"The work is deeply felt...Bernstein has been there and brought it back. Bernstein is a writer." [William S. Burroughs]

    Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and a circus made of meat vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!--D.A. Powell.

    Full of eagerness, but wracked by self-­doubt, he must discover who he is and what he is capable of.But as the bonds with his comrades grow, home -­ and the loved ones left behind -­ seem ever more remote from the surreal violence and exhilaration of war.

    A gay birthday clown lamenting the loss of his beloved dog. An amateur veterinarian keeping watch over his suicidal daughter. And a bikini model with a barnacle stuck to her butt cheek. These are just a few of the characters who populate the quirky, offbeat world of IF YOU LIVED HERE YOU'D ALREADY BE HOME a world that feels at once alien and strangely familiar. In these twenty-one brief, funny stories, John Jodzio documents his characters disappointment, frustration, and longing for a home that seems forever out of reach. By turns bleak and hopeful, cruel and tender, this is an exciting literary debut by a writer to watch, a writer with a unique and compelling voice. You may think you've read enough stories about penniless gay clowns who can't get over the loss of a dog, but I assure you you have not. John Jodzio is the best kind of modern fiction writer: a thematic traditionalist who feels totally new. --Chuck Klosterman, author of SEX, DRUGS, AND COCOA PUFFS

    Since that day, a new Stevie has emerged, one who walks without wheezing, plants a garden for self-therapy, and builds and paints fantastical wooden chairs. At thirty-five, Stevie is the one thing she never thought she'd be: thin.But for everything that's changed, some things remain the same. Stevie's shyness refuses to melt away. She still can't look her neighbors' gorgeous great-nephew in the eye. The Portland law office where she works remains utterly dysfunctional, as does her family—the aunt, uncle, and cousins who took her in when she was a child. To top it off, her once supportive best friend clearly resents her weight loss.By far the biggest challenge in Stevie's new life lies in figuring out how to define her new self. Collaborating with her cousins to plan her aunt and uncle's problematic fortieth anniversary party, Stevie starts to find some surprising answers—about who she is, who she wants to be, and how the old Stevie evolved in the first place. And with each revelation, she realizes the most important part of her transformation may not be what she's lost, but the courage and confidence she's gathering, day by day.As achingly honest as it is witty, Such A Pretty Face is a richly insightful novel of one woman's search for love, family, and acceptance, of the pain we all carry—and the wonders that can happen when we let it go at last.

    From the first page of each of the edgy and unrelentingly intense stories in this debut collection, the teenaged characters are headed for big trouble. The adult world has mostly failed them, and they find themselves entering into highly charged situations where they make their own rules, with misguided understanding of the consequences. The stories burn hot and fast, providing searing insights into their world of sex, drugs, drinking, violence, and accidental grace, played out in small, tough towns. Written with raw directness and understanding that makes these nine stories impossible to forget, The History of Vegas announces an exciting, fresh talent with the impact of Mary Gaitskill, Mary Karr, and Jayne Anne Phillips.

    A grieving missionary becomes obsessed with a creature rumoured to live in the forests of the Congo. And, in the title story, a young woman travelling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.

    The story is a dark comedy about a suicidal young man named John Campbell who, after a failed suicide attempt, heads to Virginia to visit an aunt he hasn’t seen in ten years. But his rental car runs out of gas deep in the mountains. When he decides to walk in the middle of the night, he winds up in a town that is isolated from the rest of the world—Strangeville. Unable to leave, he meets an assortment of loveable oddball characters—the beautiful Delilah, Klemm Johnson, Clarissa Puddworthy, Biff Flannigan, Jeboriah Varmint, Cleetus McChoparooski, and others.

    They are superficially a study in contrasts yet share equally haunting sexual burdens carried since youth. With common secrets, they are drawn into a remarkable friendship.

    I’m so happy this collection exists. I feel drunk with love for these stories. They’re so funny and weird and true.”—Sheila Heti“With a weird, beautiful energy, George explores the challenges of woman-being: singlehood, self-doubt, motherhood, the dismaying fact of aging, the (dis)ability to love. A modern-day Jane Bowles, George engages these mysteries in prose that is funny, charming, dark, and insightful.” —Deb Olin UnferthFive stories—several as long as novellas—introduce the world to Jen George, a writer whose furiously imaginative new voice calls to mind Donald Barthelme and Leonora Carrington no less than Kathy Acker and Chris Kraus. In “Guidance/The Party,” an ethereal alcoholic “Guide” in robes and flowing hair appears to help a thirty-three-year-old woman prepare a party for her belated adulthood; “Take Care of Me Forever” tragically lambasts the medical profession as a ship of fools afloat in loneliness and narcissism; “Instruction” chronicles a season in an unconventional art school called The Warehouse, where students divide their time between orgies, art critiques, and burying dead racehorses. Combining slapstick, surrealism, erotica, and social criticism, Jen George’s sprawling creative energy belies the secret precision and unexpected tenderness of everything she writes.

    A twenty-three year old with model girl looks and a book deal with a major publisher, she's outselling the established names in her field and is fast becoming the darling of the media.Becky Hunter has money problems. Can she earn enough from her light-hearted romance novels to counteract boyfriend Alex's extravagant spending habits, before their rocky world collapses?Hard up factory worker Jan Chilver sees writing as an escape from her troubled, lonely life. She is offered a lifeline—but fails to read the small print...In the competitive world of publishing, success can be merely a matter of who you know—and how ruthless you are prepared to be to get to the top.BEST SELLER is a novella of 40k words (roughly half as long as an average length novel), a slightly dark, slightly edgy drama with a twist or three in the tale.

    A painter who owes his small success to a man he despises, discovers that his passivity has cost him the love that might have set him free. A writer of modest talents encounters the old love who once betrayed him; now she repels him, yet the unfinished novel she leaves in his hands may surpass anything he could ever produce himself. An American poet in Rome finds herself forced to choose between her lover and a world so alien it takes her voice away. A print maker, who has reached a certain age, enters so deeply into the magical world of her imagination that she can never find her way back. In captivating, luminous prose, Martin explores the trials and rewards of human relationships and creative endeavor with all the ease and insight of a writer at the top of her form.

    Menacing and at times darkly humorous there are echoes of Roald Dahl and Daphne du Maurier in these stories, many of which have been specially commissioned for Radio 4.From the commuter who bitterly regrets falling asleep on a late-night train in Last Train to Helsingør, to the mushroom hunter prepared to kill to guard her secret in The Chanterelles of Østvig.Here, the land of ‘hygge’ becomes one of twilight and shadows, as canny antique dealers and property sharks get their comeuppance at the handsof old ladies in Conning Mrs Vinterberg, and ghosts go off-script in TheWailing Girl.Scandi noir at its finest.

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel

    But will her dream of a Parisian Happily-Ever-After come true? Or will Sarah realise that the dream isn’t quite as rosy in reality…