But between the social teas and silk dress fittings, she leads a forbidden secret life.Against her stern father's wishes and society's expectations, Audrey often slips away to her uncle's laboratory to study the gruesome practice of forensic medicine. When her work on a string of savagely killed corpses drags Audrey into the investigation of a serial murderer, her search for answers brings her close to her own sheltered world.The story's shocking twists and turns, augmented with real, sinister period photos, will make this dazzling, #1 New York Times bestselling debut from author Kerri Maniscalco impossible to forget.

    Rule #1: The poison must never be used to harm another woman.Rule #2: The names of the murderer and her victim must be recorded in the apothecary’s register.One cold February evening in 1791, at the back of a dark London alley in a hidden apothecary shop, Nella awaits her newest customer. Once a respected healer, Nella now uses her knowledge for a darker purpose - selling well-disguised poisons to desperate women who would kill to be free of the men in their lives. But when her new patron turns out to be a precocious twelve-year-old named Eliza Fanning, an unexpected friendship sets in motion a string of events that jeopardizes Nella’s world and threatens to expose the many women whose names are written in her register.In present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, reeling from the discovery of her husband’s infidelity. When she finds an old apothecary vial near the river Thames, she can’t resist investigating, only to realize she’s found a link to the unsolved “apothecary murders” that haunted London over two centuries ago. As she deepens her search, Caroline’s life collides with Nella’s and Eliza’s in a stunning twist of fate - and not everyone will survive.

    A young woman staggers alone through a forest in Shropshire as a huge pair of impossible wings rip themselves from her shoulders.Meanwhile, when rumours of a 'fallen angel' cause a frenzy across London, a surgeon desperate for fame and fortune finds himself in the grips of a dangerous obsession, one that will place the women he seeks in the most terrible danger . . .THE GIFTS is the astonishing debut adult novel from the lauded author of BEARMOUTH. A gripping and ambitious book told through five different perspectives and set against the luminous backdrop of nineteenth century London, it explores science, nature and religion, enlightenment, the role of women in society and the dark danger of ambition.

    It's not the kind of place you'd want to end up. But it's where Jess Moulson could be spending the rest of her life.It's a place where even the walls whisper.And one voice belongs to a little boy with a message for Jess.Will she listen?

    Fury burns in her bright and strong. But she has promised her mother that she will keep Dill, her little sister, safe. As the lust for blood and retribution rises to fever pitch, will Evey keep true to the bonds of sisterhood and to the magick that is her destiny?Cover artwork by Edward Bettison

    Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation—a thesis on mid-century children’s literature.Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown—author of the beloved classic Goodnight Moon—whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle—and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.Using Megan’s postpartum haunting as a powerful metaphor for a woman’s fraught relationship with her body and mind, Julia Fine once again delivers an imaginative and “barely restrained, careful musing on female desire, loneliness, and hereditary inheritances” (Washington Post).

    But something sinister lurks beneath the soil of the old estate.After heiress and current owner Caitlin Chaisson is witness to her husband’s stunning betrayal at her birthday party, she tries to take her own life in the mansion’s cherished gazebo. Instead, the blood she spills awakens dark forces in the ground below. Chaos ensues and by morning her husband has vanished without a trace and his mistress has gone mad.Nova, daughter to Spring House’s groundskeeper, has always suspected that something malevolent haunts the old place, and in the aftermath of the birthday party she enlists Caitlin’s estranged best friend, Blake, to help her get to the bottom of it. The pair soon realizes that the vengeance enacted by this sinister and otherworldly force comes at a terrible price.

    Running through it is the theme of evil, deftly woven into a story as memorable for its action as for its astonishingly vivid set of characters. In fin de siecle Paris, Arthur and Margaret are engaged to be married. Everyone approves and everyone seems to be enjoying themselves—until the menacing and repulsive Oliver Haddo appears.

