Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the grey harbor waters and fill the cold night with their song.Contents:Uncle Dobbin's Parrot FairThe Stone DrumTimeskipFreewheelingThat Explains PolandRomano DromThe Sacred FireWinter Was HardPity the MonstersGhosts of Wind and ShadowThe Conjure ManSmall DeathsThe Moon is Drowning While I SleepIn the House of My EnemyBut for the Grace Go IBridgesOur Lady of the HarbourPaperjackTallulah

    Welcome to a world where humans live side-by-side with monsters, from vampires both nostalgic and bumbling, to an eight-legged alien who makes tea. Here you'll find mercurial forms that burrow into warm fat, spectral boy toys, a Maori force of nature, a landform that claims lives, and an architect of hell on earth. Through these, and a few monsters that defy categorization, some of today's top young-adult authors explore ambition and sacrifice, loneliness and rage, love requited and avenged, and the boundless potential for connection, even across extreme borders.Moriabe's Children / Paolo Bacigalupi --Old souls / Cassandra Clare --Ten rules for being an intergalactic smuggler (the successful kind) / Holly Black --Quick hill / M.T. Anderson --The diabolist / Nathan Ballingrud --This whole demoning thing / Patrick Ness --Wings in the morning / Sarah Rees Brennan --Left foot, right / Nalo Hopkinson --The Mercurials / G. Carl Purcell --Kitty Capulet and the invention of underwater photography / Dylan Horrocks --Son of abyss / Nik Houser --A small wild magic / Kathleen Jennings --The new boyfriend / Kelly Link --The woods hide in plain sight / Joshua Lewis --Mothers, lock up your daughters because they are terrifying / Alice Sola Kim

    Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

    To her overbearing family in London, it is a disturbing and inexplicable act of defiance. But Lolly will not be swayed, and in the depths of the English countryside she gradually discovers not only freedom and independence, but also, unexpectedly, her true vocation.

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

    Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, these superb stories share Vonnegut’s audacious sense of humor and extraordinary range of creative vision.Alternative cover edition here

    Red as Blood and White as Bone by Theodora Goss is a dark fantasy about a kitchen girl obsessed with fairy tales, who upon discovering a ragged woman outside the castle during a storm, takes her in--certain she’s a princess in disguise.

    Following the seasons, A Pocketful of Crows balances youth and age, wisdom and passion and draws on nature and folklore to weave a stunning modern mythology around a nameless wild girl.Only love could draw her into the world of named, tamed things. And it seems only revenge will be powerful enough to let her escape.Beautifully illustrated by Bonnie Helen Hawkins, this is a stunning and original modern fairytale.

    These are the stuff of fairy tale, myth, and folklore that have drawn us in for centuries. Fifteen bestselling and acclaimed authors reimagine the folklore and mythology of East and South Asia in short stories that are by turns enchanting, heartbreaking, romantic, and passionate. Compiled by We Need Diverse Books’s Ellen Oh and Elsie Chapman, the authors included in this exquisite collection are: Renee Ahdieh, Sona Charaipotra, Preeti Chhibber, Roshani Chokshi, Aliette de Bodard, Melissa de la Cruz, Julie Kagawa, Rahul Kanakia, Lori M. Lee, E. C. Myers, Cindy Pon, Aisha Saeed, Shveta Thakrar, and Alyssa Wong. A mountain loses her heart. Two sisters transform into birds to escape captivity. A young man learns the true meaning of sacrifice. A young woman takes up her mother’s mantle and leads the dead to their final resting place. From fantasy to science fiction to contemporary, from romance to tales of revenge, these stories will beguile readers from start to finish. For fans of Neil Gaiman’s Unnatural Creatures and Ameriie’s New York Times–bestselling Because You Love to Hate Me.

    Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all.Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

    Rita Hayworth and Shawshank Redemption--the most satisfying tale of unjust imprisonment and offbeat escape since The Count of Monte Cristo.Apt Pupil--a golden California schoolboy and an old man whose hideous past he uncovers enter into a fateful and chilling mutual parasitism.The Body--four rambunctious young boys venture into the Maine woods and in sunlight and thunder find life, death, and intimations of their own mortality.The Breathing Method--a tale told in a strange club about a woman determined to give birth no matter what.source: stephenking.com

    Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg's trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Spain, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the thoughts we reveal to no one but ourselves.In "Lizards," a man mutes his wife's anxieties by giving her a La Croix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and violent consequences, while in "Karolina," a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother.I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what's left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too close. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of "Slumberland," "that border between magic and annihilation," and further establishes herself as a defining fiction writer of our time.