Way back, the women went to Catholic school together and collaborated on racy letters to a soldier in Vietnam who thought they were much older than seventh graders—a ruse that typifies later shenanigans, usually brought on by red-headed Colleen, a self-proclaimed “Celtic warrior.”After ditching Colleen’s car to collect the insurance, they drive from one unexpected event to the next in Big Blue, MK’s Buick clunker with a St. Christopher statue glued to the dash. The glow-in-the-dark icon guides them past the farm debris, mine ruins, and fracking waste of the northern brow of Appalachia. Yet their world is not a dystopia. Rather, MK and Colleen show why, amid all the desperation, there is still a community of hope, filled with people looking out for their neighbors and with survivors who offer joy, laughter, and good will.

    He studies antiterrorist driving techniques, dives for golf balls in a pond at a country club, hunts his fellow man with a paint gun, ice fishes for walleye with X-ray-stunned nightcrawlers, and poaches Panamanian crocodiles -- or goes pig shooting in the Australian outback. With self-effacing optimism, White captures the joys and fears of wandering the earth's surface with an eclectic cast of weirdo fellow travelers -- a frog that won't jump, a group of expatriate Brits who've developed an interesting cure for "road jaundice, " and even a mad Australian scientist.Though he rarely finds what he's looking for -- such as the legendary landlocked bull sharks of Nicaragua, or the secret to successful winter fishing on a Minnesota lake -- he develops a Zenlike "passion for the means" and a rare ability to revel in the rib-aching humor of each exotic trip.In the end, White leaves the reader mesmerized by the potential of undiscovered places and the promise of endless adventure in unfamiliar territory, from Florida to Bangkok to Borneo, and everywhere in between. An icon to the new breed of thick-skinned, high-endurance adventure travelers of the 1990s, Randy White uniquely extols the pleasures of being "alone and on the move."

    

    It is time to rewrite the stories. We are no longer the hero’s love interest. Neither do we believe in happily ever after. We do not wish to dance to anybody else’s tunes. We choose our path. We make mistakes. We learn from them. We love. We lose. We age. We evolve. These are stories of women. Different women. For we cannot and should not stereotype women. These stories are of relationships. These stories touch upon social issues. These stories may inspire you. These stories make you feel like you are not alone. These stories may surprise you. These stories may entertain you. I hope everybody would be able to pick something they like.

    This time there are no suave, wise-cracking good guys, no humorless, drug-addled bad guys. The story I want to tell you is all about how I learned to sleep at night, to close my eyes without seeing cold places and dead eyes… how I dragged whatever was left of me up out of the dark, finally. That’s the story I want to tell, because that’s the story I need to hear. I want to know how it ends..."Returning to normal life after his dark days in the depths of the Jianghu hasn't been easy for Randall Lee. With big changes coming in his future, though, Randall offers to help rehabilitate an injured friend, only to find that the need for healing goes far deeper than he ever expected. Bridging the events of Jianghu and the upcoming Randall Lee Mystery, The Art of War, Eating Bitter is a quiet story of resilience and perseverance, punctuated with Randall's trademark humor and self-deprecation.

    A simple touch sending currents of electricity flowing through a body. The feeling of coming home. Friends become lovers. Strangers become soulmates. The chemistry ignited when two people are falling in love is undeniable. Over the course of five short stories, follow these couples on journeys of passion and discover what happens when they decide to let sparks fly…

    Other outlandish tales include John Wayne battling cancer using a highly alternative therapy, a gene for integrity being harvested from the brain of an unwilling donor, and the landing of Christopher Columbus in modern-day Manhattan. Included are the Locus and Nebula Award-nominated novelette Auspicious Eggs and several previously unpublished pieces.ContentsIntroduction by Michael Swanwick“Auspicious Eggs”“Come Back, Dr. Sarcophagus”“Director’s Cut”“Fucking Justice”“Isabella of Castile Answers Her Mail”“Martyrs of the Upshot Knothole”“The Cat’s Pajamas”“The Eye That Never Blinks”“The Fate of Nations”“The War of the Worldviews”“The Wisdom of the Skin”“The Zombies of Montrose”

    This short story is taken from one of Steinbeck's early works, "The Pastures of Heaven."

    In this book, O. Henry coined the term "banana republic".Table of Contents:I. "FOX-IN-THE-MORNING"II. THE LOTUS AND THE BOTTLEIII. SMITHIV. CAUGHTV. CUPID'S EXILE NUMBER TWOVI. THE PHONOGRAPH AND THE GRAFTVII. MONEY MAZEVIII. THE ADMIRALIX. THE FLAG PARAMOUNTX. THE SHAMROCK AND THE PALMXI. THE REMNANTS OF THE CODEXII. SHOESXIII. SHIPSXIV. MASTERS OF ARTSXV. DICKYXVI. ROUGE ET NOIRXVII. TWO RECALLSXVIII. THE VITAGRAPHOSCOPE

    Jayne Anne Phillips has always been a master of portraiture, both in her widely acclaimed novels and in her short fiction.  The stories in Fast Lanes demonstrated the breadth of her talent in a tour de force of voices, offering elegantly rendered views into the lives of characters torn between the liberation of detachment and the desire to connect.Three stories are collected in this edition for the first time: in "Alma," and adolescent daughter is made the confidante of her lonely mother; "Counting" traces the history of a dommed love affair; and "Callie" evokes memories of the haunting death of a child in 1920's West Virginia.  Along with the original seven stories from Fast Lanes--each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances--these incandescent portraits offer windows into the lives of an entire generation of Americans, demonstrating again and again why Jayne Anne Phillips remains one of our most powerful writers.

    The characters who inhabit Beautiful Girls are the timid, the not-quite-fabulous, the public school Ophelias, who yearn for something grander than their current lot.Told with irresistible humor and a cockeyed economy, these stories illuminate the search for love, friendship, connection, and identity.