A collective cry for help from a generation who have come of age entrenched in the culture of divorce, economic instability, and AIDS, here is the intensely personal story of a young girl full of promise, whose mood swings have risen and fallen like the lines of a sad ballad.

    Though she lived through the accident that killed her boyfriend Patrick, the girl she used to be didn’t survive. Instead of heading off to college as planned, Wren retreats to her father’s studio in the far-north woods of Maine. Somewhere she can be alone.Then she meets Cal Owen. Dealing with his own troubles, Cal’s hiding out too. When the chemistry between them threatens to pull Wren from her hard-won isolation, Wren has to choose: risk opening her broken heart to the world again, or join the ghosts who haunt her.

    It will cut the neighborhood in two. Construction has already started, pushing toward this corridor of condemned houses and cracked concrete with the momentum of the inevitable. Yet there you are, in the fifth house on the left, fighting for your life. Ramey, I. The victim of the bet between two manufactured gods: the seductive and lethal Roxy (Oxycontin), who is at the top of her game, and the smart, high-achieving Addison (Adderall), who is tired of being the helpful one, and longs for a more dangerous, less wholesome image. The wager—a contest to see who can bring their mark to “the Party” first—is a race to the bottom of a rave that has raged since the beginning of time. And you are only human, dazzled by the lights and music. Drawn by what the drugs offer—tempted to take that step past helpful to harmful…and the troubled places that lie beyond. But there are two I. Rameys—Isaac, a soccer player thrown into Roxy’s orbit by a bad fall and a bad doctor and Ivy, his older sister, whose increasing frustration with her untreated ADHD leads her to renew her acquaintance with Addy. Which one are you?

    He is bright and articulate. He's also an alcoholic and in rehab instead of high school, but he doesn't remember how he got there. He's not sure he wants to remember. Something bad must have happened. Something really, really bad. Remembering sucks and being alive - well, what's up with that? I have it in my head that when we're born, God writes things down on our hearts. See, on some people's hearts he writes Happy and on some people's hearts he writes Sad and on some people's hearts he writes Crazy on some people's hearts he writes Genius and on some people's hearts he writes Angry and on some people's hearts he writes Winner and on some people's hearts he writes Loser. It's all like a game to him. Him. God. And it's all pretty much random. He takes out his pen and starts writing on our blank hearts. When it came to my turn, he wrote Sad. I don't like God very much. Apparently he doesn't like me very much either.

    In this follow-up to her heartbreaking debut, Such a Pretty Girl, Laura Wiess once again spins a shattering tale of the tragedies that befall young women who are considered society's Leftovers.Blair and Ardith are best friends who have committed an unforgivable act in the name of love and justice. But in order to understand what could drive two young women to such extreme measures, first you'll have to understand why. You'll have to listen as they describe parents who are alternately absent and smothering, classmates who mock and shun anyone different, and young men who are allowed to hurt and dominate without consequence. You will have to learn what it's like to be a teenage girl who locks her bedroom door at night, who has been written off by the adults around her as damaged goods. A girl who has no one to trust except the one person she's forbidden to see. You'll have to understand what it's really like to be forgotten and abandoned in America today.Are you ready?

    Art school is her ticket out and she’s already been accepted to her first choice, MICA. All she has to do is survive her senior year, not get too drunk at parties, and be there for her little sister, Emma. Sure, she’s usually battling a hangover when she drives to pick Emma up, but she has everything under control. Until he returns.When her mom’s ex-boyfriend slithers his way back into her family, it’s all Skye can do to keep the walls of her world from crumbling. Her family has no idea Skye has been guarding a dark secret about her past–about him–and she never thought she would have to face him again. She knows she has to get away from him at all costs. But how can she abandon Emma? Skye’s heart is torn between escaping the man who hurt her years ago and protecting her loved ones from the monster in their midst. Running away from her fears isn’t an option. To save her sister–and herself–she’ll have to break all the rules.

    Emma O'Donovan is eighteen years old, beautiful, happy, confident. One night, there's a party. Everyone is there. All eyes are on Emma. The next morning, she wakes on the front porch of her house. She can't remember what happened, she doesn't know how she got there. She doesn't know why she's in pain. But everyone else does. Photographs taken at the party show, in explicit detail, what happened to Emma that night. But sometimes people don't want to believe what is right in front of them, especially when the truth concerns the town's heroes...

