At twenty-six years of age, she is the CEO of one of the largest marketing firms in the country. Sophie is an overachiever in every area, except her love life. Finding the right guy seems to be an impossible task when you’re wealthy, beautiful, and brilliant. A bizarre mix-up at a restaurant forces Sophie to cross paths with the dangerously sexy Trooper Carter. Although Sophie is convinced that he is definitely not her type, she can’t seem to get him off her mind. Trooper Carter lives life on his terms and answers to no one. Despite his humble beginnings as the abandoned child of drug-addicted parents, Trooper has made a success of himself, and now life is great. His good looks make him very popular with the ladies, and he is only too happy to give them what they want… on his terms. He is willing to share his body, but his heart is off limits. When Sophie and Carter meet, their dislike for each other is as strong as their attraction. As soon as they decide to let their guard down and give each other a chance, all hell seems to break loose. Faced with opposition from Sophie’s family, crazy exes, and even the help, the young lovers must decide if a chance at love is really worth all the trouble.

    Join medium Patrick Mathews as he communicates with those who have passed over, sharing their experiences of the other side and the profound impact their continuing presence has on us. With warmth and sensitivity, Patrick answers questions about God and angels, heaven and hell, reincarnation, the purpose of physical life, and what happens when we pass. In his down-to-earth style, Patrick helps us understand what it's like to talk to spirits and explains how they help us overcome life's most difficult moments.After the phenomenal success of Never Say Goodbye, Patrick invites us back for more inspirational stories of life after life, and describes with grace and humor what it's really like to communicate with the other side.

    Siddhant, an epitome of courage and spirit, who woke up to all this one morning and yet remained composed, when told that his right arm has been amputated post a fateful accident. An average human would collapse, but Lt. Siddhant, an Indian Army officer asked, “Can I have a Chocolate Milkshake?”This is the true-story of Lt. Siddhant, who when asked to shed his Olive Greens thereafter, goes on to build a successful career in the corporate world and becomes an inspiration for many. But, how did he get there? How did he win his battle? "Can I have a Chocolate Milkshake?" is a riveting tale of a man overcoming his limitations, fighting against all odds, and emerging as a winner.

    Contains three stories - "When the Lion Feeds", in which twins Sean and Garrick are driven apart, "The Dark of the Sun" in which white mercenaries are up against a ruthless enemy, and "Hungry As the Sea", where courage, obsession and danger are on board a ship bound for the polar regions.

    Travelling across thirteen countries, from Cairo to the Cape, Steve Bloomfield, the former Africa Correspondent for The Independent, meets players and fans, politicians and rebel leaders, discovering the role that soccer has played in shaping the continent. This wide-ranging and incisive book investigates Africa’s love of soccer, its increasing global influence, the build-up to the 2010 World Cup itself and the social and political backdrop to the greatest show on earth.

     After being burned by an ex Nicholas doesn’t trust easily. However, his refusal to have a serious girlfriend threatens everything he has spent the last five years working to accomplish. Somehow, instability in his love life has convinced the public that he can’t manage a multi-billion dollar investment firm. If he doesn’t change things quickly, he’ll risk losing everything he’s worked his entire life for. To solve his problems, Nicholas hires Kenzie to be his pretend girlfriend. With the terms of their contract firmly in place, Kenzie is confident this arrangement will allow her to ditch at least one of the deadbeat jobs she’s endured to keep from returning to the horrors she left behind. Keeping their arrangement completely professional slowly becomes complicated as attraction rises to the surface. Both of their futures are riding on this arrangement working and neither can afford to lose the other.

    All aspects of Roman art and architecture are treated, including private art and domestic architecture, the art of the Eastern and Western provinces, the art of freedmen, and the so-called minor arts, including cameos, silverware, and coins. The book is divided into four parts-Monarchy and Republic, Early Empire, High Empire, and Late Empire-and traces the development of Roman art from its beginnings in the 8th century BCE to the mid fourth century CE, with special chapters devoted to Pompeii and Herculaneum, Ostia, funerary and provincial art and architecture, and the earliest Christian art.

    Yet the life of any structure is neither fixed nor timeless. Outliving their original contexts and purposes, buildings are forced to adapt to each succeeding age. To survive, they must become shape-shifters. In an inspired refashioning of architectural history, Edward Hollis recounts more than a dozen stories of such metamorphosis, highlighting the way in which even the most familiar structures all change over time into “something rich and strange.” The Parthenon, that epitome of a ruined temple, was for centuries a working church and then a mosque; the cathedral of Notre Dame was “restored” to a design that none of its original makers would have recognized. Remains of the Berlin Wall, meanwhile, which was once gleefully smashed and bulldozed, are now treated as precious relics. Altered layer by layer with each generation, buildings become eloquent chroniclers of the civilizations they’ve witnessed. Their stories, as beguiling and captivating as folktales, span the gulf of history.

