"L'astragale" is the French word for the ankle bone Albertine Sarrazin's heroine Anne breaks as she leaps from her jail cell to freedom. As she drags herself down the road, away from the prison walls, she is rescued by Julien, himself a small-time criminal, who keeps her hidden. They fall in love. Fear of capture, memories of her prison cell, claustrophobia in her hideaways: every detail is fiercely felt.Astragal burst onto the French literary scene in 1965; its fiery and vivacious style was entirely new, and Sarrazin became a celebrity overnight. But as fate would have it, Sarrazin herself kept running into trouble with the law, even as she became a star.She died from a botched surgery at the height of her fame. Sarrazin's life and work (her novels are semi-autobiographical) have been the subject of intense fascination in France; a new adaptation of Astragal is currently being filmed. Patti Smith, who brought Astragal to the attention of New Directions, contributes an enthusiastic introduction to one of her favorite writers.

    They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

    "I can never be sad on the rue des Martyrs," Sciolino explains, as she celebrates the neighborhood’s rich history and vibrant lives. While many cities suffer from the leveling effects of globalization, the rue des Martyrs maintains its distinct allure. On this street, the patron saint of France was beheaded and the Jesuits took their first vows. It was here that Edgar Degas and Pierre-Auguste Renoir painted circus acrobats, Emile Zola situated a lesbian dinner club in his novel Nana, and François Truffaut filmed scenes from The 400 Blows. Sciolino reveals the charms and idiosyncrasies of this street and its longtime residents—the Tunisian greengrocer, the husband-and-wife cheesemongers, the showman who’s been running a transvestite cabaret for more than half a century, the owner of a 100-year-old bookstore, the woman who repairs eighteenth-century mercury barometers—bringing Paris alive in all of its unique majesty. The Only Street in Paris will make readers hungry for Paris, for cheese and wine, and for the kind of street life that is all too quickly disappearing.

    The assassination, he is told, must take place in public and be carried out in the most grandiose manner possible in order to strike the imagination of the people.Posing as his newly appointed personal physician, Léon M takes up residence with Courilof in his summer house in the Iles and awaits instructions. But over the course of his stay he is made privy to the inner world of the man he must kill - his failing health, his troubled domestic situation and, most importantly, the tyrannical grip that the Czar himself holds over all his Ministers, forcing them to obey him or suffer the most deadly punishments.Set during a period of radical upheaval in European history, The Courliof Affair is an unsparing observation of human motives and the abuses of power, an elegy to a lost world and an unflinchingly topical cautionary tale.

    Sagan's second novel tells the story of Dominique, a bored twenty-year-old law student at the Sorbonne in mid-1950's Paris, who embarks on a love affair with a middle-aged man.

    The test is severe—sexual in method, psychological in substance… The artistic interest here has precisely to do with the use not only of erotic materials but also erotic methods, the deliberate stimulation of the reader as a part of and means to a total, authentic literary experience.—Eliot Fremont-Smith, The New York Times

    My son Thomas, who is publishing this book, tells me, it is customary at this place in a novel to give the reader a little taste of the story that is held within these pages. As your storyteller, I am to convey that this tale is set in Jamaica during the last turbulent years of slavery and the early years of freedom that followed. July is a slave girl who lives upon a sugar plantation named Amity and it is her life that is the subject of this tale. She was there when the Baptist War raged in 1831, and she was present when slavery was declared no more. My son says I must convey how the story tells also of July's mama Kitty, of the negroes that worked the plantation land, of Caroline Mortimer the white woman who owned the plantation and many more persons besides - far too many for me to list here. But what befalls them all is carefully chronicled upon these pages for you to peruse. Perhaps, my son suggests, I might write that it is a thrilling journey through that time in the company of people who lived it. All this he wishes me to pen so the reader can decide if this is a novel they might care to consider. Cha, I tell my son, what fuss-fuss. Come, let them just read it for themselves.

    Olive Senior's rich vein of humour can turn wry and then sharp in satire of colour-consciousness, class-consciousness and racism. But her predominant tone is the verbal equivalent of a pair of wide-open arms.

    This picture-perfect existence is shattered when Marie is assaulted by her new boss. Deeply shaken by the attack, she discovers she is pregnant, and is convinced her rapist is the father. Marie closes herself off in a destructive silence, ultimately leading her to commit an irreparable act.

