When Leila discovers the Web site Red Pill, she feels she has finally found people who understand her. A sheltered young woman raised by her mother, Leila has often struggled to connect with the girls at school; but on Red Pill, a chat forum for ethical debate, Leila comes into her own, impressing the Web site's founder, a brilliant and elusive man named Adrian. Leila is thrilled when Adrian asks to meet her, flattered when he invites her to be part of "Project Tess." Tess is a woman Leila might never have met in real life. She is beautiful, urbane, witty, and damaged. As they e-mail, chat, and Skype, Leila becomes enveloped in the world of Tess, learning every single thing she can about this other woman—because soon, Leila will have to become her. An ingeniously plotted novel of stolen identity, Kiss Me First is brilliantly frightening about the lies we tell—to ourselves, to others, for good, and for ill.

    Thirteen years apart.Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago. If you have any knowledge of Olivia Shaw's whereabouts or any relevant information, please contact... I've spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow. Whoever stole me was never found. But since I was taken, there hasn't been another girl. And now there is.

    Two groups, almost a hundred years apart, find themselves on the same desolate Antarctic island in this tense and compelling novel by Rebecca Hunt.1913: Dinners, Millet-Bass, and Napps - three men bound not by friendship, but by an intense dependence founded on survival - will be immortalised by their decision to volunteer to scout out a series of uncharted and unknown islands in the Antarctic, a big, indifferent kingdom.2013: Brix, Jess, and Decker - three researchers with their own reasons for being far from home - set out on a field trip to the same ancient lumps of rock and snow, home to nothing but colonies of penguins and seals.Under the harsh ultraviolet light, as all colours bleach out, and the world of simple everyday pleasures recedes, they unknowingly begin to mirror the expedition of 100 years ago.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Your bones he'll keep. Twenty years ago, four teenagers went exploring in the local woods, trying to find to the supposed home of The Bone Keeper. Only three returned. Now, a woman is found wandering the streets of Liverpool, horrifically injured, claiming to have fled the Bone Keeper. Investigating officer DC Louise Henderson must convince skeptical colleagues that this urban myth might be flesh and blood. But when a body is unearthed in the woodland the woman has fled from, the case takes on a much darker tone. The disappeared have been found. And their killer is watching every move the police make.The brilliant new police procedural from Luca Veste, featuring series characters Murphy and Rossi - a guaranteed page-turner.

    But when the killer is let off with time served on remand, Gray knows there is something fundamentally wrong with the justice system. Engaging the help of his ex-SAS buddies, he kidnaps five repeat offenders and asks the public to vote on their fate: Should they be allowed to continue their criminal ways with inadequate punishment, or has Britain had enough?His website attracts a worldwide audience and, although the authorities know where he is, they are powerless to stop him.Can Gray carry out his audacious plan? Will Andrew Harvey and his fellow MI5 operatives find a way to stop him?Gray Justice is more than a simple tale of revenge: it’s a rollercoaster ride with an ending you’ll never forget.

    A handful of survivors must fight for their lives—struggling to make it from the upper deck of the ship to the hull, the only part above water, before the ship sinks. Faced with rising water and the violence of desperate passengers and crewmembers, the group must do everything it can to survive—before time runs out. Adapted into an award-winning film by Irwin Allen, The Poseidon Adventure is a thrilling tale with timeless suspense and excitement. ABOUT THE AUTHOR Paul Gallico (1897-1976) was an American novelist and sportswriter. Born in New York City, he graduated from Columbia University and became the sports editor and columnist for the New York Daily News, where he became known for asking champion boxer Jack Dempsey to spar with him during an interview. He founded the Golden Gloves amateur boxing competition, and wrote the book that inspired the movie The Pride of the Yankees, starring Gary Cooper.Gallico is known for his short stories and novels, several of which were adapted to TV and film. His short story The Snow Goose received the O. Henry Award for short fiction; his novel Love of Seven Dolls was adapted into Lili, an Oscar-winning film.

    But she's a loner. Her mother tells her she has 'gunfighter eyes', like the father she's never met. In prison, about to be released, Nate runs afoul of the powerful leader of the Aryan Brotherhood. Marked for death on his release, Nate soon realizes that everyone he has ever loved is a target - including his daughter, Polly. Now, forced into hiding by the greenlight placed upon them, Nate finds himself having to teach his estranged daughter how to survive in a kill-or-be-killed world, all the while observed by Polly's teddy bear, who is soon the only outlet for the little girl's emotions. Soon the two of them find themselves on a non-stop struggle for survival, and along the way, discover the bonds that eluded them for so many years...