    The minds of those long dead are taking over the bodies of the living, in increasingly alarming numbers. Joshua Calvert is desperately trying to recover a "doomsday weapon", an instrument that might blast the dead back into oblivion--but in the wrong hands, it could mean the end of the human race.

    

    When China and Japan decide it’s time to dump U.S. Treasury Bonds, an economic nightmare plays out in America. The Federal Reserve watches helplessly as the dollar is decimated and the resulting food shortage spreads lawlessness across the land like a virus. Malcolm is a successful day trader who always needs to make one more score before he’ll listen to Ryan and diversify some of his assets into real estate or gold. He figures an impressively-larger bank account might be the only way he can lure his Secret Service agent ex-wife back. Malcolm finally hits it big by aggressively shorting bonds when the market crashes, but waits too long to invest in tangibles. All that newfound money suddenly won’t by him a bar of gold, a pint of beer, or a minute of Hannah’s attention—especially when she’s in the field chasing down a former counterfeiting gang. As luck would have it, Ryan turns out to be a closet doomsday prepper. The two of them attempt to escape the chaotic Big Apple and reach Ryan’s land in West Virginia, supplied only by the contents of Ryan’s bug-out bag. But it’s not going to be an easy journey. Traveling has become difficult and dangerous. Malcolm learns he must redirect the same tenacity which helped him beat the markets towards staying alive on the road …and, hopefully, finding Hannah.

    But their unexpected arrival is nothing compared to the shock of what happens next. With Valentine's Day just around the corner, Lacey 'Pink' Pinkerton finds herself caught up in another unexpected murder mystery. -Tulips and Trouble (Book 5) Lacey Pinkerton is busy getting ready for spring at Pink's Flowers and at the same time Port Danby is bustling with activity as it prepares for its annual flea market in the town square. In the midst of it all, a talented group of artists has shown up with their easels to paint pictures of the Pickford Lighthouse. When one of the artists turns up missing and then dead, Lacey works alongside of her favorite detective, James Briggs, to solve the murder. What she doesn't expect is to end up on the murderer's short list of enemies. -Dahlias and Death (Book 6) Lacey Pinkerton and the town of Port Danby are preparing for the annual Fourth of July celebration at Pickford Marina. Lacey's parents are coming to stay for the week. Lacey and her friends at the Port Danby Garden Club are excited to set up a fundraising booth at the festivities. But the patriotic celebration is cut short when one of the club members is found dead. While her trusted and handsome partner Detective Briggs is dealing with a personal issue, the unexpected return of his ex-wife, Lacey works hard to tamp down the disappointment and find the killer.More in the series:Book 7: Peonies and PoisonBook 8: Hyacinths and HomicideBook 9: Crocuses and CrimeBook 10: Sunflowers and SabotageBook 11: Lavender and LiesBook 12: TBA

    This is a story of the militiamen who fled to Mexico following the failure of the Republican cause, but also a story of one of their descendants, living in Guadalajara, who is forced to flee to the Iberian continent in order to escape a sour settling of accounts with a local politician.

    He is born in a new world, one filled with monsters and magic. Pyromancers decimate jungles, Cryomancers walk over frozen oceans, Electromancers kill behemoths in seconds, Geomancers build castles in hours, Aeromancers soar through the skies, Sciomancers blacken the sun, and Biomancers grow fields of crops in mere days. However, this man can't use any of these magical elements; he can only use the weakest of the magical elements: Photomancy - light.

    It will prove indispensable to students of art and art history as well as students of cultural studies. Mirzoeff begins by defining what visual culture is, and explores how and why visual media - fine art, cinema, the Internet, advertising, performance, photography, television - have become so central to contemporary everyday life. He argues that the visual is replacing the linguistic as our primary means of communicating with each other and of understanding our postmodern world. Part One of the Introduction presents a history of modern ways of seeing, including: * the formal practices of line and colour in painting* photographys claim to represent reality * virtual reality, from the nineteenth century to the present. In Part Two, Mirzoeff examines: * the visualization of race, sexuality and human identity in culture* gender and sexuality and questions of the gaze in visual culture* representations of encounters with the other, from colonial narratives to Science Fiction texts such as The Thing, Independence Day, Star Trek and The X-Files * the death of Princess Diana and the popular mourning which followed as marking the coming of age of a global visualized culture.