Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.From the opening story, "Willing", about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being, Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world--no flower or stone--as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Haagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.

    But then an unexpected gift wins him a scholarship to an exclusive boys’ school, and his life will never be the same again.As he enters into adulthood, Harry finally learns how his father really died, but the awful truth only leads him to question, was he even his father? Is he the son of Arthur Clifton, a stevedore who spent his whole life on the docks, or the firstborn son of a scion of West Country society, whose family owns a shipping line?This introductory novel in Archer’s ambitious series The Clifton Chronicles includes a cast of colorful characters and takes us from the ravages of the Great War to the outbreak of the Second World War, when Harry must decide whether to take up a place at Oxford or join the navy and go to war with Hitler’s Germany. From the docks of working-class England to the bustling streets of 1940 New York City, Only Time Will Tell takes readers on a journey through to future volumes, which will bring to life one hundred years of recent history to reveal a family story that neither the reader nor Harry Clifton himself could ever have imagined.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    Mrs. Miniver's adventures have charmed millions. This edition, published on the fiftieth anniversary of the book's orginal publication in the U.S., features a new introduction by Greer Garson, who won the Academy Award as best actress for her role as Mrs. Miniver.

    Obsessed with an irresistible fascination for the enigmatic Sarah, Charles is hurtled by a moment of consummated lust to the brink of the existential void. Duty dictates that his engagement to Tina must be broken as he goes forth once again to seek the woman who has captured his Victorian soul & gentleman's heart.

    A world that lovingly captures the ties that bind us to one another-the joys and sorrows, heartbreaks and misunderstandings, and glad, perfect moments when we are in true harmony. A world filled with evocative, engrossing, and above all, enjoyable portraits of people's lives and loves, tenderly laid open for us...At twenty-seven, Virginia Keile had been through the most intense experiences life had to offer-a magical first love ending in heartbreak, a suitable marriage, motherhood, and widowhood. All she wanted now was to take her daughter and son to a seaside cottage and help them recover. But Virginia's true love was there, waiting, hoping, praying that this time she would be strong enough to seize happiness.

    Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the mundane, the sour with the sweet, and the beautiful, the grotesque, the seductive, and the disturbing are never more than one step away. Whether she's exploring the myth of beauty, the pain of infidelity, or the wonder of late-life romance, Joanne Harris once again proves herself a master of the storyteller's trade.

    It is a story about childhood and growing up, loss of innocence, eccentricity, familial ties and friendships, love and life. Stripped down to its bare bones, it’s about the unbreakable bond between a brother and sister.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    'There once was a man who, one night between the main course and the sweet at a dinner party, went upstairs and locked himself in one of the bedrooms of the house of the people who were giving the dinner party . . .' As time passes by and the consequences of this stranger's actions ripple outwards, touching the owners, the guests, the neighbours and the whole country, so Ali Smith draws us into a beautiful, strange place where everyone is so much more than they at first appear.There but for the was hailed as one of the best books of 2011 by Jeanette Winterson, A.S. Byatt, Patrick Ness, Sebastian Barry, Boyd Tonkin, Erica Wagner and Nick Barley. 'Dazzlingly inventive' A.S. Byatt 'Whimsically devastating. Playful, humorous, serious, profoundly clever and profoundly affecting' Guardian 'A real gem' Erica Wagner, The Times 'Eccentric, adventurous, intoxicating, dazzling. This is a novel with serious ambitions that remains huge fun to read' Literary Review 'If you liked Smith's earlier fiction, you will know that she enjoys setting up a situation before chucking in a literary Molotov cocktail then describing what happens' Sunday Express 'Wonderful, word-playful, compelling' Jeanette Winterson 'Smith can make anything happen, which is why she is one of our most exciting writers today' Daily Telegraph 'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard

    She spends her days, and often nights, tracking the every move of a wild wolf pack—their size, their behavior, their howl patterns. It is a fairly solitary existence, but Rachel is content.When she receives a call from the wealthy and mysterious Earl of Annerdale, who is interested in reintroducing the grey wolf to Northern England, Rachel agrees to a meeting. She is certain she wants no part of this project, but the Earl's estate is close to the village where Rachel grew up, and where her aging mother now lives in a care facility. It has been far too long since Rachel has gone home, and so she returns to face the ghosts of her past.The Wolf Border is a breathtaking story about the frontier of the human spirit, from one of the most celebrated young writers working today.

    Looking back on the hardships of his early life, where difficult days are faced with courage but the valleys swell with the sound of Welsh voices, it becomes clear that there is nowhere so green as the landscape of his own memory. An immediate bestseller on publication in 1939, How Green Was My Valley quickly became one of the best-loved novels of the twentieth century. Poetic and nostalgic, it is an elegy to a lost world.Richard Dafydd Vivian Llewellyn Lloyd (1906-1983), better known by his pen name Richard Llewellyn, claimed to have been born in St David's, Pembrokeshire, Wales; after his death he was discovered to have been born of Welsh parents in Hendon, Middlesex. His famous first novel How Green Was My Valley (1939) was begun in St David's from a draft he had written in India, and was later adapted into an Oscar-winning film by director John Ford. None But the Lonely Heart, his second novel, was published in 1943, and subsequently made into a film starring Cary Grant and Ethel Barrymore. As well as novels including Green, Green My Valley Now (1975) and I Stand on a Quiet Shore (1982), Llewellyn wrote two highly successful plays, Poison Pen and NooseIf you enjoyed How Green Was My Valley, you might like Barry Hines' A Kestrel for a Knave, also available in Penguin Modern Classics.'Vivid, eloquent, poetical, glowing with an inner flame of emotion'The Times Literary Supplement

    At nineteen, he’s proud of the fact his relationship flies in the face of social convention.As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.Tender and profound, The Only Story is an achingly beautiful novel by one of fiction’s greatest mappers of the human heart.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended. Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.