a world of popes and princes.Using a wide variety of sources, including Felice's personal correspondence, as well as diaries, account books, and chronicles of Renaissance Rome, Murphy skillfully weaves a compelling portrait of this remarkable woman. Felice della Rovere was to witness Michelangelo paint the Sistine Chapel, watch her father Pope Julius II lay the foundation stone for the new Saint Peter's, and saw herself immortalized by Raphael in his Vatican frescos. With her marriage to Gian Giordano Orsini—arranged, though not attended, by her father the Pope—she came to possess great wealth and power, assets which she used to her advantage. While her father lived, Felice exercised much influence in the affairs of Rome, even negotiating for peace with the Queen of France. After his death, Felice persevered, making allies of the cardinals and clerics of St. Peter's and maintaining her control of the Orsini land through tenacity, ingenuity, and carefully cultivated political savvy. She survived the Sack of Rome in 1527, but her greatest enemy proved to be her own stepson Napoleone, whose rivalry with his stepbrother Girolamo ended suddenly and violently, and brought her perilously close to losing everything she had spent her life acquiring.With a marvelous cast of characters, The Pope's Daughter is a spellbinding biography set against the brilliant backdrop of Renaissance Rome.

    Married for political advantage at the age of seven to her six-year-old Hungarian cousin, Joanna saw her brilliant, cultivated world shattered twelve years later by the brutal assassination of her husband. Accused of the murder by her powerful in-laws, Joanna was forced to flee her kingdom and stand trial for her life before the papal court at Avignon on March 15, 1348. The account of how, despite her youth and sex, she triumphed over her enemies, raised an army, and took back her realm makes for one of the most compelling sagas of any age.Joanna went on to rule for a further thirty years, weathering war, plague, and treason to become one of the most powerful and influential leaders in Italy. Dedicated to the welfare of her subjects and realm, she reduced crime, built hospitals and churches, encouraged the licensing of women physicians, and expertly navigated the dangerous complexity of papal politics. Her elegant court became a window on the century, luring some of the most important writers and artists of the period, including Giovanni Boccaccio, author of the The Decameron, and Francesco Petrarch. Her reign rivaled that of Elizabeth I in power and scope - until the violence and treachery of the medieval world ultimately betrayed her.As she did in her acclaimed Four Queens, Nancy Goldstone takes us back to the turbulent Middle Ages, and with skill and passion brings fully to life one of history's most remarkable women. Her research is impeccable, her eye for detail unerring. From the pageantry and splendor of the royal court to the ferocity of the battlefield and the intricacy of medieval politics, The Lady Queen paints a captivating portrait of medieval royalty, and reclaims the life of a woman notorious throughout history for a crime she did not commit.

    They include Catherine the Great, Elizabeth I, Isabella of Spain, the Rani of Jhansi, and the formidable Queen Jinga of Angola. With Boadicea as the definitive example, her female champions from other ages and civilisations make a fascinating and awesome assembly. Yet if Boadicea's apocryphal chariot has ensured her place in history, what are the myths that surround the others? And how different are the democratically elected if less regal warrior queens of recent times: Indira Gandhi and Golda Meir? This remarkable book is much more than a biographical selection. It examines how Antonia Fraser's heroines have held and wrested the reins of power from their (consistently male) adversaries.

    As generous patrons to the likes of Botticelli and Michelangelo, the ruling Medici embodied the progressive humanist spirit of the age, and in Lorenzo the Magnificent they possessed a diplomat capable of guarding the militarily weak city in a climate of constantly shifting allegiances between the major Italian powers.However, in the form of Savonarola, an unprepossessing provincial monk, Lorenzo found his nemesis. Filled with Old Testament fury and prophecies of doom, Savonarola's sermons reverberated among a disenfranchised population, who preferred medieval Biblical certainties to the philosophical interrogations and intoxicating surface glitter of the Renaissance. Savonarola's aim was to establish a 'City of God' for his followers, a new kind of democratic state, the likes of which the world had never seen before.The battle which this provoked would be a fight to the death, a series of sensational events - invasions, trials by fire, the 'Bonfire of the Vanities', terrible executions and mysterious deaths - featuring a cast of the most important and charismatic Renaissance figures.This famous struggle has often been portrayed as a simple clash of wills between a benign ruler and religious fanatic, between secular pluralism and repressive extremism. However, in an exhilaratingly rich and deeply researched story, Paul Strathern reveals the paradoxes, self-doubts and political compromises which made the battle for the soul of the Renaissance city one of the most complex and important moments in Western history.

