For all those jerks who complained that Jeffrey Brown was a sissy, finally you can see him "Be a man!"

    Then he met his high school sweetheart after not seeing her for over ten years. With their love rekindled, they were married. Life was beautiful. They had no real worries, a lovely son, and a bright future.Then she started using meth.The craziness of the next few years would leave Sterling almost completely broke—financially, emotionally, and spiritually—and nearly murdered.The Weekender Raves About Crazy Town!Drugs, violence, sex and betrayal. Sound like the tagline from the newest Megan Fox movie? Maybe, but those components are also the basis for the book “Crazy Town: Money. Marriage. Meth.” by Sterling R. Braswell. Published right in our own backyard by Wilkes-Barre-based Kallisti Publishing, Inc., “Crazy Town” is the true story of a man who thought he had it all, until methamphetamine destroyed the delicate house of cards he didn’t realize he was building. In addition to being based on true events, the book is an exploration of the rise of the meth epidemic in our country, offering some very interesting insight among the twists and turns of Braswell’s tumultuous past.In “Crazy Town,” the author provides a first-person account of his life up to the present. In short, he reconnects with and marries his childhood sweetheart, Lucille. As is often the case in relationships, Braswell is too busy seeing life through his rose-colored glasses to notice all of the glaring red flags in their relationship. Not to mention the fact that his ranch hand Clyde is operating a meth lab right on his property. Eventually, though, the author is forced to face the bitter reality that Lucille is an addict, and with her addiction comes all of the baggage associated with substance abuse. What follows is a devastatingly depressing account of the dissolution of Braswell’s marriage and his personal battle with his feelings for Lucille, as well as some rocky years spent in divorce court.At first, the way the book is organized seems to take away from the personal narrative Braswell is trying to give the reader. The chapters concerning his life seem significantly shorter than those relaying the development and evolution of meth use, and the reader is always left wanting more pieces of the puzzle. After getting a bit more in-depth, however, one can begin to see a direct correlation of the history of methamphetamine use to Braswell’s own story. For example, from the facts he unearthed pertaining to the development of at-home meth labs (a phenomenon with which our generation is now all too familiar), the reader is able to understand how over-the-counter medications came to be used in the homegrown meth operations around our country, and at about the same time the reader also is familiarized with the antics Clyde is up to on Braswell’s property.Braswell also points out some very interesting facts that he discovered in his research. Adolph Hitler, Jim Jones, Charles Manson and Andrew Cunanan (Gianni Versace’s murderer) were all amphetamine users in one way or another. While it’s true that all of these people were probably unstable to begin with, it cannot be ignored that the addition of amphetamine to an already volatile cocktail probably took their degree of violence to an entirely new level.“Crazy Town” is a startling look at how a drug can singlehandedly destroy a person and those who love him. Though depressing at times, this intimate glimpse into Braswell’s life allows the reader a new perspective on the meth crisis in today’s culture. His findings and the way in which he sums up the history of the problem also make it easier to understand how and why it is becoming an epidemic.

    "Savage yarns that rip into your sac and don't let go." -- Michiko Kakutani

    Brilliantly drawn and bitterly funny, these cartoons thoroughly demonstrate better living through plywood, reaffirm that what's good for business is good for America-even if Your Government in Action has taken to the streets-the Madonna is out of order and Yoga has been made silly. 122,000 copies in print.

