Bernhard Gunther, a hard-boiled Berlin detective who specializes in tracking down missing persons — mostly Jews. He is summoned by a wealthy industrialist to find the murderer of his daughter and son-in-law, killed during the robbery of a priceless diamond necklace. Gunther quickly is catapulted into a major political scandal involving Hitler's two main henchmen, Goering and Himmler. The search for clues takes Gunther to morgues overflowing with Nazi victims; raucous nightclubs; the Olympic games where Jesse Owens tramples the theory of Aryan racial superiority; the boudoir of a famous actress; and finally to the Dachau concentration camp. Fights with Gestapo agents, shoot-outs with adulterers, run-ins with a variety of criminals, and dead bodies in unexpected places keep readers guessing to the very end. Hard-hitting, fast-paced, and richly detailed, March Violets is noir writing at its blackest and best.

     A woman dies in his arms...a drug dealer offers him $10,000...a gunman is determined to kill him. And then everything goes to hell. Shelby Alexander is an aging ex-boxer and retired fixer, whose activities often flirted with the wrong side of the law. Looking for a little peace and a slower pace of life, he moved to Serenity, the small Michigan town where he grew up. But trouble follows men like Shelby, and he finds himself embroiled in an underworld of drugs and violence that may prove to be his undoing. The first book in the new Shelby Alexander Thriller Series, Serenity is an action-packed read with a lovingly rendered cast, witty dialogue, and a main character who doesn't know when to quit.

    Investigators see it as either a case of mistaken identity or the work of a jealous fiancé. As a federal prosecutor, Nick tries shepherding the case to a swift conclusion, but it keeps slipping away.Meanwhile, Nick’s relationship with his wife, Tina, hangs by the thinnest of threads. She is also a lawyer, working to vindicate a young man convicted of killing a child eight years previously. When old DNA evidence is uncovered in the murder case, its analysis hurls Nick’s universe into upheaval—his most basic assumptions about his life, the law, and the people he loves most are thrown into question.“Compelling” with “language that sings,” Lee Goodman’s latest novel is a truly “outstanding” page-turner (William Kent Krueger, New York Times bestselling author).

    Silicon Valley has taken virtual sex to the extreme, encouraging men to act out their darkest and most violent sexual fantasies. Militant feminists and churches are bitterly opposed. Powerful corporations battle for market control. In the midst of a fierce protest campaign, a bomb goes off in San Francisco. TWELVE ARE DEAD. Daniel Madsen is one of a new breed of federal agents armed with a gun, a badge and a handheld lie detector. He’s a fast operator and his instructions are simple: find the bomber before he strikes again. A NIGHTMARE AWAITS. Madsen plunges headlong into a sleazy, unsettling world where reality and fantasy are indistinguishable, exploitation is business as usual and the web of corruption extends all the way to Washington … only to discover the stakes are higher than he could ever imagine.

    With the opening of the Great Exhibition at hand, interest is mounting in the engineering triumphs of the railways, but not everyone feels like celebrating...In an audacious attack, the London to Birmingham mail train is robbed and derailed, causing many casualties. Planned with military precision, this crime proves a challenge to Detective Inspector Robert Colbeck who fights to untangle a web of murder, blackmail and destruction.As Colbeck closes in on the criminal masterminds, events take an unexpected turn when the beautiful Madeleine, daughter of the injured train driver, becomes a pawn in the criminals' game. With time running out, good and evil, new and old, battle against each other. But will the long arm of the law have speed on its side?The Railway Detective is an action-packed dip into murky 1850s London. Full of historical detail, unexpected twists and memorable characters, this is a mystery that will surprise you at every turn.

    Now, he’s returned to Kippen for the first time in twenty years because his cousin Tony has been found dead under the local bridge.The news that Tony has left him the entire family farm triggers James’s journalistic curiosity – and his anxiety – both of which cropped up during his turbulent journey to adulthood. But it is the unexpected homophobic attack he survives that draws James into a hunt for the reasons one lonely Kippen farm boy in every generation kills himself.Standing in the way is James’s father, the town’s recently retired top cop, who is not prepared to investigate crimes no-one reckons have taken place. James must use every newshound’s trick he ever learned in order to uncover the brutal truth.A coming-of-age story and crime thriller with a large and gentle heart.

    It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

    But when his partner becomes victim number two, it looks like open-and-shut grudge killings. That is, until a third detective buys it.ED MCBAIN'S FIRST 87th PRECINCT NOVEL

    But Kennedy's teenage rebellion goes too far when, after a night of partying in the woods, her best friend, Haley, is murdered, and suspicion quickly falls upon Kennedy. She can't remember anything about the night in question, and this, along with the damning testimony from a college boy who both Kennedy and Haley loved, is enough to force Kennedy to enter a guilty plea.In 2008, Kennedy is released into a world that has moved on without her. Carter has grown distant as she questions Kennedy's innocence, and begins a relationship with someone who could drive the sisters apart forever. The twins' father, Gerry, is eager to protect the family's secrets and fragile bonds. But Kennedy's return brings the tragedy back to the surface, along with a whole new wave of media. When a crime show host comes to town asking questions, believing the murder wasn't wasn't as simple as it seemed, murky memories of Haley's death come to light. As new suspects emerge and the suburban woods finally give up their secrets, two families may be destroyed again.

