VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    In each of these ten unforgettable stories, Claire Vaye Watkins writes her way fearlessly into the mythology of the American West, utterly reimagining it. Her characters orbit around the region's vast spaces, winning redemption despite - and often because of - the hardship and violence they endure. The arrival of a foreigner transforms the exchange of eroticism and emotion at a prostitution ranch. A prospecting hermit discovers the limits of his rugged individualism when he tries to rescue an abused teenager. Decades after she led her best friend into a degrading encounter in a Vegas hotel room, a woman feels the aftershock. Most bravely of all, Watkins takes on – and reinvents – her own troubled legacy in a story that emerges from the mayhem and destruction of Helter Skelter. Arcing from the sweeping and sublime to the minute and personal, from Gold Rush to ghost town to desert to brothel, the collection echoes not only in its title but also in its fierce, undefeated spirit the motto of her home state.

    An amicable deal is struck between the two young opposing bidders, but it will take time to pay off a loan. And as the months go by, the two discover they have secrets in common—secrets that just might change everythingOriginally published as "Going Once, Going Twice..." in A Kiss is Still a Kiss

    S.H. measures what she remembers against what she wrote that year and has since forgotten to create a dialogue between selves across decades.

    The only problem is, he isn't real. Mona's dream is about to come true. With the help of her best friend, Liza, she's transforming an old Victorian house in the lovely lakeside town of Deep Haven into the Footstep of Heaven Bookstore and Coffee Shop. If only she could swing a hammer.Luckily for Mona, Joe Michaels—a handsome, mysterious handyman—agrees to help in exchange for rent in the apartment above her garage. But when disaster threatens her dream, Mona turns to her handyman for more than just household solutions and finds that some fairy tales have surprise endings. . . .

    Inexplicably bereft of the mental faculty that would under normal circumstances keep him from blurting out, uncensored, the first thought that pops into his head, art connoisseur Klein wanders one evening into a pornographic Web site, Angelica's Grotto. An ongoing on-line dialogue, totally without verbal inhibition on Klein's part, eventually brings him face-to-face with the brains behind the grotto, an academic sex researcher named Melissa Bottomley. Harold Klein's erotic odyssey takes him not only through unimagined erogenous zones but also into arcane corners of the art world, as he seeks to meet Melissa's need for funding and she his for sexual gratification. As Klein strives to reconcile new desires with old habits, author Russell Hoban compellingly explores the dark relations between art and pornography, acts virtual and real, culture and politics, revelation and privacy.

    This special edition celebrates a true master of the short-story form by including multiple variant drafts of what would eventually be the title story. In a fascinating accompanying essay, "Building the Monkey House: At Kurt Vonnegut's Writing Table," noted Vonnegut scholar Gregory D. Sumner walks readers through Vonnegut's process as he struggles—false start after false start—to hit upon what would be one of his greatest stories. The result is the rare chance to watch a great writer hone his craft in real time.

    They were a continuation of the visions I had experienced in Dorchester, only here, they were much more violent."Set in a wealthy community in northern Michigan, Rising tells the story of nine-year-old Symone, who is adopted by the Hustons—"a shameless family with a house at the top of the hill"--after her mother dies of a drug overdose. And though Symone is all too happy to leave the Dorchester projects behind, she can't help but wonder why this rich white couple has come to the ghetto to adopt "a black girl who looked white." Soon Symone discovers that the Hustons aren't saviors but instead demons who have delivered her into another kind of hell. She escapes only to return again years later, realizing that she must face the demons of her past if she has any hope of surviving the future.Rising is an evocative, undeniably potent, and completely unforgettable novel.

    Within minutes, an old woman is dead and the house is in flames. Across the country, Patty Dickerson's phone rings. It's her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty's old life ends and a strange new one begins. For the next twenty-eight years, she must live with the absence caused by her husband's incarceration, attempt to raise her son, and brave the scorn of her community. As unflinching as it is heartrending, The Good Wife confirms O'Nan's place as one of our country's most wide-ranging and empathetic masters.(back cover)

    The characters -- rootless, often en route to someplace else -- find themselves variously attracted to or repelled by unfamiliar landscapes where every object seems strange and every emotion is heightened. Living according to alien rules, these characters are also vulnerable in unexpected ways: in the title story, a young woman who has been involved in an affair with an Indian man feels bound to both her memories and her adopted country after his death; the protagonist of 'Outside the Eastern Gate' returns to her childhood home in Delhi to find a house still inhabited by the impulsive, desperate spirit of her mother.

    She has everything she wants: a successful career, the ability to make sure she is as far away from her parents as possible, and an almost equally successful boyfriend. One phone call from a dear friend brings her back to the States, to her old neighborhood where she comes face to face with her childhood crush, Christopher Hunter. And one look into his eyes brings back all the memories and feelings she thought she had long forgotten. Feelings she shouldn’t have.

    They're launching a catering business that's a lot like them: saucy, spicy, and well-seasoned. But will personal secrets cause the business to crumble before it gets off the ground?

    Which is a hard act to pull off when your mother is distracted, your girlfriend too beautiful and your father in and out of a mental institution. Lost Between Houses unfolds with mingled sarcasm, grief and awe, and grips the reader until its startling climax.

    So when Rozzie takes up acting and, as a teenager, wins a part in a major motion picture, life changes irrevocably for both sisters. Rozzie is catapulted into the chaotic adult world of celebrity while Jemma travels to movie sets and relishes her sister's fame -- never seeing the strain that the spotlight puts on Rozzie. Soon Jemma develops her own artistic ambitions as a photographer, and Rozzie is forced to reveal the secret she has kept from her family for years -- a rare eye condition that threatens her vision. Only then does Jemma begin to see the truth about her sister and herself -- a reality that threatens the delicate balance of their relationship. A moving and profound story about family, celebrity, envy, and ultimately love, The Art of Seeing is a brilliant exploration of the powerful and enduring connection between sisters.

    The wife follows a stranger. The stranger leaves town and the man goes after him, determined to settle the score. But the man is not the only one looking for the stranger, and the stranger has troubles of his own. Amid all this, the earth quakes, a boy leaps out a window, and a dolphin swims free. Of course people have adventures of this kind—of course! of course!—but we’ve never heard of it before. With deadpan humor and skewed wordplay, Deb Olin Unferth weaves a mystery of hope and heartbreak.