She has a pet rat, her dead dad's Book of Lists, an encyclopedic knowledge of cheese from working at her mom's cheese shop, and a crush on Nick, the surf bum who works behind the counter. It's the summer before eighth grade and Drew's days seem like business as usual, until one night after closing time, when she meets a strange boy in the alley named Emmett Crane. Who he is, why he's there, where the cut on his cheek came from, and his bottomless knowledge of rats are all mysteries Drew will untangle as they are drawn closer together, and Drew enters into the first true friendship, and adventure, of her life.From the Hardcover edition.

    But then Tim goes to court and wins custody of the child, moves to New York and tries balancing roommates with dirty diapers, daycare, dating and studying.

    So they must flee to the big city of Mumbai in hopes of finding work and a brighter future. Gopal is eager to help support his struggling family until school starts, so when a stranger approaches him with the promise of a factory job, he jumps at the offer.But Gopal has been deceived. There is no factory but, instead, a small, stuffy sweatshop, where he and five other boys are forced to make beaded frames for no money and little food. The boys are forbidden to talk or even to call one another by their real names. In this atmosphere of distrust and isolation, locked in a rundown building in an unknown part of the city, Gopal despairs of ever seeing his family again.Then, late one night when Gopal decides to share kahanis, or stories, he realizes that storytelling might be the boys' key to holding on to their sense of self and their hope for any kind of future. If he can make them feel more like brothers than enemies, their lives will be more bearable in the shop—and they might even find a way to escape.

    She moved away two years ago to recover from a bad fall off her beloved mustang, Blackie, and she′s still not sure she can get back in the saddle. Her new colt doesn′t seem to like her, and the other ranchers treat her like the boss′s spoiled daughter, and Blackie has been missing since that fateful day.But that′s just the beginning. When Sam suddenly finds the fate of a mysterious mustang - who may or may not be the missing Blackie - resting in her hands, she has to learn to be a real cowgirl, ready or not. The classic theme of a girl and her horse is set against a backdrop of mustangs, tumbleweeds, and a West that′s still Wild.Phantom Stallion #1: The Wild OneOn a moonlit night, a mustang comes to Sam. Is it Blackie grown up and gone wild? Is it the legendary phantom stallion? Or could it be both?Ages 10+

    Through a series of lessons and adventures the imaginative, spunky redheaded orphan who longs for a real family, friends, and a place to call home soon captures the hearts of the Cuthberts and all those around her in the small town of Avonlea. The original books have delighted millions and now younger readers can treasure this illustrated official movie adaptation based on the classic film by Kevin Sullivan.

    The pilgrims -- called Coat-men by the Wampanoag -- have settled here in the natives' territory at Patuxit, a place that the Pilgrims have renamed Plymouth. Weetamoo's father, Corbitant, is sachem, or chief, of the Pocassets. He is mistrustful of the colonists and imparts his beliefs about them to his daughter, who is next in line to become chief. Weetamoo must learn the fundamental values and disciplines of a true Pocasset chief.

    Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them. A beautifully written, sensitively told story of a white boy brought up by Indians, The Light in the Forest is a beloved American classic.

    The problem is Bridget’s not sure the Traveler life is for her anymore. She feels guilty about pulling scams, and she’s definitely not sure she wants to get married, even though Patrick’s a good guy. But Bridget’s always been the good girl who does what she’s told, and there’s no way her parents will let her out of the wedding. And if she leaves the life, she’s out of the family for good. Tautly written, with a riveting storyline and sympathetic characters coping with universal themes of family and social pressure, See You Down the Road will captivate readers to the very end.

    Miss Saunders is tough and through this, Maleeka learns to stand up to tough-talking Charlese.

    Stretched before him are rolling hills and shady valleys. But behind him lie the wounds of strip mining, including a mountain of rubble that may one day fall and bury his home. M.C. dreams of escape for himself and his family. And, one day, atop his pole, he thinks he sees it—two strangers are making their way toward Sarah's Mountain. One has the ability to make M.C.'s mother famous. And the other has the kind of freedom that M.C. has never even considered.

    With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island. Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson

    It’s the mysterious castle his housekeeper has told him about, and even though William is sad she’s leaving, now the castle is his! William can’t wait to play with the castle—he’s certain there’s something magical about it. And sure enough, when he picks up the tiny silver knight, it comes alive in his hand! Sir Simon tells William a mighty story of wild sorcery, wizards, and magic. And suddenly William is off on a fantastic quest to another land and another time—where a fiery dragon and an evil wizard are waiting to do battle.

    He withdraws into a safe and secret world of beautiful gardens filled with roses—just like those in the library book he treasures.When Georgie wins a small rosebush in a grocery store lottery he gives it all the love and caring he’s never had. Georgie’s life begins to open up for him when the courts send him to a home for boys where he will be safe. Slowly, and not without pain, Georgie learns to give—and to receive—love…

    Not because of the kiss, but because it was the day her father announced that the family was moving from St. Louis all the way to Palestine. Though her father grew up there, Liyana knows very little about her family’s Arab heritage. Her grandmother and the rest of her relatives who live in the West Bank are strangers and speak a language she can’t understand. It isn’t until she meets Omer that her homesickness fades. But Omer is Jewish, and their friendship is silently forbidden in this land. How can they make their families understand? And how can Liyana ever learn to call this place home?

    Her best friend has suddenly turned boy crazy. Her talented mother creates greeting card designs instead of real art, and her father never talks to her about anything except working hard and getting ahead.That's why Kelly becomes so involved in the plight of a homeless Vietnam vet who takes refuge in the library each day. Interviewing him began as a Social Studies project, but it takes on new meaning after her offers of food and friendship backfire into a real disaster. What had the war done to destroy this man? And what had it done to her own father, who had been to the same war... and refuses to speak of it?