Sandy is a runaway who has swapped her unhappy past for a life on the streets.Every day, Max brings Sandy a coffee. Every day, she looks forward to seeing him.But then one morning Max doesn't show up. And when Sandy tracks him down she discovers a man who has lost everything: his career, his family, his reputation. It seems like Max and Sandy have more in common than they realised - including a certain day in June when their lives fell apart. As Max and Sandy form an unlikely friendship, they discover that moving forward means letting go of the past - and that, sometimes, strength can come from the most unlikely places.

    Summoned to her childhood home to sort through Penny’s belongings, the timing couldn’t be worse. Grieving over her losses and exhausted from a demanding teaching schedule, she worries that her marriage is collapsing under the pressure. While packing her mother’s closet, Grace discovers a box filled with mysterious keepsakes and old diaries written in Penny’s hand and takes them home. After reading pages filled with typical musings of a teenage girl from a generation ago, she stumbles upon a dark secret and is devastated to learn that what she believed her whole life about her family was based on lies.As Grace digs beneath the Rose family tree, she unearths more than one skeleton buried there. All the while, she must endure the wrath of her grandmother, Eleanor, who is determined to block her efforts to find out what happened when Penny was seventeen, as well as the underlying cause of her premature death. Yet Eleanor harbors a well-kept secret of her own, one more deceitful and calculating than Penny’s sin. Grace’s journey through an emotional labyrinth of passion, shame, and manipulation not only leads to more shocking revelations but also changes the course she had mapped for her life.Through a story told in alternating voices between the past and present where old morals and double standards from the historical 1950s and ‘60s clash with modern day values, Grace must decide if it’s worth taking an unforeseen risk to reaffirm her belief in the power of love. BOOK GROUP GUIDE INCLUDED.

    The Clems were a perfectly normal, middle-class American family when 15-year-old Carren became addicted to meth. Her habit shattered the family's world. Within two months of first taking the highly addictive drug, Carren's life had spiraled out of control. She had moved out of her home; spent her entire savings; and had resorted to stealing, dealing, and prostitution to fund her addiction. Frantic with worry, her father Ron returned to his old job as a police officer in a desperate effort to rescue his daughter and almost died in the process. Told with compelling candor and dignity, this brutally honest account is poignant proof of a father's love and the possibility of a life after drugs.

    This 50th Anniversary edition contains a new foreword by his publisher and friend, Jay Shore, and an introduction by his sister, Diane Craddock, as well as a selection of photos, drawings and other writings by Craddock."Superb in the tradition of Kerouac’s On The Road, with overtones of Ken Kesey and Hunter Thompson’s Hell’s Angels, but Craddock’s style is all his own." — Robert Kirsch, Los Angeles Times"The definitive book of the acid-freak movement. A psychedelic pilgrim’s progress of beauty, intelligence, sensitivity." — Joseph Haas, Chicago Daily News"An astounding book, so good it defies praise. The writing is superb. Craddock is a born writer with an iceberg of talent." — Shane Stevens, Chicago Sun Times"Willam J. Craddock’s masterpiece, legendary to those in the know, is as exhilarating now as ever." — Elizabeth McKenzie, author of The Portable Veblen, long listed for the 2016 National Book AwardMostly autobiographical, Be Not Content begins with the 16-year-old Craddock riding his beloved Harley Davidson with the Hells Angels, the outlaw motorcycle club, and getting into brawls and being chased by the cops. It’s an unexpected anomaly for this bright, middle-class kid from Los Gatos, California. Craddock then takes us through his college days publishing an underground newspaper, attending poetry readings with Alan Ginsberg, tripping at one of the first acid tests, and taking for days on end the strongest, most pure doses LSD. All of it done for the purpose of Craddock discovering the meaning of life.Barely 21 when he finished writing it, Doubleday bought the book in 1968 but held up publication until 1970. The first edition sold out with collectors prizing the few copies available, and copies going for as much as $950 on the Internet. Be Not Content is a powerful literary coming of age narrative that millions of Americans can personally identify with – an unforgettable time in the cultural and sociological history of America.

    

    Osman Samiuddin captures the jazba of the men who played for Pakistan, celebrates their headiest moments and many upheavals, and brings to life some of their most famous—and infamous—contests, tours and moments.Ambitious, spirited and often heartbreaking, 'The Unquiet Ones' is a comprehensive portrait of not just a Pakistani sport, but a national majboori, a compulsion whose outcome can surprise and shock, and can become the barometer of everyday life in Pakistan, tailing its ups and downs, its moods and character.

