Unlike most historical narratives from China, which are pegged to political events, Change is a representative of “people’s history,” a bottom-up rather than top-down view of a country in flux. By moving back and forth in time and focusing on small events and everyday people, Mo Yan breathes life into history by describing the effects of larger-than-life events on the average citizen.“Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition.”— Nobel Committee for Literature “If China has a Kafka, it may be Mo Yan. Like Kafka, Yan has the ability to examine his society through a variety of lenses, creating fanciful, Metamorphosis-like transformations or evoking the numbing bureaucracy and casual cruelty of modern governments.” —Publishers Weekly, on Shifu: You'll Do Anything for a Laugh

    At the age of twenty-one, he started a school for peasant children on his family's estate, and after returning from a stint in the military, he founded another, experimental school with the motto, "Come when you like, leave when you like."Fascinated by the simple charm and the fresh innocence with which the children of his schools told stories, several years later, when Tolstoy began writing about his own childhood, he emulated the uncomplicated narrative style and disarming directness of the tales told by the children of his acquaintance. After completing War and Peace, he incorporated these stories in a series of easy readers, and continued to work on them even while writing Anna Karenina. Known as The ABC Book (Azbuka) and subsequently The New ABC Book (Novy Azbuka), these marvelous readers were widely adopted in Russia and were still in use in the Soviet era.The tales and fables in this volume come mainly from these two well-loved primers. Part I consists of stories about his own childhood, all told with beautiful simplicity. Part II contains Tolstoy's free adaptations of fables from Aesop and from Hindu tradition. Part III is devoted solely to his longest and most famous children's work, the fairy tale "Ivan the Fool and His Two Brothers."Never patronizing and often humorous, these small gems reveal Tolstoy's deep appreciation for and understanding of children's artistic and moral sensibilities.

    And when an isbjorn (polar bear) seeks her out, and promises that her family will become rich if only the Lass will accompany him to his castle, she doesn't hesitate. But the bear is not what he seems, nor is his castle, which is made of ice and inhabited by a silent staff of servants. Only a grueling journey on the backs of the four winds will reveal the truth: the bear is really a prince who's been enchanted by a troll queen, and the Lass must come up with a way to free him before he's forced to marry a troll princess.

    Favourites such as Jack the Giant-killer, Jack and the Beanstalk, Dick Whittington, The Three Little Pigs and The Babes in the Wood are all here among many others, but stories from different traditions also make their appearance, including The Three Bears and Little Red Hiding Hood.

    Barrie. Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J.M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles with Red Indians and pirates by the motherly and resourceful Wendy Darling. With their contrary lures of home and escape, childhood and maturity, safety and high adventure, these unforgettable tales are equally popular with children and adults.

    Sometimes they don’t get it right.Ugly Stepsister Anna has wrongly been accused of being mean and evil. Now it is time she got the opportunity to tell her side of the story.With Cinderella so perfect and wonderful, it is no wonder Anna feels ugly in comparison. Dealing with bullies, a grumpy mother and the death of her step-father, Anna is at her wits end.When the Prince’s ball approaches, Anna is told she must find a husband to save the family fortune. Attending with her sisters, the sulky Prince Charming only has eyes for Cinderella.With the burden of being the only one to unite her step-sister with the Prince, will Anna act as cupid? Or will she protect Cinderella from the arrogant Charming?A charming twist to the story of Cinderella, told completely from the point of view of the Ugly Step-Sister.

    It’s been more than a hundred years since the publication of the first Uncle Remus book, and it was in 1955 that all of the delightful and inimitable tales of Brer Rabbit, Brer Fox, Brer Bear, and Brer Wolf were gathered together in one volume.

    From these parents the Vietnamese people were born. With power, humor, and grace, Sherry Garland shares six of her favorite folktales of Vietnam. Passed down through the ages, these colorful stories depict the rich history, tribal customs, explanations of natural phenomena, and values so important to the Vietnamese people. Award-winning illustrator Trina Schart Hyman brings these magically entertaining and vividly detailed stories to life in an introduction to the folktales of Vietnam that is nothing less than masterful.

    

    And deep down she is relieved—despite the dishonor she has brought upon her family—to be unbetrothed and free, not some stranger's subservient bride banished to the inner quarters.But now, something is after her. Something terrifying—a force she cannot comprehend. And as pieces of the puzzle start to fit together, Ai Ling begins to understand that her journey to the Palace of Fragrant Dreams isn't only a quest to find her beloved father but a venture with stakes larger than she could have imagined.Bravery, intelligence, the will to fight and fight hard . . . she will need all of these things. Just as she will need the new and mysterious power growing within her. She will also need help.It is Chen Yong who finds her partly submerged and barely breathing at the edge of a deep lake. There is something of unspeakable evil trying to drag her under. On a quest of his own, Chen Yong offers that help . . . and perhaps more.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    His brothers and their families share in Joseph's prosperity and the farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, To a God Unknown is a mystical tale, exploring one man's attempt to control the forces of nature and to understand the ways of God.

    These are the stuff of fairy tale, myth, and folklore that have drawn us in for centuries. Fifteen bestselling and acclaimed authors reimagine the folklore and mythology of East and South Asia in short stories that are by turns enchanting, heartbreaking, romantic, and passionate. Compiled by We Need Diverse Books’s Ellen Oh and Elsie Chapman, the authors included in this exquisite collection are: Renee Ahdieh, Sona Charaipotra, Preeti Chhibber, Roshani Chokshi, Aliette de Bodard, Melissa de la Cruz, Julie Kagawa, Rahul Kanakia, Lori M. Lee, E. C. Myers, Cindy Pon, Aisha Saeed, Shveta Thakrar, and Alyssa Wong. A mountain loses her heart. Two sisters transform into birds to escape captivity. A young man learns the true meaning of sacrifice. A young woman takes up her mother’s mantle and leads the dead to their final resting place. From fantasy to science fiction to contemporary, from romance to tales of revenge, these stories will beguile readers from start to finish. For fans of Neil Gaiman’s Unnatural Creatures and Ameriie’s New York Times–bestselling Because You Love to Hate Me.

    With the arrival outside the tower of Saren's two suitors--one welcome, the other decidedly less so--the girls are confronted with both hope and great danger, and Dashti must make the desperate choices of a girl whose life is worth more than she knows.With Shannon Hale's lyrical language, this little-known classic fairy tale from the Brothers Grimm is reimagined and reset on the central Asian steppes; it is a completely unique retelling filled with adventure and romance, drama and disguise.