Her aunt is a vet for magical creatures. And her new friend Tomas is allergic to most magical creatures. When things go amok—and they often go amok—Pip consults Jeffrey Higgleston’s Guide to Magical Creatures, a reference work that Pip finds herself constantly amending. Because dealing with magical creatures like unicorns, griffins, and fuzzles doesn’t just require book knowledge—it requires hands-on experience and thinking on your feet. For example, when fuzzles (which have an awful habit of bursting into flame when they’re agitated) invade your town, it’s not enough to know what the fuzzles are—Pip and Tomas also must trace the fuzzles’ agitation to its source, and in doing so, save the whole town.

    Like suuuuper strong. Freakishly strong. And it’s making it impossible for her to fit in at her new middle school. In a desperate bid to get rid of her super strength, Thom makes a deal with the Monkey King, a powerful deity and legendary trickster she accidentally released from his 500-year prison sentence. Thom agrees to help the Monkey King get back his magical staff if he'll take away her strength. Soon Thom is swept up in an ancient and fantastical world in where demons, dragons, and Jade princesses actually exist. But she quickly discovers that magic can’t cure everything, and dealing with the trickster god might be more trouble than it’s worth.

    Which means a reward for Piper if she can get the girl home. The one sure way to the Territories is the 401, a great old beauty of a train. But a ticket costs more coin than Piper could make in a year. And stowing away is a difficult prospect--everyone knows that getting past the peculiar green-eyed boy who stands guard is nearly impossible. Life for Piper just turned dangerous. A little bit magical. And very exciting, if she can manage to survive the journey.

    Just like her mother always could. And Soledad has needed that escape more than ever in the five years since her mother and sister died and her father moved Sol and her youngest sister from the Philippines to Louisiana. Then he left, and all Sol and Ming have now is their evil stepmother, Vea. Sol has protected Ming all this time, but then Ming begins to believe that Auntie Jove—their mythical, world-traveling aunt—is really going to come rescue them. Have Sol’s stories done more harm than good? Can she protect Ming from this impossible hope?

    Neely is looking for when he says everyone in class must answer an important question using the scientific method. But Natalie's botanist mother is suffering from depression, so this is The Question that's important to Natalie. When Mr. Neely suggests that she enter an egg drop competition, Natalie has hope. Eggs are breakable. Hope is not.Natalie has a secret plan for the prize money. She's going to fly her mother to see the Cobalt Blue Orchids--flowers that survive against impossible odds. The magical flowers are sure to inspire her mother to love life again. Because when parents are breakable, it's up to kids to save them, right?An extraordinary story about the coming-of-age moment when kids realize that parents are people, too, and that talking about problems is like taking a plant out of a dark cupboard and giving it light. Think THE FOURTEENTH GOLDFISH meets THE THING ABOUT JELLYFISH.

    Sal is in the principal's office for the third time in three days, and it's still the first week of school. Gabi, student council president and editor of the school paper, is there to support her friend Yasmany, who just picked a fight with Sal. She is determined to prove that somehow, Sal planted a raw chicken in Yasmany's locker, even though nobody saw him do it and the bloody poultry has since mysteriously disappeared. Sal prides himself on being an excellent magician, but for this sleight of hand, he relied on a talent no one would guess . . . except maybe Gabi, whose sharp eyes never miss a trick. When Gabi learns that he's capable of conjuring things much bigger than a chicken--including his dead mother--and she takes it all in stride, Sal knows that she is someone he can work with. There's only one slight problem: their manipulation of time and space could put the entire universe at risk. A sassy entropy sweeper, a documentary about wedgies, a principal who wears a Venetian bauta mask, and heaping platefuls of Cuban food are just some of the delights that await in this mind-blowing novel gift-wrapped in love and laughter.

    Her world is rocked when a 14-year-old African-American boy, Emmett Till, is killed for allegedly whistling at a white woman. A powerful middle-grade debut perfect for readers who enjoyed The Watsons Go to Birmingham and Brown Girl Dreaming.

    At last, she can spend her summer months reading her favorite science books and bossing around her younger brother, Ellis, instead of being worked to the bone by their overly strict grandmother, Mrs. Greene. But when their cousin, Janie, arrives for a visit, Sarah's plans are completely squashed. Janie has a knack for getting into trouble and asks Sarah to take her to Creek Church: a landmark of their small town that she heard was haunted. It's also off-limits. Janie's sticky fingers lead Sarah, Ellis, and his best friend Jasper to uncover a deep-seated part of the town's past. With a bit of luck, this foursome will heal the place they call home and the people within it they call family.This debut middle-grade novel will be available from Simon & Schuster Books For Young Readers in May 2019.

    Polly lives in a house bursting at the seams with people, while Rose is often left alone by her busy parents. Polly is a down-to-earth dreamer with a wild imagination and an obsession with ghosts; Rose is a quiet, ethereal waif with a sharp tongue. Despite their differences, both girls spend their days feeling invisible and seek solace in books and the cozy confines of their respective attics. But soon they discover they aren't alone--they're actually neighbors, sharing a wall. They develop an unlikely friendship, and Polly is ecstatic to learn that Rose can actually see and talk to ghosts. Maybe she will finally see one too! But is there more to Rose than it seems? Why does no one ever talk to her? And why does she look so... ghostly? When the girls find a tombstone with Rose's name on it in the cemetery and encounter an angry spirit in her house who seems intent on hurting Polly, they have to unravel the mystery of Rose and her strange family... before it's too late.

