The linked poems in Klink's third collection, Raptus, search through a failed relationship, struggling with the stakes of compassion, the violence of the outside world, and the wish to anchor both in something true.

    The language, the invention, the imagination, and the sheer fun of his poems is astounding. It's not all dazzle either. The poems are also moving. This man reminds us that there is nothing more serious than a joke' - Charles Simic, final judge and author of "Jackstraws", "Walking the Black Cat", and "A Wedding in Hell".

    Or do they? Here's to finding love at any age... A crossover story between the Comfort Crossing series and the Lighthouse Point series.

    River Hymns is the lyrical journey of a young black man’s spiritual reckoning with his family history.

    Polyvocal poems, arias, and redacted text speak for the unheard. Philip Metres exposes our common humanity while investigating the dehumanizing perils of war and its lasting effect on our culture.From "Hung Lyres":@When the bombs fell, she could barely raiseher pendulous head, wept shrapneluntil her mother capped the firewith her breast. She teeteredon the highwire of herself. Shelay down & the armies retreated, nevershowing their backs. When she unlatchedfrom the breast, the planes took off again.Stubborn stars refused to fall . . . Philip Metres has written a number of books and chapbooks, most recently A Concordance of Leaves (Diode, 2013), abu ghraib arias (Flying Guillotine, 2011), To See the Earth (Cleveland State, 2008), and Behind the Lines: War Resistance Poetry on the American Homefront Since 1941 (University of Iowa, 2007). His work has appeared widely, including in Best American Poetry, and has garnered two NEA fellowships, the Thomas J. Watson Fellowship, four Ohio Arts Council Grants, the Anne Halley Prize, the Arab American Book Award, and the Cleveland Arts Prize. He teaches at John Carroll University in Cleveland, Ohio.

    There, Cuban expats view her with suspicion--assuming she's an informant for the Castro regime. To Cleo's surprise, that suspicion follows her home to Cuba, where she finds herself under constant surveillance by the government. When she meets and falls in love with a Hollywood filmmaker, she discovers her family is not who she thought they were . . . and neither is the filmmaker.

    Her overwhelming grief often leaves her aching to escape her lonely existence and join her husband and son in the grave. When Brian, a reserved bachelor in his early thirties, moves next door, Mazie takes a special interest in him--even attempting to set him up with her young friend, Claire. Then, there’s the odd little girl across the street who is determined to be his friend. Brian doesn’t know what to make of the spunky old woman or the persistent young girl who both nudge their way into his life when he just wants to be left alone.When a sudden tragedy leaves Mazie battling for her life, Brian steps in to help the old widow, and both discover that life’s purpose is often revealed in the unexpected.

    . . ANNABELLE WINTERS STYLE!When a brash Saudi prince takes liberties with State Department translator Amy Hadad, she’s told to forget it and move on, to be a patriot and swallow her personal pride for the sake of the bigger picture.Saudi Prince Rafiq is helping the US in a delicate hostage situation with the rogue extremist nation of Jawal, and so Amy is stuck with an impossible choice: If she accuses Prince Rafiq, he might not help the US, and hostages might die.It’s not just an impossible choice, it’s no choice at all.She has to stand down, keep her mouth shut, smile for the camera, and let the show go on.Navy SEAL Jake Axelrod, busted down to security detail for a loudmouthed Senator after running his own mouth off in public, is used to choosing his country over himself.It’s what he was born to do, trained to do, loves to do.But when he senses how Amy reacts to Prince Rafiq at a State Department Gala in Dubai, something awakens in him, something comes alive, a different sense of moral duty that burns strong in his heart, like it comes from someplace deep and ancient, from a time when a man's highest duty was to protect his woman.Soon Axe faces his own impossible choice, and he makes it with his heart instead of his head.An eye for an eye leaves the whole world blind, they say.Well, even a blind man knows when the sun is shining, and that’s what it feels like around Amy.So what the hell.Who needs eyes when your future's so clear.Hooyah.Toe-curling suspense, button-popping steam, mind-breaking action. And of course over-the-top drama and madness, Annabelle Winters style. This is a full length standalone.

