Richly created and lushly told, it is peopled with unforgettable characters both real and imaginary, set in an Africa of violence, spectacle and romance.

    When not on one of her dangerous assignments, she lives in Boston, exploring a new relationship with Seb, a psychologist who offers her glimpses of a better world.Returning from a harrowing assignment in the Congo where she was kidnapped by rebel soldiers, Marika learns that a man she has always admired from afar, Pulitzer-winning war correspondent Robert Lewis, has committed suicide. Stunned, she abandons her magazine work to write Lewis’s biography, settling down with Seb as their intimacy grows. But when Marika finds a curious letter from a missionary claiming to have seen Lewis in the remote jungle of Papua New Guinea, she has to wonder, What if Lewis isn’t dead? Marika soon leaves Seb to embark on her ultimate journey in one of the world’s most exotic and unknown lands. Through her eyes we experience the harsh realities of jungle travel, embrace the mythology of native tribes, and receive the special wisdom of Tobo, a witch doctor and sage, as we follow her extraordinary quest to learn the truth about Lewis—and about herself, along the way.

     When her mother is shot at the close of World War II, Marika Magos is orphaned into a new life in the diamond canyons of South Africa. As a worn-torn Europe is on the mend, Marika climbs to the glittering heights of the London fashion industry. From Paris to New York, her name is known and her admirers many. Not even Tony Palma, the international tycoon who thought he possessed her entirely knows of the secret passion she harbours for Swiss immigrant Gunter Grieff. Yet the sweet promise of their affair turns to ashes when Marika learns that his name and papers are false, changed in the final days of the war to protect his German identity. Song of the Wind tells a powerful tale of romance, adventure and intrigue. Praise for Song of the Wind ‘Irresistible . . . keeps your emotions trembling over hundreds of pages’ - MAIL ON SUNDAY Praise for Madge Swindells Praise for Madge Swindells 'Superlative' - Publishers Weekly 'I was gripped from start to finish’ - Kate Alexander, author ‘Terrific. A book that’s big in every sense. . . rich in detail and written with passion it lives on in the memory. I loved it’ - Sarah Harrison, author Madge Swindells was born and educated in England. As a teenager, she emigrated to South Africa where she studied archaeology at Cape Town University. Later, in England, she was a Fleet Street journalist and the manager of her own publishing company. Her earlier novels, Summer Harvest, Shadows on the Snow, The Corsican Woman, Edelweiss, The Sentinel and Harvesting the Past were international bestsellers and have been translated into eight languages. She lives in South Africa.

    Mencken, E.M. Forster, Virginia Woolf, Ernest Hemingway, Bertrand Russell, Lionel Trilling, Chiua Achebe, and Philip Gourevitch"Heart of Darkness," which appeared at the very beginning of our century, was a Cassandra cry announcing the end of Victorian Europe, on the verge of transforming itself into the Europe of violence," wrote the critic Czeslaw Milosz.        Originally published in 1902, Heart of Darkness remains one of this century's most enduring--and harrowing--works of fiction. Written several years after Conrad's grueling sojourn in the Belgian Congo, the novel tells the story of Marlow, a seaman who undertakes his own journey into the African jungle to find the tormented white trader Kurtz. Rich in irony and spellbinding prose, Heart of Darkness is a complex meditation on colonialism, evil, and the thin line between civilization and barbarity. This edition contains selections from Conrad's Congo Diary of 1890--the first notes, in effect, for the novel which was composed at the end of that decade.Virginia Woolf wrote of Conrad, "His books are full of moments of vision. They light up a whole character in a flash. . . .  He could not write badly, one feels, to save his life."

    It is the winner of the Noma Award.

    Nine-year-old Megan lives in a redbrick house in Dublin with her mother, a beautiful and lonely artist, and her grandmother; her father's whereabouts are a mystery that she often thinks about.When an American family moves in downstairs and Megan's mother begins a tentative affair with the father, everything that Megan is sure of starts to unravel.  From her friendship with the boy next door to the strange food that the new family cooks, from her relationship with the impossibly sophisticated Beth to the possibilities opened up by the temptation of swimming at night, it is a summer that will impact Megan in ways she could never predict.

    And when he meets Nigel life becomes even more interesting. Nigel is from England and he has come to visit his great grandfather, the fearsome Bwana Ruin who owns the farm where all the villagers work. The villagers call Nigel the mzungu boy, and they view him with suspicion and fear.Nevertheless, Kariuki becomes friends with Nigel and the two spend happy days exploring the forest together. Then one day the two boys decide to hunt down Old Moses, the biggest, ugliest, oldest and meanest warthog in the forest. The hunt takes them deeper into the jungle than Kariuki has ever gone, and his beloved forest becomes a frightening place, filled with dangerous creatures, including the Mau-mau, the mysterious men who have guns and are plotting against Bwana Ruin and the white soldiers. And when Nigel suddenly disappears, Kariuki realizes that it is up to him to save his friend.