    The past also haunts the present in Afternoon of a Faun, where an accusation of historic sexual assault plunges Marco Rosedale, an English journalist in New York, into a series of deepening crises. Together these stories offer a sharply observed vision that will resonate with anyone interested in the clash of power and desire in our embattled contemporary lives.

    Marty was a professional writer, and considered himself a writer first, and an actor second. Feldman created a number of immensely successful and influential shows such as Marty, The Frost Report and sketches for Monty Python. He was one of the most essential creative forces in British comedy embodied also by his close friends and creative partners from Beyond the Fringe (especially Peter Cook and Dudley Moore) and Monty Python (especially John Cleese, Graham Chapman and Eric Idle).Marty played the fool, often very happily and with tremendous talent and volcanic, anarchic energy, for his entire life. His face is what many people most immediately remember. It was a face that David Frost, one of his bosses, characterised as 'too grotesque' for television - see what Feldman has to say about Frost, and Francis Bacon, and John Lennon...Marty Feldman finished, and set aside eYE Marty soon before travelling to Mexico to shoot his final film. He did not know that he would die there, although he certainly felt he might die soon, and was haunted by the notion. The book is exactly as Feldman wrote it: Mark Flanagan had it transcribed, with even the photos inserted where Feldman had noted they should go. Hilarious, deeply charming, aphoristic, ironic, charged throughout with lust for life and filled with scenes of great vanished eras and and portraits of other performers and friends, eYE Marty is the amazing discovery of the story of a man who was at the heart of the British comedy revolution.

    And he shares them with brutal honesty in this very book, along with plenty of hilarious (and sometimes painful) anecdotes about his career.This is not a book that will tell you how to format a manuscript or write a compelling query letter. It's a book about how to cope with rejection and bad reviews. Book signings where nobody shows up. Helplessly watching your peers go on to greater success than you. He's been through all of that and so much more, and in these pages you'll have a bunch of laughs as you commiserate and figure out how to get through it all.

     Additionally, as a lady-in-waiting, Countess Buxhoeveden attended on the Empress for much of the reign of Tsar Nicholas II, only leaving her side when the Imperial Family was removed to Tobolsk after the Tsar’s abdication in 1917. Thereafter, she followed the Empress to Tobolsk, and then to Ekaterinburg, where the entire Imperial Family, some of the Court suite and some of their servants met their deaths on July 17, 1918. The portrait the Countess paints of the Empress is of a warm, shy, kind and generous woman, devoted to Russia, her husband and her children, deeply charitable in word and deed, and a committed friend and mistress, but ill-starred, physically sick, maligned, misunderstood and much plotted against. The character descriptions in this book also include those for Tsar Nicholas, each of the children – OTMA and the Tsarevitch – Grand Duchess Ella (the Empress’ sister), Ania Vyrubova (the Empress’ most intimate friend), Rasputin and Kerensky (the Head of the Provisional Government that took power after the abdication of the Tsar and before the ascendancy of the Bolsheviks). The narrative also describes in detail the daily domestic life of the Imperial Family, and each of their trips to other parts of Russia and abroad in peace and war. It is rare for the author of any authorized biography to know her subject so familiarly and for so long, and to have been a first-hand witness to almost everything that happened for much of her life, and it is this that makes ‘The Tragic Empress’ such an intriguing and compelling book.

    His boxing career blighted by broken hands, the New York Irishman had won five of his previous 21 bouts and had been forced to quit. The Great Depression was at its height. When work dried up on the Hudson River docks, Braddock was forced to claim welfare relief to feed his young family.Then came a visit from his old manager, asking if he wanted one more fight. Desperate for money, Braddock had no choice but to say yes. Four wins later, he was the heavyweight champion of the world in the greatest upset in the sport’s history.Braddock’s rags-to-riches success led Damon Runyon to call him the Cinderella Man. His story captivated the nation in much the way the racehorse Seabiscuit’s would a few years later. Braddock came to represent the struggle for survival facing many families in mid-1930s America.James J. Braddock was born in New York City in 1906, one of seven children. He developed an early taste for fighting and quit school to work a series of menial jobs before resolving to pursue his boxing dream. Over the next decade he became a contender, before injury ruined his prospects. Redemption came on the night of June 13, 1935, with his famous victory over the outrageous champion Max Baer. Braddock would later lose his title to the great Joe Louis, but his place as the people’s champion was cemented forever.Author Michael DeLisa is historical consultant on a major motion picture entitled The Cinderella Man, starring Russell Crowe and Renée Zellweger, to be released in the summer of 2005.

