Through the good and bad; through raising a son and sending him off to life after university. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector’s aloof mother on their wedding day.But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can’t recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta’s visions persist and her reality grows more disjointed, it’s unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.

    She’s one big case away from securing her place among London’s legal elite. But when she meets her new client, Martin Joy, the natural caution that has protected Francine and fueled her rise melts away. Powerless to fight the irresistible magnetism between them, client and counsel tumble into a blistering affair that breaks every rule.Though Martin insists his marriage is over, Francine doesn’t believe him. Certain details he’s told her don’t quite add up. Consumed with a passion she cannot control and increasingly obsessed with Martin’s relationship with his wife, Donna, Francine follows the woman one night . . . and discovers her having dinner with her supposedly soon-to-be-ex-husband.The next morning, Francine awakens in her neighbor’s apartment with blood on her clothes and no recollection of what transpired after she spied Donna and Martin together. Then Francine receives more devastating news: Martin’s wife has vanished. That dinner was the last place anyone has seen Donna Joy alive.Suddenly, Francine finds herself caught in a dangerous labyrinth of deception, lies, and secrets, in which one false move could lead to her undoing. What happened that night and why can’t Francine remember? Where is Donna and who is responsible for her disappearance? The further Francine goes to find answers, the tighter the net seems to draw—around her lover, herself, and the life she’s meticulously built.

    Now, she's returned home to confront her past and the unsolved murder that altered the course of her life. In her mother’s shuttered house, an old fear that has haunted Sienna for years rears its ugly head —that it was she who had been the killer’s target that night. And now, with it, a new fear—that the killer not only intended to remedy his past mistake—he’s already begun. But are these fears any different from the ones that torment her mother?As the walls close in, the line between truth and lie, reality and delusion disintegrate. Has Sienna’s worst nightmare come true? Or will she unmask a killer and finally prove she may be her mother’s look-alike, but she’s not her clone?

    Caroline Thompson, devoted mother of two, sticks to the moral high ground and attempts to avoid these women. She’s relieved to hear her name appears only three times, citing her philanthropy. Despite being grateful that she has nothing to hide, a delayed pang of insecurity prods Caroline to Google her maiden name—which none of the others know.The hits cascade like a tsunami. Caroline’s terrified by what she reads. An obituary for her sister, JD? That’s absurd. With every click, the revelations grow more alarming. They can’t be right. She’d know. Caroline is hurled into a state of paranoia—upending her blissful family life—desperate to prove these allegations false before someone discovers they’re true.The disturbing underpinnings of THE MEMORY BOX expose a story of deceit, misconceptions, and an obsession for control. With its twists, taut pacing, and psychological tenor, Natiello's page turning suspense cautions: Be careful what you search for.HOUSTON WRITERS GUILD MANUSCRIPT AWARD WINNER

    She’s not used to mixing work and friendship―after all, between her jealous boyfriend and his young daughter, she has enough on her plate. But the newest dancer is so clueless that Samantha feels compelled to help her learn the hustle and drama of the club: how to sweet-talk the boss, fit in with the other women, and make good money. One night, when the new girl needs a ride home, Samantha agrees to drive: a simple decision that turns deadly.Georgia, another dancer drawn into the ensuing murder and missing person investigation, gathers information for Holly, a grieving detective determined to solve the case. Georgia just wants to help, but her involvement makes her a target. As Holly and Georgia round up their suspects, the story’s point of view shifts between dancers, detectives, children, club patrons―and the killer.Drawing on her experience as a former dancer, Marie Rutkoski immerses us in the captivating world of the club, which comes alive with complicated people trying their best to protect themselves and those they love. Character-driven and masterfully plotted, Real Easy gets to the heart of the timeless question: How do women live their lives knowing that men can hurt them?

    As he crosses the border from Thailand, he tests the threshold of a new future.And on that first night, a small windfall precipitates a chain of events-- involving a bag of “jinxed” money, a suave American, a trunk full of heroin, a hustler taxi driver, and a rich doctor’s daughter-- that changes Robert’s life forever.Hunters in the Dark is a sophisticated game of cat and mouse redolent of the nightmares of Patricia Highsmith, where identities are blurred, greed trumps kindness, and karma is ruthless. Filled with Hitchcockian twists and turns, suffused with the steamy heat and pervasive superstition of the Cambodian jungle, and unafraid to confront difficult questions about the machinations of fate, this is a masterful novel that confirms Lawrence Osborne’s reputation as one of our finest contemporary writers.

    Willa Blaine, her old roommate, needs her help: refuge from an abusive husband. “Two weeks tops,” she says―but it’s not the imposition that bothers Penelope; it’s the memories Willa brings with her.Twenty years earlier, Penelope, Willa, and three friends lived together in a converted church. Insular and closed off from the rest of the world, the five roommates formed their own dysfunctional family, celebrating the pinnacle of their lives; they called themselves “the Spires.” But nights of wild parties gave way to a darker undercurrent: jealousy, resentment, unrequited love, and obsession. Tensions boiled over during a night of debauchery that ended in a deadly fire, leaving the Spires scattered and forever changed.Now Willa is the perfect houseguest: accommodating, helpful, bringing a newfound sense of excitement to the Cox household. Yet Penelope can’t help but feel the cracks in her life widen as she begins to question Willa’s motives. Everyone has secrets, it seems―and the fire may have brought down the Spires, but not everything burned was forgotten.

