Out of the murky sewers they suddenly attacked —snapping, biting, ripping at his flesh. After the first sensationalism had died down, the newspapers lost interest ... the experts dismissed them as no more dangerous than ferrets ... people started to forget.But Matt knew different. All the time they were growing in size and numbers — and they preyed on living flesh!For when they returned — slithering out of village ponds, swimming pools, even bath pipes — the fate of the British population was sealed.And there was no more horrifying way to die ....

    But after their marriage, dark secrets from Frank’s past emerge to threaten their happiness, secrets that will lead to murder—and a shocking and horrific conclusion...

    Sometimes it's better not to. Sometimes the truth is downright haunting. Alex watches from her bedroom window as the small, secluded town of Amberton sleeps: a bright, pleasant town with a dark, disturbing secret. Helen, her foster mother, is gone all hours of the night with no explanation. The neighbors, always friendly, always smiling, are also always watching. They know something Alex doesn’t. Something she shouldn’t… When three outsiders become ensnared in the town’s dark conspiracies, Alex witnesses for herself the nightmare hiding in plain sight. Together, haunted by their own pasts, these outsiders threaten to unstitch the town at its rotten seams, uncovering the gruesome truth writhing beneath the surface.

    The people of Deacons Kill have seen terrible storms before, and they settle down uneasily to wait it out. But this one is different. As the drifts creep higher, a train appears out of the storm, arriving on rusty abandoned tracks–an antique circus train bringing clowns...and shadows...and death

    Forester, Bram Stoker, Angus Wilson, Noel Langley, Jack Finney and L.P. Hartley.Stories of the uncanny jostle with tales of the macabre. Stories of subtle beastliness - like Raspberry Jam; of sickening horror - like The Fly or His Beautiful Hands; and of utter chilling terror - like The Horror in the Museum!The perfect bedside book - for those with nerves of steel.

    Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.

    It’s an equinox place, my mother once said, where dark and light things are equally in power.I want to tell you, dear strangers, why I was there and what I found.The three-winged pigeon. My cynical doppelgänger. The loneliness and marvels and confusions of the house. And most of all the ghost living in my bedroom.We learned how to talk without using sound. She was secretive and scared and difficult to know. But she was also warm and playful, as willing to share the room in silence as to trace vulgar symbols on my hand to get a rise.She helped me with the hundred-pound centipede, the hostile little man living in my basement, and the emptiness I’d felt since my mother lost her mind.I tried to help her out of limbo with experiments and spells until I realized if they worked—if we succeeded—I would lose her."

    Their secret follows them to modern-day Brooklyn, where they continue their relationship and keep their deadly cabal until one day a new threat arrives... Drawing on Jewish mythology and folklore, the novel also combines well-drawn characters and police procedural to create a memorable and humane horror novel.

    While most of Humanity finds the event fascinating, two British explorers know the horrible truth. The rotating moon is the legendary sign that foreshadows the return of a prehistoric demon, the monstrous destroyer of Atlantis, an unkillable colossus known only as the deadly, dreaded Squid God.Racing around the world, and against the clock, Prof. Einstein and Lord Carstairs battle the fanatical legions of Squid God worshippers in a valiant effort to stop the ghastly rebirthing ceremony and keep the demonic mollusk locked in the stygian depths of its unearthly lair. Authors Nick Pollotta & James Clay have lovingly crafted a splendid Fantasy/Adventure, heavily laced with their classic off-the-wall humor, and sprinkled with a light dusting of parody toward the legendary works of H.P. Lovecraft, H.G. Wells, Jules Verne, Sir Arthur Conan Doyle, and just about everything else from the golden glory days of Victorian England."Rewrites literary history, remodels London worse than the Blitz, and convinces that it is wise never to deny the supremacy of British womanhood! What more can you ask?" --ANALOG

    Sainsbury. Two short, punchy, action-packed episodes in each book.They murdered his parents, shot him in the head, and left him to die. They should have made sure.Twenty years after Tom Lewis watched his parents die, those responsible are being killed. One by one.Gentle, brain-damaged Tom, a giant of a man who can barely speak, can’t be responsible for their deaths. Can he?When Tom Lewis was shot, something new was created. Something unique. Something deadly. Something patient enough to plan revenge for twenty long years.Meet Bedlam Boy

    Strange, mushroom-like growths are appearing on peoples' bodies and doctors, puzzled by the strange virus that plants inhuman desires in the minds of victims, look for a cause and uncover a horrifying reality.

    He is also the heir to a considerable fortune - a fortune that is being administered by a board of trustees until he comes of age. At night, he is becoming increasingly disturbed by a strange presence - a mysterious shadow thrown by the moonlight through a gap in the blackout curtains. He is convinced the shadow is cast by a malevolent and unnatural entity trying to get into his room. Toby is unable to convince anyone of the reality of this entity, and slowly comes to believe that there is a ploy against him, a plot to send him mad, or to make it appear that he is already mad in order to usurp his fortune. Is this some form of hallucination? Is this unearthly creature real or a product of his imagination? Are the people caring for him actually plotting his destruction, or are they sincerely concerned for a young man whose grip on sanity is steadily weakening?With themes of love, madness, Communism, Satanism and Freemasonry, Wheatley builds his trademark atmosphere of menace, suspicion and supernatural dread.

     When American scientist Tony Stevens hears that his young sister Ann has been killed in a skiing accident in Oslo, he refuses to believe it. She hated heights, would never risk descending the treacherous glacier slopes so rapidly – unless she was fleeing for her life. On arriving in Norway, he learns that Ann had been working with an archaeology team excavating a pre-Christian burial site in the frozen wilderness of Trolltinder. Something terrible has been disturbed – surrounding villages are in uproar, fear and superstition cloud the air like a mist of chilling malevolence. And Tony realises that whatever it is out there that devoured his sister has picked up his scent, and is poised to wreak its ancient vengeance once again... Praise for Peter Tremayne: ‘Tremayne is an absolutely gorgeous read, especially on a dark winter’s night . . .’ - Dublin Sunday Press 'Peter Tremayne is established as one of Britain’s leading horror fantasy writers.' – Retail Newsagent 'He brings to the writing of fantasy detail and dedication . . . scrupulous skill . . .' – Space Voyager English author Peter Tremayne started his career as a newspaper reporter and editor. Widely respected for his non-fiction work in language studies, Celtic history and mythology, Tremayne’s first novel was published in 1977. He has since written 28 bóoks, and his titles with Venture Press include Nicor!, Snowbeast! and The Curse of Loch Ness.

    This classic, now finally back in print, sweeps us--and Clay, the main character--into Earth's far-away future. It's a time when no one has heard of Shakespeare, Mozart, or Darwin, and when the planet is inhabited by beings of great intelligence, ambivalent sexuality, and extraordinary powers. Clay embarks on a panoramic journey, encompassing a billion years, and comes to understand that the era from which he came is nothing more than a minute fiber in the band of time.

    The desert skies are swarming with howlingred things. Has the weather gone mad? Or is something unearthly attacking the West Coast? Rushing from his Fortress of Solitude in the North Pole, the Man of Bronze prepares to confront a threat to humanity unlike any he has everfaced! Pulp writer Will Murray—author of seven previous Doc Savage adventures—once again teams up with legendary series creator Lester Dent to bring back to life the seminal scientist-superman who starred in his own best-selling pulp magazine back in the 1930s. Doc Savage returns. For real.