. . . A very funny, intelligent book that can be read both for its politics and for its extraordinary depiction of a woman who revels in her bestial transformation."

    Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries.One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it.

    When a rebellious streak leads to her ex-communication, she decides to hit the road. Corona moves between Razia’s childhood and the comedic misadventures she encounters on her journey, from a Puritan Colony in Massachusetts to New York City’s Bhangra music scene. With each story, we learn more about the past she’s escaping, a past which leads her to constantly travel in a spiral, always coming closer to but never quite arriving home.

    She sets out into the wasteland to search for her family, her journey guided by a tattered copy of Homer’s Odyssey. Soon she begins to realize her own abilities and strength as she faces false promises of safety, the cloned giants who feast on humans, and a madman who wishes her dead. On her voyage, Pen learns to tell stories that reflect her strange visions, while she and her fellow survivors navigate the dangers that lie in wait. In her signature style, Francesca Lia Block has created a world that is beautiful in its destruction and as frightening as it is lovely. At the helm is Pen, a strong heroine who holds hope and love in her hands and refuses to be defeated.

    Wild animals roam the streets, but mankind is still the biggest threat to a woman alone in the ruins of a world reclaimed by nature. Lynn survives by sleeping with one eye open at all times and trusting no one but her dog.When she is forced to go on a dangerous journey through the concrete jungle of New York City, Lynn does all she can to scheme her way to safety. Her guard, Dani Wilson, won’t be played that easily, however. As their lives become entwined, Lynn finds herself developing feelings for Dani and is forced to find the answer to the question that scares her most: is staying alone really the best way to survive?Fast-paced and full of adventure, Survival Instincts introduces a post-war dystopian world where the only person you can rely on is yourself…unless you fall in love.133,000 wordsThemes: adventure · dystopian · post-apocalyptic · survival · trust

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    Coeur de Lionis an intensely personal, monologic meditation on longing, sex, and love between a speaker and the object of all her passions, which include thinking and writing.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    Janet Watson knows firsthand the horrifying cost of a divided nation. While treating broken soldiers on the battlefields of the New Civil War, a sniper’s bullet shattered her arm and ended her career. Honorably discharged and struggling with the semi-functional mechanical arm that replaced the limb she lost, she returns to the nation’s capital, a bleak, edgy city in the throes of a fraught presidential election. Homeless and jobless, Watson is uncertain of the future when she meets another black and queer woman, Sara Holmes, a mysterious yet playfully challenging covert agent who offers the doctor a place to stay.Watson’s readjustment to civilian life is complicated by the infuriating antics of her strange new roommate. But the tensions between them dissolve when Watson discovers that soldiers from the New Civil War have begun dying one by one—and that the deaths may be the tip of something far more dangerous, involving the pharmaceutical industry and even the looming election. Joining forces, Watson and Holmes embark on a thrilling investigation to solve the mystery—and secure justice for these fallen soldiers.

    He can navigate the void known as the Nowhere to teleport himself across long distances and he can keep his mouth shut. These talents have earned him a reputation as a discreet, reliable Nowhere runner—he’ll smuggle anything for the right price—and that’s how Kit likes it. Morals don’t earn money, and neither do friends. When the private research firm Quint Services makes Kit an astounding offer for a mystery delivery, he says yes. The parcel turns out to be an unconscious man, and even for Kit, that raises questions. When something monstrous attacks them in the Nowhere and throws them into an unknown wilderness, Kit and this stranger, a man named Emil, have to rely on each other. Kit just wants to make his delivery and get paid, but he finds himself increasingly entangled in Quint Services’ dangerous research—and his own attraction to Emil. Emil Singh left his career in the Orbit Guard to work at Quint Services Facility 17, a base hidden in an asteroid, to prepare a team to cross the Nowhere into other worlds. It’s the chance of a lifetime and he can’t wait to explore the universe. But then Emil witnesses a terrible accident in a Facility 17 lab and gets sent to Earth for questioning. Something isn’t right, but before Emil can investigate, he and the Nowhere runner hired to transport him are knocked off course. Is the monster that attacks them a creation of Quint Services? What else is the corporation hiding? He has to get back to Facility 17 to protect his team and he needs Kit’s help. Can he trust the cynical young smuggler?

    Nothing overtly mean, just uneducated folks.One of the stories is new for this edition.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    Joseph Malik, editor of a radical magazine, had snooped into rumors about an ancient secret society that was still alive and kicking. Now his offices have been bombed, he's missing, and the case has landed in the lap of a tough, cynical, streetwise New York detective. Saul Goodman knows he's stumbled onto something big - but even he can't guess how far into the pinnacles of power this conspiracy of evil has penetrated.Filled with sex and violence - in and out of time and space - the three books of The Illuminatus! Trilogy are only partly works of the imagination. They tackle all the cover-ups of our time — from who really shot the Kennedys to why there's a pyramid on a one-dollar bill — and suggest a mind-blowing truth.

    One will become our world. And Connie herself may strike the decisive blow...

    Only John Cheever could deliver these grand themes with the irony, unforced eloquence, and exhilarating humor that make Falconer such a triumphant work of the moral imagination.