On the dimly lit path beside the university's ice hockey arena, a stranger emerged from the darkness. The brutal sexual assault and strangulation that followed rocked the campus and the local community to its core.When Katy was declared brain-dead three days later, her family's nightmare had only just begun.Terry Connelly soon learned details about her daughter's death that would make her blood boil. From the bungling campus guards who could have stopped the murder, to mistakes by others that allowed the killer to wander the streets committing violence, Katy's mother became certain of one thing: The criminal justice system only meant justice for the criminals.A STRANGER KILLED KATY is the true story of a life cut tragically short, and of the fight by a grieving mother and others more than 30 years later to ensure that a killer would spend the rest of his life behind bars.

    By the time she returned to her home country in 1973, she had established herself as a leader of New York’s avant-garde movement, known for creating happenings and public orgies to protest the Vietnam War and for the polka dots that had become a trademark of her work. Her sculptures, videos, paintings, and installations are to this day included in major international exhibitions.Available for the first time in English, Infinity Net paints a multilayered portrait of this fascinating artist. Taking us from her oppressive childhood in postwar Japan to her present life in the psychiatric hospital where she voluntarily stays—and is still productive—Kusama’s autobiography offers insight into the persona of mental illness that has informed her work. While she vibrantly describes the hallucinatory episodes she experiences, her tale is punctuated by stories of her pluck and drive in making her artistic voice heard. Conveying the breadth and ambition of her own work, Kusama also offers a dazzling snapshot of 1960s and 1970s New York City and her encounters with its artists—she collaborates with Andy Warhol, shares an apartment with Donald Judd, and becomes romantically entangled with Joseph Cornell. Replete with the sense of the sheer necessity within an artist to create, Infinity Net is an energetic and juicy page-turner that offers a glimpse into Kusama’s exhilarating world.

    Includes lectures, essays, diaries and other writings, including "How to Improve the World (You Will Only Make Matters Worse)" and "Juilliard Lecture."

    But how many civilian women can say they saved the lives of at least 250 downed airmen in just over two years?"Code Name Lily" takes you on an unforgettable journey from Belgium, into France, and over the Pyrenees Mountains into Spain. An extremely clever and persuasive young Belgian nurse outsmarts the Nazis time and again, risking her life if she is caught, but protecting every airman she successfully aids to evade the Germans."Code Name Lily" is based on the true story of Micheline "Michou" Dumon-Ugeux, a legend in the Comet Line escape network from 1940-1944 who went only by the name of Lily. You, too, will fall in love with Lily.

    In chapters ranging from 'Disorder' to 'The Construction of Dwellings' to 'A Research Workshop, ' Le Corbusier discusses his views on architectural history and offers opinions on the future of the profession, while touching on his own projects for the Villa Savoye, the Cit Universitaire, and the Radiant City. Topics such as architecture's role in our directionless society; the balance between spiritual values and technical factors; and the importance of space, proportion, and color are explored by this renowned architect, and still resonate today, almost 50 years later. Our reprint of this classic text is a facsimile of the 1961 edition, now available as an affordable paperback.

    With French statesman Tallyrand serving as the book's master of ceremonies, Calasso persuades us to see our civilization in an entirely new light.

    Enter a stranger with a ready grin, who says that his name is Micah and claims to have known Ava’s ex back in high school. Micah is currently “in between” jobs, and Ava feels led to offer him work doing odd jobs around her home. Little does she know that her simple act of kindness will challenge her faith, threaten the lives of the people she loves, and have her running for her life. Ava hopes that somehow she will be saved, but in the end, she may be forced to make a devastating choice in order to survive. Read the novella He Said His Name Was Micah today.