    She didn’t feel afraid standing in the darkness, imagining snakes, even with the smell of death in the air.Bea and Dan, recently married, let out their tiny flat to escape London for a few precious months. Driving down through France they visit Bea’s dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic.When Alex and Bea’s parents make a surprise visit Dan can’t understand why Bea is so appalled, or why she’s never wanted him to know them; Liv and Griff Adamson are charming, and rich. They are the richest people he has ever met. Maybe Bea’s ashamed of him, or maybe she regrets the secrets she’s been keeping.Tragedy strikes suddenly, brutally, and in its aftermath the family is stripped back to its heart, and then its rotten core, and even Bea with all her strength and goodness can’t escape.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    Forty years ago, he carelessly lost a keepsake from his beloved fiancée, Therese. That very same day, she died unexpectedly. Brokenhearted, Anthony sought consolation in rescuing lost objects—the things others have dropped, misplaced, or accidentally left behind—and writing stories about them. Now, in the twilight of his life, Anthony worries that he has not fully discharged his duty to reconcile all the lost things with their owners. As the end nears, he bequeaths his secret life’s mission to his unsuspecting assistant, Laura, leaving her his house and all its lost treasures, including an irritable ghost.Recovering from a bad divorce, Laura, in some ways, is one of Anthony’s lost things. But when the lonely woman moves into his mansion, her life begins to change. She finds a new friend in the neighbor’s quirky daughter, Sunshine, and a welcome distraction in Freddy, the rugged gardener. As the dark cloud engulfing her lifts, Laura, accompanied by her new companions, sets out to realize Anthony’s last wish: reuniting his cherished lost objects with their owners.Long ago, Eunice found a trinket on the London pavement and kept it through the years. Now, with her own end drawing near, she has lost something precious—a tragic twist of fate that forces her to break a promise she once made.As the Keeper of Lost Objects, Laura holds the key to Anthony and Eunice’s redemption. But can she unlock the past and make the connections that will lay their spirits to rest?Full of character, wit, and wisdom, The Keeper of Lost Things is heartwarming tale that will enchant fans of The Particular Sadness of Lemon Cake, Garden Spells, Mrs Queen Takes the Train, and The Silver Linings Playbook.

    Penumbra's 24-Hour Bookstore, and The Invisible Library.For his entire life, Charley Sutherland has concealed a magical ability he can't quite control: he can bring characters from books into the real world. His older brother, Rob -- a young lawyer with a normal house, a normal fiancee, and an utterly normal life -- hopes that this strange family secret will disappear with disuse, and he will be discharged from his life's duty of protecting Charley and the real world from each other. But then, literary characters start causing trouble in their city, making threats about destroying the world... and for once, it isn't Charley's doing.There's someone else who shares his powers. It's up to Charley and a reluctant Rob to stop them, before these characters tear apart the fabric of reality.

    Green is credited with many firsts. With the character Ebenezer Gryce of the New York Metropolitan Police Force, Green developed the series detective. Amelia Butterworth, a nosy society spinster who assists Gryce in three novels, is the prototype for Miss Marple, Miss Silver and other similar mystery solving female characters. And with Violet Strange, a debutante with a secret life as a sleuth, she invented the ‘girl detective.’ The Leavenworth Case predates the first appearance of Sherlock Holmes by nine years, yet it feels much more modern. Although it bears the romantic sentimentalism of its time, the story possesses a never seen before mastery of detection.

    But it turned into a nightmare.‘Compelling, addictive…brilliant’ B A ParisWhen Rachel wakes up in a strange room, the morning after a neighbour’s party, she has no memory of what happened the night before. Why did her husband leave her alone at the party? Did they row? Why are Rachel’s arms so bruised? And why are her neighbours and friends so vague about what really happened?Little by little, Rachel pieces together the devastating events that took place in a friend’s house, at a party where she should have been safe. Everyone remembers what happened that night differently, and everyone has something to hide. But someone knows the truth about what happened to Rachel. And she’s determined to find them.The Party is the gripping new novel from bestseller Lisa Hall.

    History tells us that mankind developed along its own path, and that many ancient kings believed themselves to be gods and were revered as such. But what if the truth were something in between? This is the reality that master thief Greg Cross now finds himself facing. What started out as a simple job for a trusted associate has quickly spiralled into a race to uncover secrets hidden since the dawn of civilisation. A race between those who seek the truth in order to take the next step in mankind’s destiny, and those who wish to claim it for their own and use it to rebuild an empire lost to them millennia ago. It is a mission that Greg cannot deny his role in; because he now possesses an ancient power that is the key to unlocking the secret of the Nexus. Allied with those who have fought all their lives to find and protect the truth, Greg must now learn to accept what he has become if he is to master it and survive the trials to come. For although he now embodies a potential seen in man long ago, his is not the only secret of the past to have resurfaced... Length: 480 pages hardback