The pages of this book contain stories of every bachelor who fell in love, did stupid things and discussed India's foreign policy at the neighbourhood tea stall.'Bakar Puran' is the past, present and the future of those bachelors which will always be the same. The language and style has the realism of a bachelor pad. Here, there is no garb of elitism in expression. Whatever it is, it just is.

    It is one of the most appreciated works of Dinkar other than "Kurukshetra".Karna was first born son of Kunti whom she had abandoned at birth as he was an illegitimate son. Karna grew up in a lowly family, yet became one of the best warriors of his time. In the Great Mahabharata war, Karna was obliged to fight from the side of Duryodhana as Duryodhana recognizing his merits had made him a king and adopted him as a close friend. Karna fighting from Kaurava's side was a great worry of Pandavas as he was reputed to be unconquerable in war. The way Dinkar has presented the story of Karna with all hues of human emotions trapped in moral dilemmas, is simply marvelous. The rhythm and meter is lilting. Choice of words and purity of language is exhilarating. The work has a timeless relevance and is a must read.

    Their honeymoon plans go puff as India announces a nationwide lockdown.Months after living under the pressures of joint family, social distancing rules, and work-from-home stress, they get an opportunity to venture out. Viraj plans a trip to the inviting Green Villa for an intimate weekend getaway. But something is lurking beneath the surface.Will it pan out to be the exciting honeymoon that Viraj thinks they desperately need?What is Jhanak scared about?Who is the girl in the Green Villa?Key highlights of the story:• Fast-paced narration• Non-linear storytelling• Interesting twists and turns• Flavours of the supernatural• Imminent dread, doom, and deceit

    . . The collection is astonishingly diverse . . . Tyrewala’s anthology [offers] a sampling of brand-new authors and [a] superb introduction. It might provide a fictional contrast to Katherine Boo’s Behind the Beautiful Forevers."--Library Journal (Starred review)"Most of the 14 short stories in Akashic’s workmanlike Mumbai volume draw inspiration from the criminal networks and the sordid underbelly the city is infamous for . . . Armchair travelers will find plenty of amusement in touring the seedier parts of this island city in perfect safety."-- Publishers Weekly “The fifteen contributors to Mumbai Noir . . . provide a cool composite narrative of a unique human-intensive metropolitan system, whose magnitude, complexity, diversity, and pace can hardly be captured in writing or, for that matter, any other medium. [Mumbai Noir is] rich and diverse in character and characterization.”-- Rain Taxi Review of Books Featuring brand-new stories by: Annie Zaidi, R. Raj Rao, Abbas Tyrewala, Avtar Singh, Ahmed Bunglowala, Smita Harish Jain, Sonia Faleiro, Altaf Tyrewala, Namita Devidayal, Jerry Pinto, Kalpish Ratna, Riaz Mulla, Paromita Vohra, and Devashish Makhija.Bombay’s communal riots of 1992--in which Hindus were alleged to be the primary perpetrators—were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades. When the city was renamed Mumbai in 1995, it merely formalized the widespread perception that the Bombay everyone knew and remembered had been lost forever.Today Mumbai is like any other Asian city on the rise, with gigantic construction cranes winding atop upcoming skyscrapers and malls . . . Right-wing violence, failing electricity and water supplies, overcrowding, and the ever-looming threat of terrorist attacks—these are some of the gruesome ground realities that Mumbai’s middle and working classes must deal with every day, while the city’s super-rich . . . zip from roof to roof in their private choppers. Abandoned by its wealthy, mistreated by its politicians and administrators, Mumbai continues to thrive primarily because of the helpless resilience of its hardworking, upright citizens.The stories in Mumbai Noir depict the many ways in which the city’s ever-present shadowy aspects often force themselves onto the lives of ordinary people. . . . What emerges is the sense of a city that, despite its new name and triumphant tryst with capitalism, is yet to heal from the wounds of the early '90s, and from all the subsequent acts of havoc wreaked within its precincts by both local and outside forces.

    The stories are satires on Indian political and social climate of 1960s and 70s.

    The stories range from both urban and rural settings. All the stories included in the book are different from each other with a range of diverse characters. Some of the stories in this selection are Mukti, Kuch Yun hona Uska, Cigarette Ka Aakhri Kash, and Bisesar Bo Ki Premika. This book will make for a riveting and engaging read for those who enjoy Hindi short stories.

    He attends the same private tuitions as his classmate, Shirodkar, just for a glimpse of her, and follows her back home every day. Sadly, she has not a clue that he is pining away for her, because in their society, boys and girls don't interact freely, much less talk about love. When he's not negotiating the tricky alleys of love, Mukund sits around the school field or loafs about town with his close friends, Surya, Chitre and Phawdya, railing against the education system, and debating ideas such as discipline and Bohemianism. Set in a small Maharashtrian town during the Emergency of 1975, Shala is a heart-warming, nuanced novel about the adolescent struggles that are as tortuous in real time as they are amusing in retrospect.

