So when vandals romp through the local cemetery, she takes advantage of her newfound anonymity and its unforeseen advantages as she launches her own unofficial investigation.Despite her oddball humor and unconventional snooping, Ivy soon becomes discouraged by her failure to turn up any solid clues. And after Ivy witnesses something ominous and unexplained, she can't resist putting her investigative powers to work again. Even the authorities' attempts to keep Ivy out of danger and her nosy neighbor's match-making schemes can't slow her down. But will the determination that fuels this persistent, quirky sleuth threaten her very safety?

    Together, Liza and Melanie purchase a purportedly haunted mansion on the Oregon coast and jump right into clearing out the cobwebs. But while attempting to remove wallpaper in an upstairs bedroom, the new B&B owners stumble upon a very real skeleton in their closet.The police suspect the skeleton is that of the wife of the previous owner of the B&B, but no one in town seems to want to say much about her. As the inn owners try to juggle renovations with their own amateur investigations, their grand opening looms closer and closer--and a friendly ghost in their walls starts playing tricks. But it all comes crashing to a halt when a new body is found stabbed to death on the beach below the inn--the victim chillingly close in resemblance to Melanie herself.It seems someone doesn't appreciate newcomers prying into the small town's past, and now it's up to Melanie and Liza to get to the bottom of these murders to save their business...and their lives.

    Dalgliesh is drawn into a case that is "pure Agatha Christie." . . . A "pedantic, respectable, censorious" clerk's secret taste for pornography is only the first reason he finds for not coming forward as a witness to a murder . . . A best-selling crime novelist describes the crime she herself was involved in fifty years earlier . . . Dalgliesh's godfather implores him to reinvestigate a notorious murder that might ease the godfather's mind about an inheritance, but which will reveal a truth that even the supremely upstanding Adam Dalgliesh will keep to himself. Each of these stories is as playful as it is ingeniously plotted, the author's sly humor as evident as her hallmark narrative elegance and shrewd understanding of some of the most complex--not to say the most damning--aspects of human nature. A treat for P. D. James's legions of fans and anyone who enjoys the pleasures of a masterfully wrought whodunit.From the Hardcover edition.

    Patrons love her blend of delicious tea tastings and southern hospitality. And Theo enjoys the full-bodied flavor of a town steeped in history—and mystery...—It's tea for two hundred or so at the annual historic homes garden party. And Theodosia, as event caterer, is busy serving steaming teas and blackberry scones while guests sing her praises. But the sweet smell of success turns to suspense when an esteemed guest is found dead—his hand clutching an empty teacup. All eyes are on Theo... who is now trying desperately to save her reputation and track down the real killer. If only she can make sense of it all—before someone else takes their last sip...

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

      With her snazzy cowboy boots and her ornithophobic French bulldog, Angie doesn’t exactly fit in with the predominantly Amish community in Rolling Brook, but her aunt’s quilting circle tries to make her feel welcome as she prepares for the reopening of Running Stitch.    On the big day, Angie gets a taste of success as the locals and Englisch tourists browse the store’s wares while the quilters stitch away. But when Angie finds the body of ornery Amish woodworker Joseph in her storeroom the next morning, everything starts falling apart.   With evidence mounting against her, Angie is determined to find the culprit before the local sheriff can arrest her. Rolling Brook always appeared to be a simple place, but the closer Angie gets to the killer, the more she realizes that nothing in the small Amish community is as plain as it seems....

    She’s had plenty of visions, usually boring ones like someone’s toilet’s overflowed, but she’s never seen one of herself before. When her overbearing momma winds up murdered on her sofa instead, two things are certain: There isn't enough hydrogen peroxide in the state of Arkansas to get that stain out, and Rose is the prime suspect.Rose realizes she’s wasted twenty-four years of living and makes a list on the back of a Wal-Mart receipt: twenty-eight things she wants to accomplish before her vision comes true. She’s well on her way with the help of her next door neighbor Joe, who has no trouble teaching Rose the rules of drinking, but won’t help with number fifteen-- do more with a man. Joe’s new to town, but it doesn’t take a vision for Rose to realize he’s got plenty of secrets of his own.Somebody thinks Rose has something they want and they’ll do anything to get it. Her house is broken into, someone else she knows is murdered, and suddenly, dying a virgin in the Fenton County jail isn’t her biggest worry after all.

    Thirteen, awkward, and without a father, she finds herself mixed up with her school's outcasts-Charlie, the local detective's son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera-an ex-model with many "boyfriends" and a thirst for gin-the most, Vera's hand is found on the steps. But after five days, there's no body and Neptune disappears.Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn't trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again.With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.