    Spoiled Rachel struggles to establish her independence and learns to love across the cultural divide; conservative Seema attempts to end a relationship that has become increasingly abusive; and street-savvy Nomsa finally accepts a past that she has spent a lifetime denying. Coping with rogue snakes, gang assassinations, and the public's denial of AIDS, these women demonstrate what it takes to be a doctor in South Africa.

    The Nobel Prize-winning writer's masterwork is the engrossing story of a Muslim family in Cairo during Britain's occupation of Egypt in the early decades of the twentieth century.The novels of The Cairo Trilogy trace three generations of the family of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons–the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. Al-Sayyid Ahmad’s rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s. Sugar Street brings Mahfouz’s vivid tapestry of an evolving Egypt to a dramatic climax as the aging patriarch sees one grandson become a Communist, one a Muslim fundamentalist, and one the lover of a powerful politician.Throughout the trilogy, the family's trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. Filled with compelling drama, earthy humor, and remarkable insight, The Cairo Trilogy is the achievement of a master storyteller.

    The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian.Based on actual events, Segutransports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.

    Life in a hippie commune is her parent's dream come true, not hers. She doesn't share their passion for living off the land, nor does she enjoy the isolation that is thrust upon her. When she convinces them to send her to public school in the nearby town, a new world opens up to her. As she pursues her education, Rose chooses a different path, leaving her parents heartbroken at her insistence they are hiding something from her. She's convinced her father isn't the man her mother married. Although she finds love far away from her roots and upbringing, her wounds only deepen as she keeps her family at arm’s length. What she loses during those years can only be retrieved with her understanding that “a Rose by any other name is still a Rose.”

    Premchand, the father, is a doctor who has worked doggedly to grow his practice and give his family security; his wife, Urmila, runs a business importing artisanal Kenyan crafts; and their son, Sunil, after quitting the pre-med track, has gotten accepted to a PhD program in philosophy at Harvard. But the parents have kept a very important secret from Sunil: his cousin, Bimal, is actually his older brother. And when this previously hidden history is revealed by an unforeseen accident, and the entire family is forced to return to Nairobi, Sunil reveals his own well-kept, explosive secret: his Jewish-American girlfriend, who has accompanied him to Kenya, is, in fact, already his wife. Spanning four generations and three continents, The Limits of the World illuminates the vast mosaic of cultural divisions and ethical considerations that shape the ways in which we judge one another’s actions. A dazzling debut novel—written with rare empathy and insight—it is a powerful depiction of how we prevent ourselves, unwittingly and otherwise, from understanding the people we are closest to.

    One of the world's pre-eminent playwrights, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize (Mel Gussow, The New Yorker), Athol Fugard is renowned for his relentless explorations of personal and political survival in apartheid South Africa - which include his now classic plays Master Harold . . . and the Boys and The Blood Knot. Fugard has written a single novel, Tsotsi, which director Gavin Hood has made into a feature film that The Times (London) calls a remarkable achievement and is South Africa s official entry for the 2006 Academy Awards. Set amid the sprawling Johannesburg township of Soweto, where survival is the primary objective, Tsotsi traces six days in the life of a ruthless young gang leader. When we meet Tsotsi, he is a man without a name (tsotsi is Afrikaans for hoodlum ) who has repressed his past and now exists only to stage and execute vicious crimes. When he inadvertently kidnaps a baby, Tsotsi is confronted with memories of his own painful childhood, and this angry young man begins to rediscover his own humanity, dignity, and capacity to love.

    If he fails, he risks his name being erased from the history of the tribes.With the support of his mother, a powerful witch whose name is whispered in fear across the lands of the tribes, the outcast Olise now seems unstoppable in achieving his goal.Facing overwhelming military might and dark forces that he cannot comprehend, Jide must either choose to ignore the warnings of the gods, and seek help from those who also practice dark arts; or risk losing his kingdom.

    What she does know is that 'difference' had currency in the past, and it certainly still has currency today. The Sabi will have an effect on you - have no doubt about that. In her debut novel, Diane Brown takes a scenic and open-eyed walk down memory lane to the 1960's when apartheid was in full swing to the early 1990's when South Africa was beginning to sense freedom. She ventures further back in time to help solve the puzzle of the current time, how did South Africa become so angry and so violent? Writing from the heart to relate the events of her childhood and adolescence, the author takes you on a journey that will make you cry and laugh along with her as she tried to make sense of her life, the people around her and the system into which she was born. She is no doubt left extremely vulnerable and exposed in relating this account of her life. This honesty is anchored in an easy writing style which is deeply reflective, with an acute sense of contextual reasoning. She reflects on the news of the day in a 'free' country, tainted with the heavy stench of death, violence and abuse and notes that all too familiar script. She finally realises... Her story must be told.Themes covered in this book: Race, Colorism, Violence, South Africa, Apartheid, Acceptance, Prejudice, Coming-of-age, Love, Liberation