It reveals the warmth and humor as well as the oppression in the Syrian society. The stories make the reader laugh while addressing serious issues such as domestic violence.Um Hussam can't find a suitable bride for her son, testing each candidate's sight, hearing and reading skills, occasionally cobbing a feel. Jamila's husband Hassan can't forget his deceased wife, until she makes sure he never mentions her again. Rami can't help but wonder whether his new bride is a natural beauty or a talented surgeon's masterpiece. Khadija's maid stabs her in the back while Rana's husband Muafak can't find the right excuse to avoid a fight.

    At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns to build a protective wall of silence that maps onto the larger silence practiced by her Catholic Filipino family. Talusan learns as a teenager that her family’s legal status in the country has always hung by a thread—for a time, they were “illegal.” Family, she’s told, must be put first. The abuse and trauma Talusan suffers as a child affects all her relationships, her mental health, and her relationship with her own body. Later, she learns that her family history is threaded with violence and abuse. And she discovers another devastating family thread: cancer. In her thirties, Talusan must decide whether to undergo preventive surgeries to remove her breasts and ovaries. Despite all this, she finds love, and success as a teacher. On a fellowship, Talusan and her husband return to the Philippines, where she revisits her family’s ancestral home and tries to reclaim a lost piece of herself. Not every family legacy is destructive. From her parents, Talusan has learned to tell stories in order to continue. The generosity of spirit and literary acuity of this debut memoir are a testament to her determination and resilience. In excavating and documenting such abuse and trauma, Talusan gives voice to unspeakable experience, and shines a light of hope into the darkness.

    from the Philippines the day that Jimi Hendrix dies. So begins a blazing coming-of-age story suffused with the tensions of immigration which finds Rocky moving from the counter-culture in 1960s San Francisco to the extravagant music scene in Manhattan of the 1980s. The Gangster of Love tells the story of the Rivera family as they make their new life in the States, all the while haunted by the memory of the father and the homeland they left behind. Among its members are Rocky's haughty mother, who has impulsively left her father; Voltaire, her brother, prone to heavy depression and odd friendships with strangers; and Rocky herself, unsure about sex and worshipful of her boyfriend, the guitar-playing Elvis Chang, who must learn to accept reality amidst the myths and lures of American success and idolatry.

     The most common word in Chinese, perhaps, a ubiquitous syllable people utter and hear all the time, which is supposed to mean good. But what is hao in this world, where good books are burned, good people condemned, meanness considered a good trait, violence good conduct? People say hao when their eyes are marred with suspicion and dread. They say hao when they are tattered inside.By turns reflective and visceral, the stories in Hao examine the ways in which women can be silenced as they grapple with sexism and racism, and how they find their own language to define their experience.In "Gold Mountain," a young mother hides above a ransacked store during the San Francisco anti-Chinese riot of 1877. In "A Drawer," an illiterate mother invents a language through drawing. And in "Stars," a graduate student loses her ability to speak after a stroke. Together, these twelve stories create an unsettling, hypnotic collection spanning centuries, in which language and children act simultaneously as tethers and casting lines, the reasons and the tools for moving forward after trauma. "You'll come away from this beautiful book changed" (Julia Fine, author of The Upstairs House).

    He has big plans that could set him up financially for life. And although he spends his time trying to get a coworker to bed, he still pines for an old girlfriend from his troubled childhood.

      As a child, Vidya exists to serve her family, watch over her younger brother, and make sense of a motherless world. One day she catches sight of a class where the students are learning Kathak, a precise, dazzling form of dance that requires the utmost discipline and focus. Kathak quickly becomes the organizing principle of Vidya’s life, even as she leaves home for college, falls in love with her best friend, and battles demands on her time, her future, and her body. Can Vidya give herself over to her art and also be a wife in Bombay’s carefully delineated society? Can she shed the legacy of her own imperfect, unknowable mother? Must she, herself, also become a mother? Intensely lyrical and deeply sensual, with writing as rhythmically mesmerizing as Kathak itself, The Archer is about the transformative power of art and the possibilities that love can open when we’re ready.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

    Many new archaeological materials have been recovered since its publication in 1975, requiring changes in the earlier descriptions and interpretations of Philippine prehistoric society and culture." -- www.kabayancentral.com

    H. Auden, Tennessee Williams, and a young Gore Vidal. But beyond his exotic ethnicity, Villa was a global poet who was admired for "the reverence, the raptness, the depth of concentration in [his] bravely deep poems" (Marianne Moore). Doveglion (Villa's pen name for dove, eagle, and lion) contains Villa's collected poetry, including rare and previously unpublished material.

    Now his wife, Galatea is expected to be obedience and humility personified, but it is not long before she learns to use her beauty as a form of manipulation. In a desperate bid by her obsessive husband to keep her under control, she is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost...

    When nine-year-old Yvonne flees with her family into the jungle to join the resistance effort, she witnesses death and destruction on an almost unimaginable scale.In the face of terror and despair, she finds comfort in the stories her people have passed down over generations. In particular, the legends of Bongkatolan, the Woman Warrior, and the merciful rainbow goddess offer her strength and hope. Yvonne becomes determined to preserve these ancient legends and to give voice to the epic she herself is living.When the Rainbow Goddess Wept is an exploration of the collective wounding of the Filipino people and their heroic response. It shows us the Philippines through an insider's eyes and brings to American audiences an unusual reading experience about a world that is utterly foreign and a child who is touchingly universal.Cecilia Manguerra Brainard was born in Cebu City, Philippines. Her published works include Woman with Horns and Other Stories and Philippine Woman in America. She is also the editor of the anthology Fiction by Filipinos in America and teaches creative writing at the Writers' Program of UCLA Extension.

    Set in future Manila, a gleaming metropolis where one's paranoia may not be exactly unfounded and whose lashing sings tribute to Philip K. Dick. "Stations" takes on the ethical trappings of high technology adoption. "August Moon" relies on a succession of flashbacks to uncover, as well as obscure, the eventual doom of a woman who deems herself a "good wife," while "Eyes as Wide as the Sky" depicts a post-war world—scorched yet not wholly devoid of hope. These stories insist on the unreal becoming the real, the rational melding with the irrational, familiarity breeding strangeness.

    Undermanned and under-funded, the Filipino Heroes League does what it can to fight against injustice.It's tough being a superhero but its even tougher being a third-world superhero.

    An artist with schizophrenia tries to survive hatred and indifference in small-town India by turning to the beauty of sculpture and dance. Orphans in India get pulled into a strange “rescue” mission aimed at stripping their mysterious powers. A brief but intense affair between two women culminates in regret and betrayal. A boy seeks memories of his sister in the legend of a woman who weds death. And fragments of history, from child brickmakers to slaves in Renaissance Portugal, are held up in brief fictions, burnished, made dazzling and unforgettable.In sixteen remarkable stories, Chaya Bhuvaneswar spotlights diverse women of color—cunning, bold, and resolute—facing sexual harassment and racial violence, and occasionally inflicting that violence on each other. Winner of the 2017 Dzanc Short Story Collection Prize, White Dancing Elephants marks the emergence of a new and original voice in fiction and explores feminist, queer, religious, and immigrant stories with precision, drama, and compassion.

    Features poems, essays, plays, and works of fiction written in both Filipino and English.