    As it turns out, all she inherits from Alfie is a big pile of debt. Pretty soon, Lola and her stalwart Swedish cook, Berta, are reduced to hiding out in the secret love nest Alfie kept in New York City. But when rent comes due, Lola and Berta have no choice but to accept an offer made by one of Alfie’s girls-on-the-side at his funeral: in exchange for a handsome sum of money, the girl wants Lola to retrieve a mysterious reel of film for her. It sounds like an easy enough way to earn the rent money. But Lola and Berta realize they’re in way over their heads when, before they can retrieve it, the man currently in possession of the film reel is murdered, and the reel disappears. On a quest to retrieve the reel and solve the murder before the killer comes after them next, Lola and Berta find themselves navigating one wacky situation after another in high style and low company.Charming, witty, often laugh-out-loud funny, Maia Chance's Come Hell or Highball introduces a sparkling new voice in crime fiction.

    All the semi-famous, mega-broke black actress wants is to help her parents keep their house. After witnessing a deadly hit-and-run, she figures pursuing the fifteen-grand reward isn’t the craziest thing a Hollywood actress has done for some cash.But what starts as simply trying to remember a speeding car soon blossoms into a full-on investigation. As Dayna digs deeper into the victim’s life, she wants more than just reward money. She’s determined to find the poor woman’s killer too. When she connects the accident to a notorious Hollywood crime spree, Dayna chases down leads at paparazzi hot spots, celeb homes and movie premieres. She loves every second—until someone tries to kill her.And there are no second takes in real life.

    But when a dead body is found on her property, she’s more worried about cooking up an alibi… Merry is making a fresh start in small-town Autumn Vale, New York, in the mansion she’s inherited from her late uncle, Melvin. The house is run-down and someone has been digging giant holes on the grounds, but with its restaurant-quality kitchen, the place has potential for her new baking business. She even has her first client—the local retirement home. Unfortunately, Merry soon finds that quite a few townsfolk didn’t like Uncle Mel, and she has inherited their enmity as well as his home. Local baker Binny Turner and her crazy brother, Tom, blame Melvin for their father’s death, and Tom may be the one vandalizing her land. But when Tom turns up dead in one of the holes in her yard, Merry needs to prove she had nothing to do with his death—or her new muffin-making career may crumble before it starts...

    It’s made her sympathetic to the missing and their families.Starting her new life, Abigail moves to small town and buys a fixer-upper house left empty when old Edna Summers died. Once it was also home to Edna’s younger sister, Emily, and her two children, Jenny and Christopher, who, people believe, drove away one night, thirty years ago, and just never came back.But in renovating the house Abigail finds scraps of paper hidden behind baseboards and tucked beneath the porch that hint the three could have been victims of foul play.Then she finds their graves hidden in the woods behind the house and with the help of eccentric townspeople and ex-homicide detective, Frank Lester, she discovers the three were murdered. Then she and Frank try to uncover who killed them and why…but in the process awaken the ire of the murderer. ***

    Along the way, she finds handsome Laurent Dernier, a sexy if nefarious Frenchman who it's not clear is there to help or hinder Maggie's search for the girl. Meanwhile, her sister's murderer sets his sights on the little girl — and Maggie.The first book of the Maggie Newberry Mystery Series, Murder in the South of France was originally titled Murder on the Côte d’Azur.

    She has Jenny, her adored nine-year-old daughter, and solid, honest, and loving husband, Andy, a local lawman who's running for Sheriff of Cochise County. But her good life explodes when a bullet destroys Andy Brady's future and leaves him dying beneath the blistering Arizona sun.The police brass claim that Andy was dirty -- up to his neck in drugs and smuggling -- and that the shooting was a suicide attempt. Joanna knows a cover-up when she hears one...and murder when she sees it. But her determined efforts to track down an assassin and clear her husband's name are placing herself and her Jenny in serious jeopardy. Because, in the desert, the truth can be far more lethal than a rattler's bite.

    It is also a world in which danger bides in unsuspected places and the line between good and evil can be razor thin. This new novel features Lady Vespasia Cumming-Gould–one of the most memorable characters from the Thomas Pitt series–who appears here as a lively young woman, the ultimate aristocrat who can trace her blood to half the royal houses of Europe.It’s Christmas and the Berkshire countryside lies wrapped in winter chill. But the well-born guests who have gathered at Applecross for a delicious weekend of innocent intrigue and passionate romance are warmed by roaring fires and candlelight, holly and mistletoe, good wine and gorgeously wrapped gifts. It’s scarcely the setting for misfortune, and no one–not even that clever young aristocrat and budding sleuth Vespasia Cumming-Gould–anticipates the tragedy that is to darken this light-hearted holiday house party. But soon one young woman lies dead, a suicide, and another is ostracized, held partly responsible for the shocking turn of events.To expiate her guilt, Gwendolen Kilmuir sets out for the Scottish Highlands, hoping to explain to the dead girl’s mother the circumstances surrounding the sorrowful act–and to bring her back to England for the funeral. Gwendolen’s sole companion on this nightmarish journey is Vespasia. As Vespasia learns more about the victim and the ugly forces that shaped her desperate deed, she understands the heartbreaking truth of the tragedy.