    Only Pen knows the reason why.College life had seemed like a wonderland of sex, drugs and maybe even love. The perfect place to run away from your past and reinvent yourself. But Pen never can run far enough and when friendships are betrayed, her secrets are revealed. The consequences are deadly.‘This is about three deaths. Actually more, if you go back far enough. I say deaths, but perhaps all of them were murders. It’s a grey area. Murder, like beauty, is in the eye of the beholder. So let’s just call them deaths and say I was involved. This story could be told a hundred different ways.’‘This is a novel of disquieting intimacy and controlled suspense, Aoife Clifford deftly tightening the screws until we share the narrator’s sense of emotional and physical confinement and the unremitting grip of the past.’ - Garry Disher, author of Bitter Wash Road

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    A woman who can’t even kill a spider, Hadley soon finds herself pushed to the limits as she fights to protect her family.Grace, new mother of baby Miles, desperately wants to put her rough past behind her for good, but she finds it impossible when her path crosses with Hadley’s, and her quest for a new start quickly spirals out of control and turns into a terrifying flight for survival.Stronger together than apart, the two find their fates inextricably entwined, and as the danger closes in, each must decide how much she is willing to risk for the other.A powerful story of self-discovery, Hadley and Grace is the heart-racing tale of two women facing insurmountable odds, racing to stay one step ahead of the trouble that is chasing them, and discovering new kinds of love and family along the way.

    Especially handsome detectives with kind voices and beautiful eyes. So when her conscience just won’t shut the hell up, and convinces her to corner one such cop in a dark parking lot to tell him what she’s learned, she can just feel this won’t be the end of it. She doesn’t have time to worry about it, though. She has gangsters to piss off, homicidal gangs to infiltrate, and people to search for. Yes, this is Kyra’s life. The endgame is worth it, though. If she lives long enough to attain it. Join Kyra and Gabe in a pulse-pounding chase through Abstreuse City to find a killer and save a child before it’s too late. Because everyone loves good cop meets mysterious woman meets serial killer. And darkness lives in us all. “Intriguing storyline. Good fun…Highly recommend!” –R.V.P. Author Interview: What got you into writing crime fiction? Like so many others, I’ve always loved mysteries. Even a minor mystery is compelling to me and I’ve finished otherwise mediocre books, just to learn what the answer is. I watch a lot of police procedurals and have always especially been fascinated with criminal psychology and serial killers. It was always just a matter of time before I started writing about it. Yeah, but what’s a nice Christian girl like you doing writing about serial killers? Kind of dark subject matter, isn’t it? *laughs* It’s a question I’ve gotten a lot. It’s definitely dark subject matter. I prefer it that way, though. The darker the story becomes, the greater the capacity for character redemption. Lovers of horror understand this concept well. If the character can’t demonstrate a visceral ability to overcome a ridiculous amount of darkness, they’re almost not worth rooting for. Nothing is darker than a person willing to coldly take the lives of other human beings. I think that’s why our society is so interested in this type of villain. It’s a darkness we can’t understand, but want to, if for no other reason than to keep it at bay in ourselves. As an author, exploring that is both fascinating and kind of fun. Why this story? Why Abstreuse and the Mire? I came up with this story all at once. Many authors come up with stories based on the story they would like to see told, but haven’t found. It was more or less that way for me. There wasn’t any specific crime fiction story I was unsatisfied with, but rather while reading and watching them, I couldn’t help but start to form something in my mind I’d love to read myself. By the time I sat down to write, I had the entire draft of book 1 already formed in my head, and basic shape of the rest. It’s one of those stories that took on an urgency because I became so excited to tell it. So I did! You’ve written stories about both urban and rural crime. Do you have a preference? No, I don’t think I prefer one over the other. Being something of a country girl myself, writing about a killer in a small desert town held an interest all its own. But the urban setting of the inner city can definitely prove grittier. They present us with two different feels to the same kind of darkness. I personally find both tremendously compelling.

    On a frozen night in an affluent neighborhood of Minneapolis, a baby is abducted from her home after her teenage babysitter is violently assaulted. The parents are frantic, the police are baffled, and, with the perpetrator already in the wind, the trail is getting colder by the second.As family liaison officer with the Minneapolis P.D., it’s Afton Tangler’s job to deal with the emotional aftermath of terrible crimes—but she’s never faced a case quite as brutal as this. Each development is more heartbreaking than the last and the only lead is a collection of seemingly unrelated clues.But, most disturbing of all, Afton begins to suspect that this case is not isolated.  Whoever did this has taken babies before—and if Afton doesn’t solve this crime soon, more children are sure to go missing . . .

    …and the cards don't fall your way? When the brutal slaying of a prominent casino owner is followed by the murder of a well-known bookie, Detective Dale Dayton is thrown into the middle of a highly political case and leads the largest homicide investigation in Vegas in the last twelve years. What if you're dealt a Dead Man's Hand? Against his superiors and better judgment, Dayton is willing to give Calvin one last chance. To redeem himself, Calvin must prove his innocence by finding the real killer, while avoiding the LVMPD, as well as protect the woman he loves from a professional assassin hired to silence them.