    Epic in scope and set against the beautifully rendered backdrop of Renaissance Italy, The Borgias is a thrilling new depiction of these celebrated personalities and an era unsurpassed in beauty, terror, and intrigue.

    For almost four centuries this astonishing story of a woman’s absolute power over the Vatican has been successfully buried—until now.

    It is a fiery history of Queens, the perils of power and of how the Wars of the Roses were ended – not by knights in battle, but the sinewy political skills of women.The events of the Wars of the Roses are usually described in terms of the men involved; Richard, Duke of York, Henry VI, Edward IV and Henry VII. The reality though, argues Sarah Gristwood, was quite different. These years were also packed with women's drama and – in the tales of conflicted maternity and monstrous births – alive with female energy.In this completely original book, acclaimed author Sarah Gristwood sheds light on a neglected dimension of English history: the impact of Tudor women on the Wars of the Roses. She examines Cecily Neville, the wife of Richard Duke of York, who was deprived of being queen when her husband died at the Battle of Wakefield; Elizabeth Woodville, a widow with several children who married Edward IV in secret and was crowned queen consort; Margaret Beaufort, mother of Henry VII, whose ambitions centred on her son and whose persuasions are likely to have lead her husband Lord Stanley, previously allied with the Yorkists, to play his part in Henry's victory.Until now, the lives of these women have remained little known to the general public. Sarah Gristwood tells their stories in detail for the first time. Captivating and original, this is historical writing of the most important kind.

    The Gieses' lively text, illuminated by the illustrations from medieval manuscripts, art, and architecture, depicts the Middle Ages as a vibrant time in which women were powerful agents of change.The first part of the book gives the historical and cultural background for the lives of the women discussed. The authors offer a succinct but penetrating review of the religious, scientific, and philosophical attitude that defined women's place in the medieval world.The seven women represent different classes, countries, and centuries: Hildegarde of Bingen, twelfth-century German nun and gifted mystic; Blanche of Castile, queen of France; Eleanor de Montfort, real-life inspiration for the thirteenth-century romantic tales; Agnes li Patiniere, a Flemish textile worker; Alice Beynt, an English peasant woman; Margherita Datini, wife of an Italian merchant; and Margaret Paston, partner of her husband and sons in the conflict of pre-Tudor England.

    This book helps to restore full humanity to these six fascinating women by applying the insights of feminist scholarship. Here they appear not as stereotypes, not simply as victims, but as lively, intelligent noblewomen doing their best to survive in a treacherous court. Divorced, Beheaded, Survived takes a revisionist look at 16th-century English politics (domestic and otherwise), reinterpreting the historical record in perceptive new ways. For example, it shows Ann Boleyn not as a seductress, but as a sophisticate who for years politely suffered what we would now label royal sexual harassment. It presents evidence that the princess Anne of Cleves, whom Henry declared ugly and banished from his bed, was in fact a pretty woman who agreed to the king's whim as her best hope for happiness.

    For the first time, all the contenders for the crown were female.In 1553, England was about to experience the ‘monstrous regiment’ - the unnatural rule - of a woman. But female rule in England also had a past. Four hundred years before Edward’s death, Matilda, daughter of Henry I and granddaughter of William the Conquerer, came tantalisingly close to securing her hold on the power of the crown. And between the 12th and the 15th centuries three more exceptional women - Eleanor of Aquitaine, Isabella of France, and Margaret of Anjou - discovered, as queens consort and dowager, how much was possible if the presumptions of male rule were not confronted so explicitly.The stories of these women - told here in all their vivid humanity - illustrate the paradox which the female heirs to the Tudor throne had no choice but to negotiate. Man was the head of woman; and the king was the head of all. How, then, could a woman be king, how could royal power lie in female hands?

    But the crusaders never made it to the Holy Land. Steered forward by the shrewd Venetian doge, they descended instead on Constantinople, wreaking terrible devastation. The crusaders spared no one: They raped and massacred thousands, plundered churches, and torched the lavish city. By 1204, one of the great civilizations of history had been shattered. Here, on the eight hundredth anniversary of the sack, is the extraordinary story of this epic catastrophe, told for the first time outside of academia by Jonathan Phillips, a leading expert on the crusades. Knights and commoners, monastic chroniclers, courtly troubadours, survivors of the carnage, and even Pope Innocent III left vivid accounts detailing the events of those two fateful years. Using their remarkable letters, chronicles, and speeches, Phillips traces the way in which any region steeped in religious fanaticism, in this case Christian Europe, might succumb to holy war.