    This book includes full-page comics published in prestigious weeklies such as the L.A. Weekly and Seattle's The Stranger, as well as the leading feminist magazine Bust, and the Oxford American. Her strips are characterized by bold, sensual brushstrokes and striking images of powerful, butt-kicking women. While most of the stories sprang from Forney's own inspiration, some are collaborations with such luminaries as comedian Margaret Cho, novelist (and Al Gore's daughter) Kristin Gore, writer and editor Dan Savage, writers David Schmader and Tamara Paris, Forney's beloved Grandma Florence, and Camille Paglia. Several of Forney's strips fall into the "How-To" category, although this is not your standard advice column fare: topics range from the practical ("How to Tip Your Server") to the whimsical ("How to Twirl Your Tassles in Opposite Directions") to the fascinating but hopefully never-needed ("How to Sew On an Amputated Finger"). Other strips include "The Final Soundtrack," a death fantasy involving blood, glamour, and Led Zeppelin; "How to Smoke Pot and Stay Out of Jail"; "How to Talk About Drugs with Your Kid"; "How to Fuck a Woman with Your Hands"; "How to Be a Fabulous Fag Hag" (an illustrated interview with Margaret Cho); "Seattle's Erotic Landmarks"; and "Memories of Love," a graphic tour of Courtney Love's rise and fall of celebritydom.

    Mike Edison’s résumé spans twenty years and a slew of notorious titles, including "Screw," "High Times," "Penthouse," and "Hustler." An Ivy League dropout who’s never looked back, Edison embarked on a career that’s landed him in the producer’s chair for one of the worst B movies of all time; on tour with the likes of the Jon Spencer Blues Explosion, GG Allin, and the Ramones; undercover at a religious cult; on a bender with Evel Knievel; feuding with Hulk Hogan; smoking dope with Ozzy Osborne; and authoring some twenty novels you wouldn’t want your mother to catch you reading—let alone writing. As the publisher of "High Times," he battled almost daily with a rainbow brigade of unrepentant hippies plagued with short-term memory loss, and owners who treated their employees more like the tenants of a halfway house for potheads than a team of professional editors and writers, all while leading the magazine to record heights in sales and advertising. "I Have Fun Everywhere I Go "combines the fear and loathing of Hunter Thompson’s journalistic thrill rides with the acerbic insider voice of Toby Young. It’s an eye-opening, gleeful view of life on the edge—and the outlaws and oddballs encountered there.

    Without radio play and virtually unnoticed by the press, the Dead forged a vast underground following whose loyalty survives to the present day. National Book Critics Circle Award-winning author Carol Brightman returns to the band's roots—to Ken Kesey and the Merry Pranksters, the acid tests and the heady days of Haight-Ashbury, the free concerts in Golden Gate Park and the formative shows of New York's Fillmore East—to uncover the secrets of the band's longevity. Drawing on exclusive interviews With band members, staff and crew, Deadheads, other musicians, journalists—and her own experience as a '60s activist—Brightman shows us how, amid the turbulent Free Speech Movement and antiwar rallies, the Grateful Dead's abandonment to music, drugs, and dance offered the faithful a shelter in the storm. Her riveting, in-depth portrait of Jerry Garcia, the "nonleader leader" who held to a vision of the Grateful Dead's destiny even as he recoiled from the juggernaut it became, shows us how it was that a Dead concert become something halfway between a revival meeting and a family reunion. An absorbing and exhilarating exploration, Sweet Chaos offers, at last, a complete understanding of the Dead phenomenon and its place in American culture.

    But he and his fellow vampires Joy, Cynthia, and Ian have agreed to blend into human society. Inspired by superhero movies, one of few passions in his un-life, Alex decides to don a cape and start fighting bad guys. But his decision will have bigger consequences than he realizes—for himself and for everyone he wants to protect.From CHIP ZDARSKY and JASON LOO, the Eisner-winning team behind AFTERLIFT, THE ALL-NIGHTER is a story about found family and a new twist on superheroes!Part of the comiXology Originals line of exclusive digital content only available on comiXology and Kindle. Read for free as part of your subscription to comiXology Unlimited, Kindle Unlimited or Amazon Prime. Also available for purchase via comiXology and Kindle.

    Along the way he meets an old hermit who lives in a treehouse with his loyal dog, a young woman who fights for what she believes and a giant wolf-dragon who threatens their survival.