    . .In the heart of Elizabethan England, Richard Shakespeare dreams of a glittering career in one of the London playhouses, a world dominated by his older brother, William. But he is a penniless actor, making ends meet through a combination of a beautiful face, petty theft and a silver tongue. As William’s star rises, Richard’s onetime gratitude is souring and he is sorely tempted to abandon family loyalty.So when a priceless manuscript goes missing, suspicion falls upon Richard, forcing him onto a perilous path through a bawdy and frequently brutal London. Entangled in a high-stakes game of duplicity and betrayal which threatens not only his career and potential fortune, but also the lives of his fellow players, Richard has to call on all he has now learned from the brightest stages and the darkest alleyways of the city. To avoid the gallows, he must play the part of a lifetime . . . .Showcasing the superb storytelling skill that has won Bernard Cornwell international renown, Fools and Mortals is a richly portrayed tour de force that brings to life a vivid world of intricate stagecraft, fierce competition, and consuming ambition.

    But the carnival’s newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come.Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It’s a gift for communicating with animals. To some, she’s a magical tender. To others, a she-devil. To a talent prospector, she’s a crowd-drawing oddity. And the Bacchanal Carnival is Eliza’s ticket out of the swamp trap of Baton Rouge.Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too. She hides behind an iridescent disguise. She feeds on innocent souls. And she’s met her match in Eliza, who’s only beginning to understand the purpose of her own burgeoning powers.Only then can Eliza save her friends, find her family, and fight the sway of a primordial demon preying upon the human world. Rolling across a consuming dust bowl landscape, Eliza may have found her destiny.

    There she will become nursery maid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .'A glorious indulgence. Dazzling' - Daisy Goodwin'Inventive, glittering, clever, ingenious' - Susan Hill'Fascinating, I loved it' - Julian Fellowes'An enthralling mystery' - Juliet Nicolson'Audacious, breathtaking' - Alex Gray

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    The first was the Round Table, with King Arthur as companion and lord. The second, the Table of Errant Companions, were those who went seeking adventure and waited to become companions of the Round Table. Those of the third table never left court and did not go on quests or in search of adventures, either because of illness or because they lacked courage. These knights were called the Less Valued Knights.'Sir Humphrey du Val of the Table of Less Valued Knights - Camelot's least prestigious table, boringly rectangular in shape and with one leg shorter than the other so that it always has to be propped up with a folded napkin to stop it from rocking - has been banned by King Arthur from going on quests, and hasn't left the castle in fifteen years. He's tempted out of his imposed retirement by Elaine, who is looking for her kidnapped fiancé. She appears to be the classic damsel in distress, but turns out to have a big secret to hide.Across the border in Puddock, the new young queen, Martha, is appalled to be married off against her will to the odious Prince Edwin of Tuft. She disguises herself as a boy and runs away, but doesn't get very far before the Locum of the Lake - standing in for the full-time Lady - intercepts her with some startling news: Martha's brother, the true heir to the throne of Puddock, is not dead as she has always thought, and Martha must go on her own quest to find him.The two quests collide, entangling Humphrey, Elaine and Martha's lives, and introducing a host of Arthurian misfits, including a twelve-year-old crone, a magic sword with a mind of her own, a freakishly short giant, and not one but three men in iron masks.With Gods Behaving Badly Marie Phillips showed that she has a rare gift for comedy, taking familiar characters from legend and giving them an ingenious contemporary twist. In The Table of Less Valued Knights it's Thomas Malory's turn, and I'm afraid you'll never read him in quite the same way again.

    The days are long, her kids are ungrateful, her husband is distant, and her to-do list is never really done. The one thing she has to look forward to is her book club, a group of Charleston mothers united only by their love for true-crime and suspenseful fiction. In these meetings, they're more likely to discuss the FBI's recent siege of Waco as much as the ups and downs of marriage and motherhood.But when an artistic and sensitive stranger moves into the neighborhood, the book club's meetings turn into speculation about the newcomer. Patricia is initially attracted to him, but when some local children go missing, she starts to suspect the newcomer is involved. She begins her own investigation, assuming that he's a Jeffrey Dahmer or Ted Bundy. What she uncovers is far more terrifying, and soon she--and her book club--are the only people standing between the monster they've invited into their homes and their unsuspecting community.

    Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?