This ingenious twist on a classic noir tale tells the story of Lora King, a schoolteacher, and her brother Bill, a junior investigator with the district attorney's office. Lora's comfortable, suburban life is jarringly disrupted when Bill falls in love with a mysterious young woman named Alice Steele, a Hollywood wardrobe assistant with a murky past. Made sisters by marriage but not by choice, the bond between Lora and Alice is marred by envy and mistrust. Spurred on by inconsistencies in Alice's personal history and possibly jealous of Alice's hold on her brother, Lora finds herself lured into the dark alleys and mean streets of seamy Los Angeles. Assuming the role of amateur detective, she uncovers a shadowy world of drugs, prostitution, and ultimately, murder. Lora's fascination with Alice's "sins" increases in direct proportion to the escalation of her own relationship with Mike Standish, a charmingly amoral press agent who appears to know more about his old friend Alice than he reveals. The deeper Lora digs to uncover Alice's secrets, the more her own life begins to resemble Alice's sinister past -- and present. Steeped in atmospheric suspense and voyeuristic appeal, Die a Little shines as a dark star among Hollywood lights.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    When Becker takes a mysterious job, he has no idea that it will force him to delve deeply into his own past. Undeterred by obstacles he is determined to complete his assignment. But he may realize too late that his success will permanently alter his future.

      Sebastian Rudd, rogue lawyer, defends people other lawyers won't go near. It's controversial and dangerous work, which is why Sebastian needs his bodyguard/assistant/sidekick: Partner. So if Sebastian is just about the most unpopular lawyer in town, why is Partner so loyal to him? How did they meet? And what's the real story of this man of few words who's as good with a gun as he is with the law? The surprising answers are all in PARTNERS, John Grisham's first exclusively digital short story.

    Long suffering under Christopher's unfaithful ways, Rosemary is tried, convicted and executed. Ten years later, Jon Nunn, the detective who cracked the case, becomes convinced that the wrong person was put to death. Along with financier Tony Olsen, he plans to gather everyone who was there the night Christopher died and finally uncover the truth about what happened that fateful evening. Could it have been the ne'er do well brother Peter Hausen, interested in his sister's trust fund having got through his own; the curatorial assistant Justine Olengard, used and betrayed by Christopher; the artist Belle who turned down his advances only to see her career suffer a setback; or someone else all together? No Rest for the Dead is a thrilling, page-turning accomplishment that only the very best thriller writers could achieve.

    Cold cases are often the toughest: With no body, no murder scene, and no fingerprints, Bosch nevertheless gets lucky when DNA evidence from the murder weapon points to a known killer. But the DA insists that science alone is not enough - he needs the case to be bulletproof before he'll take it to court.Determined to speak for those who can no longer speak for themselves, Bosch has one chance to wrench a confession out of a cold-blooded killer, or risk letting him walk free for good.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    After an unspeakable crime shatters her life, she changes her identity and moves to a small town in Illinois, hoping to spare her children from further trauma…or worse. But crime follows her everywhere.When the former mayor winds up dead, Rachel can’t help but get involved. Where local detectives see suicide, she sees murder. They resent her for butting in—especially since she’s always one step ahead. But her investigative genius may be her undoing: the deeper she digs, the harder it is to keep her own secrets buried.Her persistence makes her the target of both the cops and a killer. Meanwhile, the terrifying truth about her past threatens to come to light, and Rachel learns the hard way that she can’t trust anyone. Surrounded by danger, she must keep her steely resolve, protect her family, and stay one step ahead, or else she may become the next victim.

    Upload. Ruin a reputation. In this page-turning short story from international bestselling author Jeffery Deaver, senior detective Jon Avery inherits a deeply troubling case. At an off-campus party, university professor Rose Taylor is drugged, undressed, and photographed on a burner phone. In seconds her humiliation is uploaded, and millions of JPEGs are zipping like immortal wasps through the internet. But why would someone target her? She has no vengeful exes or rival academics, no stalkers or unhinged students. Jon Avery, the sharpest, most experienced investigator in the sheriff’s office, is determined to find out who’s behind this horrific invasion of privacy. But soon he runs into a wall of silence at Preston College—an academic mecca whose reputation one doesn’t dare tarnish. The message is clear: if he pursues the case, he’ll pay for it.