    Dubbed Billionaire Bachelor Cove because of the resident's single status and income portfolios, The Cove is the perfect place to hide away from the world. But, as the residents soon find out, they can't hide from love. A Princess and Her Billionaire Scoundrel at Sea Paris James is a high-seas playboy.  He throws lavish parties on his yacht to entertain clients for a multi-billion-dollar business that specializes in luxury water toys. He’s as free as a pirate … until he wins the royal Tyndarian bracelet in a game of chance—with that bracelet, comes a very special girl. Laney Moon is a first grade teacher who lives a fairly normal life--that is, until her cousin loses her heirloom bracelet in a rigged poker game. The grandmother who raised her will lose her house if Laney can't cash in on the bracelet. Desperate, Laney stows aboard Paris’s yacht, determined to take what’s hers from the scoundrel, and she is shocked to find a gentleman with stormy blue eyes and a mischievous grin. In one last outrageous wager, Paris agrees to return the bracelet if Laney can convince the other yacht guests that she is the princess who once owned it. Paris is in way over his head–he’d gladly return the bracelet if black market assassins weren’t after it, but now he must act like the uncaring pirate to keep her safe. As his feelings for Laney build, so do the threats against her. Paris must decide between rescuing Laney from her past or making her a part of his future. Because, princess or not, Laney Moon has already sailed away with his heart.

    During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense sincerity. This diary is dotted with rants about the extreme cold and utter loneliness, poetic descriptions of the snowy countryside, along with personal philosophizing. What is most remarkable is that the reading of this book flows with the experience of watching his films: through this walk we witness how his images are born. Although he received a literary award for it, this introspective masterpiece has lingered out of print since 1979. Beautifully designed and emotionally impressive, Of Walking in Ice is the first in a color-coded series of remarkable yet long-forgotten titles being republished by Free Association.

    It all began with a simple seaside vacation, a brother and sister recapturing their childhood. Antoine Rey thought he had the perfect surprise for his sister Mélanie's birthday: a weekend by the sea at Noirmoutier Island, where the pair spent many happy childhood summers playing on the beach. It had been too long, Antoine thought, since they'd returned to the island - over thirty years, since their mother died and the family holidays ceased. But the island's haunting beauty triggers more than happy memories; it reminds Mélanie of something unexpected and deeply disturbing about their last island summer. When, on the drive home to Paris, she finally summons the courage to reveal what she knows to Antoine, her emotions overcome her and she loses control of the car. Recovering from the accident in a nearby hospital, Mélanie tries to recall what caused her to crash. Antoine encounters an unexpected ally: sexy, streetwise Angèle, a mortician who will teach him new meanings for the words life, love and death. Suddenly, however, the past comes swinging back at both siblings, burdened with a dark truth about their mother, Clarisse. Trapped in the wake of a shocking family secret shrouded by taboo, Antoine must confront his past and also his troubled relationships with his own children. How well does he really know his mother, his children, even himself? Suddenly fragile on all fronts as a son, a husband, a brother and a father, Antoine Rey will learn the truth about his family and himself the hard way. By turns thrilling, seductive and destructive, with a lingering effect that is bittersweet and redeeming, A Secret Kept is the story of a modern family, the invisible ties that hold it together, and the impact it has throughout life.

    The location is a small town in Northern France, near V., in the dead of the freezing winter. The war is still being fought in the trenches, within sight and sound of the town, but the men of the town have been spared the slaughter because they are needed in the local factory. One morning a beautiful ten year old girl, one of the three daughters of the innkeeper, is found strangled and dumped in the canal. Suspicion falls on two deserters who are picked up near the town. Their interrogation and sentencing is brutal and swift. Twenty years later, the narrator, a local policeman, puts together what actually happened. On the night the deserters were arrested and interrogated, he was sitting by the bedside of his dying wife. He believes that justice was not done and wants to set the record straight. But the death of the child was not the only crime committed in the town during those weeks. More than one record has to be set straight. Beautiful, like a fairy story almost, frozen in time, this novel has an hypnotic quality.

    Ondaatje is said to care more about the relationship between art and nature than any other poet since the Romantics.

    The stories of Raghbir Dhillon delight, entertain, and educate as they offer a glimpse into Indian culture, its sects, gods, and social rules and practices, but beyond this cultural veneer universal human qualities shine through and elevate these narratives beyond the simple elements of fiction.

    In spare lines, Abdolmalekian conjures surreal, cinematic images that pan wide as deftly as they narrow into intimate focus. Time is a thread come unspooled: pain arrives before the wound, and the dead wait for sunrise.Abdolmalekian resists definitive separations between cause and effect, life and death, or heaven and hell, and challenges our sense of what is fixed and what is unsettled and permeable. Though the speakers in these poems are witnesses to the deforming effects of grief and memory, they remain alive to curiosity, to the pleasure of companionship, and to other ways of being and seeing. Lean Against This Late Hour illuminates the images we conjure in the face of abandonment and ruin, and finds them by turns frightening, bewildering, ethereal, and defiant. "This time," a disembodied voice commands, "send us a prophet who only listens."