    For the boy inside the pages . . From Charles: I am often asked about my childhood. How I grew up. Where. What informed me as a writer, man and child of God. Starting with some of my earliest memories, these are stories of that place in me. That kid in me. In here you will find honest admission of my mistakes, failures, successes. Note: these are not fiction and this is not a novel.These stories are as true as I can remember. In these pages, you will hear the beginnings of my voice as a writer, the things that were troubling me — things I didn’t know how to voice out my mouth so they bubbled up and out my fingers. You will also hear my unshakable and childlike faith in a sovereign and good Heavenly Father.I wrote most all of these stories between my sophomore year in high school and my senior year in college so my temptation here and now was to edit them. To make them sound like me today, the writer I’ve become after almost thirty years with this keyboard on my lap. For the record, I have not done that. What you read today, is what I wrote then. (That doesn’t mean they’re sloppy. I’ve cleaned them up a bit.) But, as a result, you hear my early voice. And while it is ripe with mistakes and a wordiness long since edited out of me, there’s also an innocence and purity that I cherish.For those of you looking for my next novel, this is not it. But, it will give you insight into the novels you have read or might read. I’ve entitled them, “River Road,” because I grew up there. Because that hallowed ground along the St. Johns River holds a tender place in my heart. Because the valiant, sweaty kid I knew back then is still running around with Tom Sawyer and Huck Finn and he holds an absolute faith that fishing is a more noble pursuit than school, that he can play in the NFL, that men don’t die of hiccups, that he can still cat-walk his Schwin Mag Scrambler over sixty nine parking spaces, that swallowing Levi Garrett chewing tobacco won’t hurt him and that girls actually think it’s cool, that throwing tangerines at cars is good training for arm strength, that being a bully to a buddy hurt his heart, that a pellet to the gonads is excruciatingly painful, that when my praying mother hit her knees next to a wrecked car and bleeding man that she towered over the men around her, that forgiveness is the toughest thing that kid will ever offer another and that God can and will kill the devil. Enjoy.

    To do whatever is the work before her, letting nothing distract her, expecting nothing, fearing nothing -- the way of the Stoics -- this is her ideal. But despite all her stratagems, this ideal constantly eludes her. Life is too unpredictable, her sense of self too fragile and human relationships are too tenuous. She muddles along, a victim of her own anxieties and resentments, her behavior often as mystifying to herself as it is to others. Why though, happily married, does she fly across the country to pursue a man she hardly knows, whom she intuitively mistrusts and does not even much care for? In the aftermath of this calamity, Nona separates from her husband and undergoes a period of intense self-examination. Meanwhile, she struggles to complete a book about her father, a painter, who died when she was a child. Out of both projects -- her work of introspection and her work of memory -- arise thorny questions about love, identity and destiny. Unexpected support appears in the form of one of her father's old lovers, whom Nona now meets for the first time. But while this new friendship thrives, relations between Nona and her husband, and between Nona and her mother, with whom she shares an anguished history, seem to be coming apart. Nona has barely achieved a somewhat surer sense of herself and her way in the world when a series of grave, unforeseeable events threaten her precarious equilibrium.Compelling, emotionally charged and written with the psychological precision and exquisite detail that are among the hallmarks of Nunez's work, "Naked Sleeper" is aboutinescapable and sometimes unendurable complexities of love and the family drama. It is the story of a woman's search for self-knowledge, for understanding of others and for an answer to the imperative question: "How should she live?"

    It's the story of two women who meet in 1980, gray-haired Erma telling her life story to Annie, a young college student living in Charleston, West Virginia. The tale she tells is also of two women, and their adventures beginning in the coalfields of Red Ash, growing up near Thurmond, and eventually finding their way to Charleston in 1915. Strong mountain women, historical places, faith, and grief are themes explored in this account of a friendship that spans across decades. You will find yourself wishing to call on the fine folks of the Appalachian Mountains, relax for a spell, and stumble upon the angels who made West Virginia so gloriously wild and wonderful.

    A NONFICTION ADVENTURE. VERY INTERESTING.CHECK OUR STORE FRONT FOR GREAT BOOKS & CDs. FAST SERVICE.-24-