    Pascal Quignard recently received the Prix Goncourt, France's most prestigious literary prize, for his work. In ON WOODEN TABLETS, Quignard takes on the persona of a fourrth century Roman Patriarcian Matron who writes notes on wooden tablets, somewhat in the manner of Sei Shonagon's Pillow Book. She notes erotic souvenirs, jokes, scenes that have touched her, but also accounts and lists of things to do. For twenty years, "Apronenia Avitia" keeps this journal without mentioning, except in passing, the ruinous events she witnesses: the Roman Empire is crumbling, invaded by the "Barbarians" from the North as well as infiltrated from within by the Christian "party." Perhaps she does not see. Perhaps she does not want to see. Translated from the French by Bruce X.

    Working as a chorus girl, Anna drifts into the demi-monde of Edwardian London. But there, dismayed by the unfamiliar cold and greyness, she is absolutely alone and unconsciously floating from innocence to harsh experience. Her childish dreams have been replaced by the harsher reality of living in a man's world, where all charity has its price. Voyage in the Dark was first published in 1934, but it could have been written today. It is the story of an unhappy love affair, a portrait of a hypocritical society, and an exploration of exile and breakdown; all written in Rhys's hauntingly simple and beautiful style. Jean Rhys (1894-1979) was born in Dominica. Coming to England aged 16, she drifted into various jobs before moving to Paris, where she began writing and was 'discovered' by Ford Madox Ford. Her novels, often portraying women as underdogs out to exploit their sexualities were ahead of their time and only modestly successful. From 1939 (when Good Morning, Midnight was written) onwards she lived reclusively, and was largely forgotten when she made a sensational comeback with her account of Jane Eyre's Bertha Rochester, Wide Sargasso Sea, in 1966.If you enjoyed Voyage in the Dark, you might like James Joyce's A Portrait of the Artist as a Young Man, also available in Penguin Classics.'A wonderful bitter-sweet book, written with disarming simplicity'Esther Freud, Express'Her eloquence in the language of human sexual transactions is chilling, cynical, and surprisingly moving'A.L. Kennedy

    Orphaned by the shipwreck are two sisters and their half brother, now faced with an uncertain identity and future. Each of them is unusually beautiful, and each is in possession of a particular magic that will either sink or save them. Chronicling three generations of an island family from 1916 to the 1970s, Land of Love and Drowning is a novel of love and magic, set against the emergence of Saint Thomas into the modern world. Uniquely imagined, with echoes of Toni Morrison, Gabriel García Márquez, and the author's own Caribbean family history, the story is told in a language and rhythm that evoke an entire world and way of life and love. Following the Bradshaw family through sixty years of fathers and daughters, mothers and sons, love affairs, curses, magical gifts, loyalties, births, deaths, and triumphs, Land of Love and Drowning is a gorgeous, vibrant debut by an exciting, prizewinning young writer.

    From the war crimes tribunal in Bosnia to social issues such as poverty and AIDS; from the state of Iraq to the world’s contrasting reactions to Princess Diana’s death and the starkly brutal political murders that occurred at the same time; from a tear-gas attack on the subway to minute interactions with a clerk in a store: Ernaux’s thought-provoking observations map the world’s fleeting and lasting impressions on the shape of inner life.

    In Delta of Venus Anaïs Nin penned a lush, magical world where the characters of her imagination possess the most universal of desires and exceptional of talents. Among these provocative stories, a Hungarian adventurer seduces wealthy women then vanishes with their money; a veiled woman selects strangers from a chic restaurant for private trysts; and a Parisian hatmaker named Mathilde leaves her husband for the opium dens of Peru. Delta of Venus is an extraordinarily rich and exotic collection from the master of erotic writing.Part of the Quality Paperback Book Club series with limited-edition art cover. Cover art painted by Monica Elias.

    By interweaving the stories of Dinah, a prostitute who can never quite escape the circumstances of her life, and Brother Solomon, a respected Rastafarian leader who allows his followers to think that a ship is on its way to take them home to Ethiopia, this brutally poetic story creates intense and tragic characters who struggle to come to grips with the absurdity of life. As these downtrodden protagonists shed their illusions and expectations, they realize that there is no escape from meaninglessness, and eventually gain a special kind of dignity and stoic awareness about life and the universe.