    The Anarchists' Convention is his first short story collection, providing a prism of America through fifteen stories. These everyday people -- a kid on the road heading west, aging political activists, a lonely woman in Boston -- go about their business with humor and resilience, dealing more in possibility than fact. In the widely anthologized and O. Henry Award-winning "I-80 Nebraska," Sayles perfectly renders the image of a pill-popping trucker who has become a legend of the road.

    

    Sour Diesel. Wax, shatter, and vapes. Marijuana has come a long way since its seedy days in the back parking lots of our culture. So has Howard S. Becker, the eminent sociologist, jazz musician, expert on “deviant” culture, and founding NORML board member. When he published Becoming a Marihuana User more than sixty years ago, hardly anyone paid attention—because most people didn’t smoke pot. Decades of Cheech and Chong films, Grateful Dead shows, and Cannabis Cups later, and it’s clear—marijuana isn’t just an established commodity, it’s an entire culture. And that’s just the thing—Becker totally called it: pot has everything to do with culture. It’s not a blight on culture, but a culture itself—in fact, you’ll see in this book the first use of the term “users,” rather than “abusers” or “addicts.” Come along on this short little study—now a famous timestamp in weed studies—and you will be astonished at how relevant it is to us today.             Becker doesn’t judge, but neither does he holler for legalization, tell you how to grow it in a hollowed-out dresser, or anything else like that for which there are plenty of other books you can buy. Instead, he looks at marijuana with a clear sociological lens—as a substance that some people enjoy, and that some others have decided none of us should. From there he asks: so how do people decide to get high, and what kind of experience do they have as a result of being part of the marijuana world? What he discovers will bother some, especially those who proselytize the irrefutably stunning effects of the latest strain: chemistry isn’t everything—the important thing about pot is how we interact with it. We learn to be high. We learn to like it. And from there, we teach others, passing the pipe in a circle that begins to resemble a bona fide community, defined by shared norms, values, and definitions just like any other community.             All throughout this book, you’ll see the intimate moments when this transformation takes place. You’ll see people doing it for the first time and those with considerable experience. You’ll see the early signs of the truths that have come to define the marijuana experience: that you probably won’t get high at first, that you have to hold the hit in, and that there are other people here who are going to smoke that, too.

    Their exploits dealing, robbing, and jamming are rounded out by the misadventures of Aging Hipster and Punk Dad.Alex Schubert was born in Mascoutah, Illinois, and is based in Kansas City, Missouri. His Tumblr-based blog Zine Police features excerpts from his sketchbooks and zines including The Dudes and Blobby Boys, which MTV praised as "one of the funniest dumbest bestest webcomics we've come across in a minute."

    WHERE DEATH RIDES FASTER THAN THE WIND.   A blazing new series takes you back to the lawless frontier where every stagecoach was a moving target. Where every passenger needed protection. And where every hired gun who rides along better be fast on the draw—or be dead on arrival . . .RIDING SHOTGUN If anyone knows the road to purgatory, it’s Red Ryan. As a stagecoach guard, he’s faced holdups, ambushes, and all-out attacks from every kill-crazy outlaw, Indian, and prairie rat. But even he’s a bit reluctant to take on his next job: riding shotgun with his driver Buttons Muldoon on a stage bound from Fort Concho, Texas, to Fort Bliss. Word has it, the Apaches are on the warpath. They’re being led by the vicious war chief Ilesh, which means “Lord of the Earth.” And this lord means business, as in slaughtering every Texan from here to El Paso. Red wants to postpone the stage. But an army major’s beautiful but stubborn wife insists they leave—or she’ll go it alone. So Red has no choice . . . Thus begins a nightmare journey into 400 miles of harsh, unforgiving terrain, blood-drunk killers, and one scheming devil who plans to paint the town of El Paso red—starting with Red’s blood . . . Live Free. Read Hard.

    Fast-paced, poignant, and beautifully illustrated by the award-winning illustrator Mark Zingarelli, Second Avenue Caper is a heartfelt tribute to the generation that faced down AIDS.