    When Fiona’s family moves to be closer to her older sister’s figure skating club—and far from Fiona’s close-knit group of friends—nobody seems to notice Fiona’s unhappiness. Alone and out of place, Fiona ventures to the town’s library, a rambling mansion donated to the town by the long-dead heiress. And there she finds a gripping mystery novel about a small town, family secrets, and a tragic disappearance. Soon Fiona begins to notice strange similarities that blur the lines between the novel and her new town. And when she looks for the book again, it’s gone. Almost like it never existed. With stubbornness and a little help from a few odd Lost Lake locals, Fiona uncovers the book’s strange history. It’s not a novel, but the true story of an unsolved century-old crime filled with clues to the mystery. Lost Lake is a town of restless spirits, and Fiona will learn that both help and danger come from unexpected places—maybe even the sister she thinks doesn’t care about her anymore.

    It's all they've heard since a schoolmate of theirs drowned a year ago. Pao is embarrassed to admit that she has been told to stay away for even longer than that, because her mother is constantly warning her about La Llorona, the wailing ghost woman who wanders the banks of the Gila at night, looking for young people to drag into its murky depths.Hating her mother's humiliating superstitions and knowing that she and her friends would never venture into the water, Pao organizes a meet-up to test out her new telescope near the Gila, since it's the best stargazing spot. But when Emma never arrives and Pao sees a shadowy figure in the reeds, it seems like maybe her mom was right. . . .Pao has always relied on hard science to make sense of the world, but to find her friend she will have to enter the world of her nightmares, which includes unnatural mist, mind-bending monsters, and relentless spirits controlled by a terrifying force that defies both logic and legend.

    That--and hanging out with his crew (his best friends since little-kid days) and playing video games--is what he wants to be thinking about at the start of the school year, not the protests his parents are always dragging him to.But when a real estate developer makes an offer to buy Kensington Oaks, the neighborhood Wes has lived his whole life, everything changes. The grownups are suppposed to have all the answers, but all they're doing is arguing. Even Wes's best friends are fighting. And some of them may be moving. Wes isn't about to give up the only home he's ever known. Wes has always been good at puzzles, and he knows there has to be a missing piece that will solve this puzzle and save the Oaks. But can he find it . . . before it's too late?Exploring community, gentrification, justice, and friendship, Take Back the Block introduces an irresistible 6th grader and asks what it means to belong--to a place and a movement--and to fight for what you believe in.

    Birdie McAdam, a ten-year-old orphan, is tougher than she looks. She's proud of her job as apprentice to Alfred the Bogler, a man who catches monsters for a living. Birdie lures the bogles out of their lairs with her sweet songs, and Alfred kills them before they kill her. On the mean streets of Victorian England, hunting bogles is actually less dangerous work than mudlarking for scraps along the vile river Thames. (See glossary!) Or so it seems—until the orphans of London start to disappear . . .

    He's even helped Coop with some of his crazier plans -- such as risking his life to help his big brother dig a tunnel underneath their neighborhood in the suburbs of Washington, DC. Coop is . . . different. He doesn't talk on the phone, doesn't use email, and doesn't have friends. He's never really cared for anything but the thrill of being underground and Pat. So it's no surprise to anyone -- even Pat -- that after a huge fight with their parents, Coop runs away. Exactly one year later, Pat receives a package containing a digital voice recorder and a cryptic message from his brother. He follows the clues to New York City, and soon discovers that Coop has joined the Community, a self-sufficient society living beneath the streets. Now it's up to Pat to find his brother -- and bring him home.

    When he mysteriously goes missing, his little sister, 13-year-old Amari Peters, can’t understand why it’s not a bigger deal. Why isn’t his story all over the news? And why do the police automatically assume he was into something illegal? Then Amari discovers a ticking briefcase in her brother’s old closet. A briefcase meant for her eyes only. There was far more to Quinton, it seems, than she ever knew. He’s left her a nomination for a summer tryout at the secretive Bureau of Supernatural Affairs. Amari is certain the answer to finding out what happened to him lies somewhere inside, if only she can get her head around the idea of mermaids, dwarves, yetis and magicians all being real things, something she has to instantly confront when she is given a weredragon as a roommate. Amari must compete against some of the nation’s wealthiest kids—who’ve known about the supernatural world their whole lives and are able to easily answer questions like which two Great Beasts reside in the Atlantic Ocean and how old is Merlin? Just getting around the Bureau is a lesson alone for Amari with signs like ‘Department of Hidden Places this way, or is it?’ If that all wasn’t enough, every Bureau trainee has a talent enhanced to supernatural levels to help them do their jobs – but Amari is given an illegal ability. As if she needed something else to make her stand out. With an evil magican threatening the whole supernatural world, and her own classmates thinking she is an enemy, Amari has never felt more alone. But if she doesn’t pass the three tryouts, she may never find out what happened to Quinton.