    When Samantha Schutz first left home for college, she was excited by the possibilities -- freedom from parents, freedom from a boyfriend who was reckless with her affections, freedom from the person she was supposed to be. At first, she revelled in the independence. . . but as pressures increased, she began to suffer anxiety attacks that would leave her mentally shaken and physically incapacitated. Thus began a hard road of discovery and coping, powerfully rendered in this poetry memoir.

    I think of how I collected each piece from the beach, how I glued it all together into one big sculpture. I wonder if Connor realizes what it means, that he'll always have a piece of me no matter what happens. Each piece of glass is another piece of myself that I gave to him.It's too bad I didn't keep any pieces for myself.At the beginning of senior year, Ann was a smiling, straight-A student and track star with friends and a future. Then she met a haunted young man named Connor. Only she can heal his emotional scars; only he could make her feel so loved - and needed. Ann can't recall the pivotal moment it all changed, when she surrendered everything to be with him, but by graduation, her life has become a dangerous high wire act. Just one mistake could trigger Connor's rage, a senseless storm of cruel words and violence damaging everything - and everyone - in its path.This evocative slideshow of flashbacks reveals a heartbreaking story of love gone terribly wrong.

    They all come to her to diagnose their problems and provide the "cure" -- be it Prozac, Ritalin, Vicodin...She's therapist, doctor, and pharmacist all in one. She helps people. And that makes her feel a little more in control -- a little more capable of dealing with her own frantic high school life. Because Thyme Gilchrest is nothing if not good at dealing.

    Since the show’s cancellation and the scandal surrounding it, Bonnie™ has tried to live a normal life, under the radar and out of the spotlight. But it’s about to fall apart…because Baker’s Dozen is going back on the air. Bonnie™’s mom and the show’s producers won’t let her quit and soon the life she has so carefully built for herself, with real friends (and maybe even a real boyfriend), is in danger of being destroyed by the show. Bonnie™ needs to do something drastic if her life is ever going to be her own—even if it means being more exposed than ever before.

    She talks with him, teases him, but reveals nothing about herself except her phone number. Later they have a perfect day at the London Zoo, and soon Joe is as addicted to Candy as she is to heroin, in spite of the threats of her menacing pimp Iggy. Almost nothing matters except his desire to free her from her terrible life-- not his band's chance for a recording contract, not the song he has written for her that has become a hit without him. But there is something that still matters to him, and when he rescues the young prostitute from her sordid rooming house and takes her into hiding to sweat out her addiction, Iggy finds and uses that one thing that is stronger than Joe's passion for Candy, in a heart-thumping, breathless conclusion.

    She’s spending the next four and half weeks traveling through Europe with her childhood best friend, Leela. Their plans include Eiffel-Tower selfies, eating cocco gelato, and making out with très hot strangers. Her plans do not include Leela’s cheating ex-boyfriend showing up on the flight to London, falling for the cheating ex-boyfriend’s très hot friend, monitoring her mother’s spiraling mental health via texts, or feeling like the rope in a friendship tug-of-war. As Sydney zigzags through Amsterdam, Switzerland, Italy, and France, she must learn when to hold on, when to keep moving, and when to jump into the Riviera…wearing only her polka-dot underpants.

    She wasn't the first victim, and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her.The problem is, no one searches for a girl they never noticed in the first place.

    . . or so her philandering father thinks, and he sends her to a Seattle psychiatrist. Immediately wise to the head games of her new shrink, whom she nicknames Siggy, Ida begins a coming-of-age journey. At the beginning of her therapy, Ida, whose alter ego is Dora, and her small posse of pals engage in "art attacks." Ida’s in love with her friend Obsidian, but when she gets close to intimacy, she faints or loses her voice. Ida and her friends hatch a plan to secretly film Siggy and make an experimental art film. But something goes wrong at a crucial moment—at a nearby hospital Ida finds her father suffering a heart attack. While Ida loses her voice, a rough cut of her experimental film has gone viral, and unethical media agents are hunting her down. A chase ensues in which everyone wants what Ida has.