    At once a love story, a mystery, and an investigation into the ideas of absurdist art, "Irwin's novel about English surrealism is funny and profound and hugely satisfying" (A. S. Byatt, Sunday Times)

    It is a chilling and all-too-real story about a routine Trans-Atlantic airline flight that suddenly turns absolutely insane. In the doomed airliner's cockpit, inside the passenger cabin and on the ground, a complex array of characters have been propelled at jet speed into a sudden and frantic race for survival."Captain" is about the individual and collective struggles of each of these men and women as they attempt to deal with and ultimately fight against the odds and circumstances that are stacked against them."Captain" is a novel that pits man against man while also pitting man against machine. It is a story about the need for human judgments, hard-learned experiences, gut feelings and unbridled perseverance in an effort to rise up against a world where the strict adherence to written rules, regulations and procedures have been accepted as the norm."Captain" is about the way real airline pilots think, feel and react, especially after those giant airliners that they've strapped themselves to have suddenly turned vicious and unpredictable.Author Nelson DeMille says of "Captain": After a long hiatus from writing, Captain Block rejoins the ranks of legendary pilots-turned-novelists such as Ernest K. Gann ("The High and the Mighty") and brings us "Captain" - one of the best aviation/adventure thrillers you will ever read."Captain" puts you in the cockpit, in the passenger cabin, and at airline headquarters with an intricate and intriguing array of characters. This novel is nothing short of the most frightening and heart-pounding Trans-Atlantic fliight since Charles Lindbergh's solo. Or will it turn out to be Amelia Earhart's tragic Pacific crossing?"Captain" is right up there with the best of the aviation thrillers; an edge of your seat story of what happens when something goes horribly wrong when there is no room for wrong. Captain Block knows his stuff, and it shows on every page. Welcome aboard.

    

    I believe, Andre Breton said, in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or "

    After decorating the walls with art by Picasso and other avant-garde artists, they embarked on a series of extravagant performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man sneered at the audience, snapping a whip as he intoned his “Fantastic Prayers.” One of the artists called these sessions “both buffoonery and a requiem mass.” Soon they would have a more evocative name: Dada. In Destruction Was My Beatrice, modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artists like Marcel Duchamp and Man Ray; to Berlin, where it inspired painters George Grosz and Hannah Höch; and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists like André Breton, Louis Aragon, and Paul éluard. The long tail of Dadaism, Rasula shows, can be traced even further, to artists as diverse as William S. Burroughs, Robert Rauschenberg, Marshall McLuhan, the Beatles, Monty Python, David Byrne, and Jean-Michel Basquiat, all of whom—along with untold others—owe a debt to the bizarre wartime escapades of the Dada vanguard. A globe-spanning narrative that resurrects some of the 20th century’s most influential artistic figures, Destruction Was My Beatrice describes how Dada burst upon the world in the midst of total war—and how the effects of this explosion are still reverberating today.

    There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said."The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.'"He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.'"The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation

    Glitter tried to save music's soul, but was too commercial to be cutting edge for long. Then, in 1974, a rescue movement arrived. Three chords, black jeans, a pair of shades, and a whole lot of attitude made music that matched the facts of life on its home ground, mid-70's New York City's East Village. The initiators of punk, Richard Hell, Tom Verlaine, and Patti Smith had one foot in nineteenth-century French symbolist poetry and the other in the raw sound of their predecessors such as the Velvet Underground. This first-hand account of a little-documented era features luminaries such as Lou Reed, Iggy Pop, David Bowie, Debbie Harry, Divine, Devo, and the New York Dolls, and tells of the gigs at CBGB hitting the news as Warhol and his glittering crew descended. What began as a unique blend of fin-de-sièe ennui and razor-sharp rock became anarchic frenzy and safety pins, overrun by gutter decadence and stupid-chic. With Malcolm McLaren hijacking the scene's momentum, the Blank Generation plunged into excess and eventual ruin, its survivors making the leap into mainstream.

    It's a still a mystery, and a much debated topic, among theater enthusiasts as to why "Merrily We Roll Along" flopped, especially since Sondheim's other productions, which include "Into the Woods," "Follies," "Sweeney Todd," and "A Funny Thing Happened on the Way to the Forum," have been so endearing and extraordinarily successful. In this Kindle Single, Pogrebin muses on why the show didn't get off the ground at the same time that she takes the reader on passionate, introspective journey, examining the importance of this very special moment in her life.Abigail Pogrebin is the author of Stars of David: Prominent Jews Talk About Being Jewish (Broadway Books 2007), and One And The Same: My Life as an Identical Twin and What I've Learned About Everyone's Struggle to Be Singular (Doubleday 2009). Pogrebin has written for many national publications, and has produced for Mike Wallace at "60 Minutes." She lives in New York City with her husband and two children.