    Only four will come out alive.Six months after the stabbing of sixteen-year-old Deanna Barker, someone is coming after the teenagers of Stockleigh, as a spate of vicious assaults rocks this small community. Revenge for Deanna? Or something more? Detective Eden Berrisford is locked into a race against time to catch the twisted individual behind the attacks – but when her own niece, Jess Mountford, goes missing, the case gets personal. With the kidnapper threatening Jess’s life, can Eden bring back her niece to safety? Or will the people of Stockleigh be forced to mourn another daughter…?

    You can't keep the secret.You can't tell the truth.You can't escape the past...Marianne was seventeen when she fled her home in Nusstead – leaving behind her family, her boyfriend, Jesse, and the body they buried. Now, thirty years later, forced to return to in order to help care for her sick mother, she can feel the past closing around her. And Jesse, who never forgave her for leaving in the first place, is finally threatening to expose the truth.Marianne will do anything to protect the life she's built, the husband and daughter who must never know what happened all those years ago. Even if it means turning to her worst enemy for help... But Marianne may not know the whole story – and she isn't the only one with secrets they'd kill to keep.

    Yet what begins as a field assignment becomes a journey into Jamie’s own identity.Danny Carter was a schoolboy during the Korean War, growing up with the mystery of his airman brother's disappearance. As Danny comes of age in a rapidly changing United States, he is determined to locate his brother's lost plane in the face of murder, intimidation and loss.Danny and Jamie, coming together from opposite sides of the world, will find that revenge extracts a terrible price, and reveal a shocking truth that will shake the world.

    Falling into a downward spiral of prostitution, drugs and drink, she is picked up by a journalist who has discovered that it was a bomb that caused the crash. And it is his murder that pulls her out of herself.The Rhythm Section is not a thriller about the hunt for a terrorist, although that is the path Stephanie takes, and it’s not a story about revenge, although justice for her family is her initial motivation. Rather, The Rhythm Section is the story of Stephanie’s attempt to reclaim herself. She has to rediscover who she is through a series of roles that she is forced to play; she is never herself. As a prostitute, she is Lisa, the chemical blonde. Later, she is Petra Reuter, German anarchist turned mercenary terrorist. Sometimes, she is Marina Gaudenzi, a Swiss businesswoman, or she’s Susan Branch, an American student, or Elizabeth Shepherd, an English management consultant.But whoever she is, she’s never herself because her life depends on her being someone else. This is the way she is trained by the intelligence service that recruits her, but it’s also the way she’s taught herself to be; being someone else has always worked for her and so it does now, until she begins to fall in love for the first time with Frank White. This undermines her completely and poses new questions: which of the many people she has become is the one to have fallen in love? Stephanie? Petra? Or one of the others? With whom has Frank fallen in love? Marina? Or the real Stephanie? More than anything, The Rhythm Section is about a catastrophic crisis of identity.

    and friendship. Doting wife, devoted husband, cherished child. Merry, Sam, and Conor are the perfect family in the perfect place. Merry adores the domestic life: baking, gardening, caring for her infant son. Sam, formerly an academic, is pursuing a new career as a filmmaker. Sometimes they can hardly believe how lucky they are. What perfect new lives they've built.When Merry's childhood friend Frank visits their Swedish paradise, she immediately becomes part of the family. She bonds with Conor. And with Sam. She befriends the neighbors, and even finds herself embracing the domesticity she's always seemed to scorn.All their lives, Frank and Merry have been more like sisters than best friends. And that's why Frank soon sees the things others might miss. Treacherous things, which are almost impossible to believe when looking at this perfect family. But Frank, of all people, knows that the truth is rarely what you want the world to see.

     Tell Me You're Mine is a story of guilt, grief, and the delicate balance between love and obsession. Where is the line between hope and madness?Three women: one who believes she has found her long lost daughter, one terrified she's about to lose her child, and one determined to understand who she truly is.Stella Widstrand is a psychotherapist, a happily married mother to a thirteen-year-old son. But when a young woman named Isabelle steps into her clinic to begin therapy, Stella's placid life begins to crumble. She is convinced that Isabelle is her daughter, Alice. The baby that tragically disappeared more than twenty years ago on a beach during a family vacation. Alice is believed to have drowned, but her body was never found. Stella has always believed that Alice is alive, somewhere--but everyone around her worries she's delusional. Could this be Alice? Stella will risk everything to answer that question, but in doing so she will set in motion a sequence of events beyond her control, endangering herself and everyone she loves.

    Kate is in the middle of a two week quarantine period, but she just can't take it anymore - the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate's neighbour Alice sees her leaving and Matt, Kate's son, soon realizes she's missing. And Kate, who planned only a quick solitary walk - a breath of open air - falls and badly injures herself. What began as a furtive walk has turned into a mountain rescue operation . . . Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since March 2020, and the place it was before. Sarah Moss's novel is a story about compassion and kindness and what we must do to survive, and it will move you to tears.

    The sheriff, desperate for more positive press, makes Eve the youngest female homicide detective in the department’s history.Now Eve, with a lot to learn and resented by her colleagues, has to justify her new badge. Her chance comes when she and her burned-out, soon-to-retire partner are called to the blood-splattered home of a missing single mother and her two kids. The horrific carnage screams multiple murder—but there are no corpses.Eve has to rely on her instincts and tenacity to find the bodies and capture the vicious killer, all while battling her own insecurities and mounting pressure from the media, her bosses, and the bereaved family. It’s a deadly ordeal that will either prove her skills…or totally destroy her.