    And about men surprised by women who are unconventional, unafraid and independent. It is the story of Meena, rebellious and unexamined, and Yuri, as complex as Meena is naive. Of Hajime, outsider to two cultures, and Prakash, unable to see beyond his limited horizons. It is also the story of Haruko who has dedicated herself to her art, and of Leela who is determined to break gender roles and learn the traditional gold-craft of her community. Set between Japan and Jaipur, Kintsugi follows the lives of these characters as they intersect and diverge, collide and break and join again in unexpected ways. The result is a brilliantly original novel as profound as it is playful, as emotionally moving as it is gripping.

    Featuring stories of fraud, murder, theft, and madness, the Best American Crime Reporting series has been hailed as “arresting reading” (People) and the best mix of “the political, the macabre, and the downright brilliant” (Entertainment Weekly).The color of blood / Calvin Trillin --Breaking the bank / L. Jon Wertheim --Body snatchers / Dan P. Lee --Everyone will remember me as some sort of monster / Mark Boal --The fabulous fraudulent life of Jocelyn and Ed / Sabrina Rubin Erdely --True crime / David Grann --The day Kennedy died / Michael J. Mooney --The Zankou chicken murders / Mark Arax --Mexico's red days / Charles Bowden --Hate and death / R. Scott Moxley --Dead man's float / Stephen Rodrick --Non-lehtal force / Alec Wilkinson --American murder mystery / Hanna Rosin --Stop, thief! / John Colapinto --Tribal wars / Matt McAllester

    Shivaji has been a legendary figure in the Indian history.Shivaji was one of the major influences on the revival of nationalism and Hindu culture during a period when centuries of rule by Muslim invaders had induced a condition of apathy and indifference in the people.Over the years, many legends have been added to Shivaji’s life, and it is hard to filter out these embellishments and just focus on the facts.The author has done his best to build this book just on facts. And the facts alone are interesting enough to highlight the achievements of this legendary king.Shivaji was a man who built a dynasty starting from nothing. His motivations were always immense pride in his culture and love for his motherland. However, he was not a bigot and treated all his subjects equally well, irrespective of their religion and other divisions. His battles were mostly with Muslim rulers, but he never showed any animosity towards the Muslim inhabitants of his kingdom.The author has presented Shivaji as he really was, with no embellishments. Shivaji was a dynamic leader, a warrior, and a nobleman. He was religious without being fanatic, he was a believer, but not superstitious, he was courageous but not foolish. He was a visionary who dreamt of building a Hindu kingdom in a region that was surrounded by Muslim dynasties. Yet, he was extremely practical.Shivaji was a courageous warrior and a great tactician. At the same time, he was also a very good administrator and the kingdom he was building up became stronger under his rule. He suffered many defeats too, but he never gave up his vision, and ultimately, he did succeed in making his dream a reality.The author, in this book, has captured all the different facets of Shivaji’s personality that contributed towards this legacy, and thus gives the reader a sense of involvement in the events taking place in the story.

    

    It's a story about the most explored life aspect named friendship which trapped four strange souls for life in the serenity of Delhi University (UD.U.) campus. Aniket falls victim to equally notorious life facet called love and very strangely that too, at first sight; and what follows is a restless journey of getting his love on board. Set against the backdrop of D.U. And IIT Bombay, the story reveals the dream of today's youth, their callowness, sec, love and not to forget the resolve for two critical life aspects; love & friendship. The journey took them across carousel of tough times linked to the chain of complex situations which ultimately pushed them to the brink of exploring their identity. Among this chaos and a DEADLY incident, can they realize their dreams!!! Can we live for a dream of our friends? Is love all about giving and taking nothing? Is it right to destroy oneself in love? Will these friendship win the battle of life and dream? Can we ever forget for our first love? Are the youth truly the new face of contemporary India? What will happen when dream meets fate, fate meets friendship and love cast its magic on everyone?

    This third installment in the DOA series offers thirty stories from the originators of splatterpunk as well as the newest voices in extreme horror. You'll laugh...you'll cry...you'll vomit Don't say we didn't warn you.

    Redefined.Martin H. Ehrengraf, dapper and diabolical, may be Lawrence Block's darkest creation. He's the defense attorney who never sees the inside of a courtroom, because all his clients are innocent - no matter how guilty they may seem. Some even believe themselves to be guilty: They remember pulling the trigger, or wiring the dynamite to their spouse's car, or holding the bloody blade. But things have a way of working out when Martin Ehrengraf is on the case. Evidence turns up, incriminating someone else. More murders occur, with the same M.O. And the gate of the jail cell opens, and the accused walks free.But be careful - hiring Martin Ehrengraf comes with a price. A high price, one that comes due even if he appears to have done nothing on your behalf. And you'd better be prepared to pay...Here at last are the complete exploits of Martin Ehrengraf: a dozen delicious tales of vice and villainy including one - ''The Ehrengraf Fandango'' - that is appearing for the first time anywhere. It's a 12-course meal of sinister surprises, exquisitely prepared and served simmering hot by the greatest living master of mystery fiction.

    After leaving her friend's house, she decides she's going to prove to her brother that "The Lady on the Road " urban legend is just that...