    But her tranquillity is shattered when she receives a letter from the last person she ever expects—or wants—to hear from: Walter Bowman. There was your photo, in a magazine. Of course, you are older now. Still, I'd know you anywhere.In the summer of 1985, when she was fifteen, Eliza was kidnapped by Walter and held hostage for almost six weeks. He had killed at least one girl and Eliza always suspected he had other victims as well. Now on death row in Virginia for the rape and murder of his final victim, Walter seems to be making a heartfelt act of contrition as his execution nears. Though Eliza wants nothing to do with him, she's never forgotten that Walter was most unpredictable when ignored. Desperate to shelter her children from this undisclosed trauma in her past, she cautiously makes contact with Walter. She's always wondered why Walter let her live, and perhaps now he'll tell her—and share the truth about his other victims.Yet as Walter presses her for more and deeper contact, it becomes clear that he is after something greater than forgiveness. He wants Eliza to remember what really happened that long-ago summer. He wants her to save his life. And Eliza, who has worked hard for her comfortable, cocooned life, will do anything to protect it—even if it means finally facing the events of that horrifying summer and the terrible truth she's kept buried inside.

    Now Hugh is beginning to connect the dots between missing radioactive material, a SCUD missile sold on the black market, and a Russian ship sailing toward the Alaskan coast…but the Administration refuses to heed his warning. In the Bering Sea, Coast Guard cutter Sojourner Truth is on routine patrol. On board is Hugh's estranged wife, executive officer Sara Lange. Sara and her ship are Hugh's only hope for stopping the terrorists…if she's willing to believe her ex-husband's story and risk her own career--and her crew's lives--to hunt down a death ship….

    Here, the released convict and his ride pal Kelp plot to steal the $500,000 Balaboma Emerald. The former British colony has recently become independent and split. The Akinzi have the stone, the Talabwo want it back, and their UN rep will pay for retrieval.

    But while she's sneaking around, her husband is hatching a plan of his own. After a torrid quickie with a co-worker, Lauren hears a struggle outside her window and looks out just in time to see her husband loading her lover's limp body into the trunk of a car. When the body shows up in a pool of shallow water, she races to the scene of the crime. But Lauren Stillwell is no regular wronged woman. She's a NYC cop—and she's just been assigned to this case. Unable to tell anyone what she saw and unwilling to turn her husband in, Lauren is paralyzed by a secret that will tear her life apart. But as she attempts to point fingers away from her husband, she uncovers something shocking: her husband didn't have an affair—what he did was far worse than she could have ever imagined.A gripping story of secrets and infidelities that begins where Adrian Lyne's movie Unfaithful leaves off, The Quickie will have readers' hearts pounding to the very last page.

    Now as an adult, Jill's made it - she has a successful career and a solid, if not static, marriage to Detective Alex Shannon. Together they live out what seems to be a perfect life in Seattle. The vow she made as a teenager to never again be a victim lies dormant - until one day a reporter lures her to his hotel room under the pretense of an interview - and suddenly all of it comes rushing back. Jill seeks revenge on the reporter, triggering a series of events that leads Jill down a wormhole of retribution, forcing her to spin an ever-widening web of lies. Meanwhile, Alex is pulled into a case of a series of murders that began as cyber relationships. There seems to be a familiar fingerprint on these crimes, but Alex refuses to believe the murderer could be so close to him. For those who couldn't put down The Girl with the Dragon Tattoo comes a thrilling ride a la Mr. and Mrs. Smith, where husband and wife stand on opposite sides of a divide created by lies and rooted in a dark and deadly past.

    The novel pits Ted Cogan, a forty-three-year- old surgeon and self-described womanizer, against Hank Madden, a handicapped veteran detective. From the outset it's not clear who is victim and who is victimizer, as the usually dispassionate Madden grapples with his long-suppressed prejudices and his obsession with bringing Ted Cogan to justice at any cost. It all leads up to the most stunning surprise ending since Scott Turow's Presumed Innocent.